Seamus Perry – författare

Coleridge repeatedly announced the merits of unity, while experiencing the truth of division. A visionary drawn to the numinous, he was also a spontaneous connoisseur of the sensory life; a metaphysician inclined to idealism, his thought was permanently way-laid by a tenacious realism. Such double-mindedness frustrated his ambitions for system, and has often been criticised as a sort of incapacity; but the capability of entertaining equally necessary or valuable kinds of perception, which yet prove ultimately incompatible, might alternatively be thought a kind of virtue - even, perhaps, the secret of his paradoxical, self-defeating genius. The study examines Coleridge's formative double-vision as it manifests itself in his profound self-analysis, his philosophy of mind, his reflections on love and ethics, his descriptions of imagination, and his literary criticism. The focus of many of these mixed feelings is the ambiguous figure of Wordsworth: his momentous and often troubled partnership with Coleridge is examined in detail. Throughout, close attention is paid to Coleridge the writer, the metaphor-maker and stylist, exhibited across the wide range of his oeuvre, in public and private works, prose and poetry. A coda offers a reading of The Ancient Mariner, tracing back the central threads of the study to Coleridges early and surprising masterpiece.

Samuel Taylor Coleridge was one of the Romantic Age's most enigmatic figures, a genius of astonishing diversity; author of some of the most famous poems in the English language, and co-author, with Wordsworth, of Lyrical Ballads; one of England's greatest critics and theorists of literature and imagination; as well as autobiographer, nature-writer, philosopher, theologian, psychologist and distinguished speaker. Throughout his life, he confided his thoughts and emotions to his notebooks, where we can still see his speculations and observations taking shape. This edition presents a selection from this unique work, newly presented, with notes and commentary, for the student as well as the general reader.

This volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the poetry and prose of Matthew Arnold (1822-1888)--the first of its kind for half a century. The anthology is a fresh presentation of one of the most important and influential writers and thinkers of the Victorian period. Arnold's many facets--as poet, educationalist, literary critic, cultural commentator, and religious controversialist--are represented; and the text is fully annotated, identifying the many authors with whom Arnold engaged, and the contemporary public events to which his work often responds. Many of the themes of Arnold's writing life are still pressing matters today. What is the true nature of education? What are the duties of the State towards its citizens? What are the proper limits to individual freedom within a liberal society? What is the future of religion in an age of increasing secularisation? And, besides these questions, his poetry is one of the greatest and most influential of all bodies of Victorian verse, giving voice to the anxieties of an epoch.

Published to mark the bicentenary of Alfred Tennyson's birth, these essays offer an important revaluation of his achievement and its lasting importance. After several years in which the temper of criticism has been largely political (and often hostile towards Tennyson in particular) a number of influential recent accounts of Victorian poetry have rediscovered the virtues of a closer style of reading and the benefits and pleasures of an approach that, without at all ignoring social and cultural contexts, approaches them through a primary alertness to textual detail and literary history. This volume, including entirely commissioned work by a wide range of critics and scholars from across the profession in both Britain and North America, seeks to bring such forms of attention to bear on the immense variety of Tennyson's career by exploring the complex and multiple connections between Tennyson and other writers - his predecessors, his contemporaries, and his successors. Collectively, the essays describe an intricate network of affiliation and indebtedness, resistance and reconciliation. They provide a unique assessment of Tennyson's origins, work, and imaginative legacy as he enters upon his third century.

This volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the poetry and prose of Matthew Arnold (1822-1888)--the first of its kind for half a century. The anthology is a fresh presentation of one of the most important and influential writers and thinkers of the Victorian period. Arnold's many facets--as poet, educationalist, literary critic, cultural commentator, and religious controversialist--are represented; and the text is fully annotated, identifying the many authors with whom Arnold engaged, and the contemporary public events to which his work often responds. Many of the themes of Arnold's writing life are still pressing matters today. What is the true nature of education? What are the duties of the State towards its citizens? What are the proper limits to individual freedom within a liberal society? What is the future of religion in an age of increasing secularisation? And, besides these questions, his poetry is one of the greatest and most influential of all bodies of Victorian verse, giving voice to the anxieties of an epoch.Explanatory notes and commentary enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Arnold, and a Chronology.

William Empson is, alongside T. S. Eliot, the greatest genius among twentieth-century critics, and Some Versions of Pastoral is widely recognised as one of the most extraordinary works of the golden age of English literary criticism. Ranging with astonishing virtuosity between works of several centuries and moving purposefully between cultures, William Empson has dazzling things to say here about Shakespeare and the Elizabethan theatre, the political poetry of Marvell, Milton's Paradise Lost, the complex satire of John Gay's Beggar's Opera, and the convoluted psychology at work in the Alice books of Lewis Carroll. The book is alert to questions of politics, psycho-analysis, and anthropology, and speaks to a wide range of contemporary concerns. Written in Empson's charismatically informal and wonderfully approachable voice, the book appeared in 1935 without footnotes or references. This edition is the first to identify the quotations and allusions, to explain the pertinence of his references, and to place the work within its Empsonian context. It is published with an appendix of other texts by Empson which illuminate the issues at work in the book.

This title is a study of Tennyson's lyrical imagination, describing its complex fascinations with recurrence, progress, narrative, and loss, and its doubts about its own artfulness.

While postcolonial studies of Romantic-period literature have flourished in recent years, scholars have long neglected the extent of Samuel Taylor Coleridge's engagement with the Orient in both his literary and philsophical writings. Bringing together leading international writers, Coleridge, Romanticism and the Orient is the first substantial exploration of Coleridge's literary and scholarly representations of the east and the ways in which these were influenced by and went on to influence his own work and the orientalism of the Romanticists more broadly. Bringing together postcolonial, philsophical, historicist and literary-critical perspectives, this groundbreaking book develops a new understanding of 'Orientalism' that recognises the importance of colonial ideologies in Romantic representations of the East as well as appreciating the unique forms of meaning and value which authors such as Coleridge asscoiated with the Orient.

While postcolonial studies of Romantic-period literature have flourished in recent years, scholars have long neglected the extent of Samuel Taylor Coleridge's engagement with the Orient in both his literary and philsophical writings. Bringing together leading international writers, Coleridge, Romanticism and the Orient is the first substantial exploration of Coleridge's literary and scholarly representations of the east and the ways in which these were influenced by and went on to influence his own work and the orientalism of the Romanticists more broadly. Bringing together postcolonial, philsophical, historicist and literary-critical perspectives, this groundbreaking book develops a new understanding of 'Orientalism' that recognises the importance of colonial ideologies in Romantic representations of the East as well as appreciating the unique forms of meaning and value which authors such as Coleridge asscoiated with the Orient.