Sean Franzel – författare
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7 produkter
7 produkter
364 kr
Skickas inom 5-8 vardagar
Sediments of Time features the most important essays by renowned German historian Reinhart Koselleck not previously available in English, several of them essential to his theory of history. The volume sheds new light on Koselleck's crucial concerns, including his theory of sediments of time; his theory of historical repetition, duration, and acceleration; his encounters with philosophical hermeneutics and political and legal thought; his concern with the limits of historical meaning; and his views on historical commemoration, including that of the Second World War and the Holocaust. A critical introduction addresses some of the challenges and potentials of Koselleck's reception in the Anglophone world.
479 kr
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In this innovative new study, Sean Franzel charts the concurrent emergence of German Romantic pedagogy, the modern research university, and modern visions of the politically engaged scholar. At the heart of the pedagogy of Immanuel Kant, Johann Gottlieb Fichte, K. P. Moritz, A. W. Schlegel, Adam Müller, and others was the lecture, with its ability to attract listeners and to model an ideal discursive community, reflecting an era of revolution, reform, and literary, philosophical, and scientific innovation.Along with exploring the striking preoccupation of Romantic thinkers with the lecture and with its reverberations in print, Franzel argues that accounts of scholarly speech from this period have had a lasting impact on how the pedagogy, institutions, and medial manifestations of modern scholarship continue to be understood.
Connected by the Ear
The Media, Pedagogy, and Politics of the Romantic Lecture
Inbunden, Engelska, 2013
1 488 kr
Skickas inom 10-15 vardagar
In this innovative new study, Sean Franzel charts the concurrent emergence of German Romantic pedagogy, the modern research university, and modern visions of the politically engaged scholar. At the heart of the pedagogy of Immanuel Kant, Johann Gottlieb Fichte, K. P. Moritz, A. W. Schlegel, Adam Müller, and others was the lecture, with its ability to attract listeners and to model an ideal discursive community, reflecting an era of revolution, reform, and literary, philosophical, and scientific innovation.Along with exploring the striking preoccupation of Romantic thinkers with the lecture and with its reverberations in print, Franzel argues that accounts of scholarly speech from this period have had a lasting impact on how the pedagogy, institutions, and medial manifestations of modern scholarship continue to be understood.
1 797 kr
Skickas inom 10-15 vardagar
Cowinner of the Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and LiteraturesWriting Time shows how serial literature based in journals and anthologies shaped the awareness of time at a transformative moment in the European literary and political landscapes. Sean Franzel explores how German-speaking authors and editors "write time" both by writing about time and by mapping time itself through specific literary formats.Through case studies of such writers as F. J. Bertuch, K. A. Böttinger, J. W. Goethe, Ludwig Börne, and Heinrich Heine, Franzel analyzes how serial writing predicated on open-ended continuation becomes a privileged mode of social commentary and literary entertainment and provides readers with an ongoing "history" of the present, or Zeitgeschichte. Drawing from media theory and periodical studies as well as from Reinhart Koselleck's work on processes of temporalization and "untimely" models of historical time, Writing Time presents "smaller" literary forms—the urban tableau, cultural reportage, and caricature—as new ways of imagining temporal unfolding, recentering periodicals and other serial forms at the heart of nineteenth-century print culture.
440 kr
Skickas inom 10-15 vardagar
Cowinner of the Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and LiteraturesWriting Time shows how serial literature based in journals and anthologies shaped the awareness of time at a transformative moment in the European literary and political landscapes. Sean Franzel explores how German-speaking authors and editors "write time" both by writing about time and by mapping time itself through specific literary formats.Through case studies of such writers as F. J. Bertuch, K. A. Böttinger, J. W. Goethe, Ludwig Börne, and Heinrich Heine, Franzel analyzes how serial writing predicated on open-ended continuation becomes a privileged mode of social commentary and literary entertainment and provides readers with an ongoing "history" of the present, or Zeitgeschichte. Drawing from media theory and periodical studies as well as from Reinhart Koselleck's work on processes of temporalization and "untimely" models of historical time, Writing Time presents "smaller" literary forms—the urban tableau, cultural reportage, and caricature—as new ways of imagining temporal unfolding, recentering periodicals and other serial forms at the heart of nineteenth-century print culture.
1 487 kr
Skickas inom 5-8 vardagar
Sediments of Time features the most important essays by renowned German historian Reinhart Koselleck not previously available in English, several of them essential to his theory of history. The volume sheds new light on Koselleck's crucial concerns, including his theory of sediments of time; his theory of historical repetition, duration, and acceleration; his encounters with philosophical hermeneutics and political and legal thought; his concern with the limits of historical meaning; and his views on historical commemoration, including that of the Second World War and the Holocaust. A critical introduction addresses some of the challenges and potentials of Koselleck's reception in the Anglophone world.
Del 255 - Studies in German Literature Linguistics and Culture
Cultural Journalism in Germany, 1815–1848
A Critical Anthology
Inbunden, Engelska, 2025
1 341 kr
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The first critical anthology of major programmatic texts of cultural journalism from the crucial period known in Germany as the Vormärz, the time before the March Revolutions of 1848.Cultural journalism-a broad category of periodical writing encompassing criticism, reporting on the arts, popular culture, politics, and society-was one of the most dynamic fields of German intellectual activity in the nineteenth century, particularly during the crucial period in Germany's history known as the Vormärz, leading up to the March revolutions of 1848. Many of the most prominent German writers, among them Heinrich Heine, Ludwig Börne and Goethe, were active in cultural journalism during this period of increasing nationalism and clamor for a unified, democratic Germany on one hand and absolutist repression, including censorship, on the other.This critical anthology is the first collection, in English or German, of major programmatic texts of German cultural journalism from the period. It provides complete texts or excerpts, many for the first time in English, along with critical introductions to each text by a leading scholar in German Studies or a related field. It reveals the richness and dynamism of the period's discussion of the status and function of journalism and its significance for politics, aesthetics, historiography and philosophy. Of interest to scholars in German Studies, media and book history, and those working on the history of political journalism, the book is also well suited for undergraduate and graduate courses on European literature, history and media studies.