Scott T. Smith – författare

Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world.Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture.In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.

Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world.Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture.In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.

A decade ago, Graphic Medicine Manifesto established a bold new framework for understanding the intersection of comics and healthcare. It was a call to action—an invitation to rethink the ways we engage with medicine, illness, disability, and caregiving through the power of visual storytelling. Now, ten years later, this landmark volume returns in a special anniversary edition that expands and reimagines its mission for a new era. With a new critical preface, this tenth-anniversary edition reflects on Graphic Medicine Manifesto’s legacy and its impact on healthcare, scholarship, and comics. It reaffirms the power of comics to challenge disciplines, amplify marginalized voices, and transform teaching in a range of health fields. Organized into six sections, the introduction explores the manifesto’s origins and ongoing relevance, its role as a radical tool in comics, the power of storytelling in health education, the expanding influence of graphic medicine on disability studies and the humanities, the importance of community and collaboration in breaking disciplinary silos, and the future of the field.  Featuring these newly contextualized insights alongside the original essays and visual narratives by Ian Williams, MK Czerwiec, and other leading practitioners, this new edition reaffirms Graphic Medicine Manifesto as an essential text for scholars, healthcare professionals, creators, and anyone engaging with medicine, illness, and caregiving through the power of comics.

This comprehensive dictionary covers wastewater processes, pollution control, and every major area of environmental engineering used in industry. The alphabetically arranged entries cover key terms used in daily communications and documentation in all research and industrial activities. The several thousand key technical terms are written in easy-to-understand, practical language. The volume is an ideal reference for students and practitioners.

This comprehensive dictionary covers wastewater processes, pollution control, and every major area of environmental engineering used in industry. The alphabetically arranged entries cover key terms used in daily communications and documentation in all research and industrial activities. The several thousand key technical terms are written in easy-to-understand, practical language. The volume is an ideal reference for students and practitioners.