Sean Hawkins – författare

This work explores the lives of people of sub-Saharan Africa and their descendants, how they were shaped by empire, and how they in turn influenced the empire in everything from material goods to cultural style. The black experience varied greatly across space and over time. Accordingly, thirteen substantive essays and a scene-setting introduction range from West Africa in the sixteenth century, through the history of the slave trade and slavery down to the 1830s, to nineteenth- and twentieth-century participation of blacks in the empire as workers, soldiers, members of colonial elites, intellectuals, athletes, and musicians. No people were more uprooted and dislocated; or traveled more within the empire; or created more of a trans-imperial culture. In the crucible of the British empire, blacks invented cultural mixes that were precursors to our modern selves - hybrid, fluid, ambiguous, and constantly in motion. SERIES DESCRIPTIONThe purpose of the five volumes of the Oxford History of the British Empire was to provide a comprehensive study of the Empire from its beginning to end, the meaning of British imperialism for the ruled as well as the rulers, and the significance of the British Empire as a theme in world history. The volumes in the Companion Series carry forward this purpose by exploring themes that were not possible to cover adequately in the main series, and to provide fresh interpretations of significant topics.

This work explores the lives of people of sub-Saharan Africa and their descendants, how they were shaped by empire, and how they in turn influenced the empire in everything from material goods to cultural style. The black experience varied greatly across space and over time. Accordingly, thirteen substantive essays and a scene-setting introduction range from West Africa in the sixteenth century, through the history of the slave trade and slavery down to the 1830s, to nineteenth- and twentieth-century participation of blacks in the empire as workers, soldiers, members of colonial elites, intellectuals, athletes, and musicians. No people were more uprooted and dislocated; or travelled more within the empire; or created more of a trans-imperial culture. In the crucible of the British empire, blacks invented cultural mixes that were precursors to our modern selves - hybrid, fluid, ambiguous, and constantly in motion. SERIES DESCRIPTIONThe purpose of the five volumes of the Oxford History of the British Empire was to provide a comprehensive study of the Empire from its beginning to end, the meaning of British imperialism for the ruled as well as the rulers, and the significance of the British Empire as a theme in world history. The volumes in the Companion Series carry forward this purpose by exploring themes that were not possible to cover adequately in the main series, and to provide fresh interpretations of significant topics

This book presents a new perspective on colonialism in Africa. Drawing on work from a variety of subjects and disciplines – from the ancient Mediterranean to colonial Spain, and from anthropology to psychology – the author argues that colonialism in Africa needs to be understood through the medium of writing and the particular world it belonged to. Focusing on the LoDagaa of northern Ghana and their relationship with British colonialism, Hawkins describes colonialism as an encounter between a world of experience – a world of knowledge, practice, and speech – and "the world on paper" – a world of writing, rules, and a linear concept of history. The various ways in which "the world on paper" affected the LoDagaa are examined thematically. The first four chapters explore how writing imposed a form of historical consciousness on different aspects of LoDagaa culture – identity, politics, and religion – that was alien to them. The second half of the book examines how both the British colonial state and its postcolonial successor, the Ghanian state, attempted to regulate indigenous forms of knowledge, gender relations, and social reckoning through courts. This ambitious and richly detailed book will appeal to scholars and general readers interested in African history, British colonialism, and cultural and postcolonial studies.

This book presents a new perspective on colonialism in Africa. Drawing on work from a variety of subjects and disciplines – from the ancient Mediterranean to colonial Spain, and from anthropology to psychology – the author argues that colonialism in Africa needs to be understood through the medium of writing and the particular world it belonged to. Focusing on the LoDagaa of northern Ghana and their relationship with British colonialism, Hawkins describes colonialism as an encounter between a world of experience – a world of knowledge, practice, and speech – and "the world on paper" – a world of writing, rules, and a linear concept of history. The various ways in which "the world on paper" affected the LoDagaa are examined thematically. The first four chapters explore how writing imposed a form of historical consciousness on different aspects of LoDagaa culture – identity, politics, and religion – that was alien to them. The second half of the book examines how both the British colonial state and its postcolonial successor, the Ghanian state, attempted to regulate indigenous forms of knowledge, gender relations, and social reckoning through courts. This ambitious and richly detailed book will appeal to scholars and general readers interested in African history, British colonialism, and cultural and postcolonial studies.

This book presents a new perspective on colonialism in Africa. Drawing on work from a variety of subjects and disciplines – from the ancient Mediterranean to colonial Spain, and from anthropology to psychology – the author argues that colonialism in Africa needs to be understood through the medium of writing and the particular world it belonged to. Focusing on the LoDagaa of northern Ghana and their relationship with British colonialism, Hawkins describes colonialism as an encounter between a world of experience – a world of knowledge, practice, and speech – and "the world on paper" – a world of writing, rules, and a linear concept of history. The various ways in which "the world on paper" affected the LoDagaa are examined thematically. The first four chapters explore how writing imposed a form of historical consciousness on different aspects of LoDagaa culture – identity, politics, and religion – that was alien to them. The second half of the book examines how both the British colonial state and its postcolonial successor, the Ghanian state, attempted to regulate indigenous forms of knowledge, gender relations, and social reckoning through courts. This ambitious and richly detailed book will appeal to scholars and general readers interested in African history, British colonialism, and cultural and postcolonial studies.