Sean Williams - Böcker

A picture book celebration of girl dads everywhere by The Dad Gang CEO, Sean Williams!A fun read-aloud written in upbeat rhyming verse, Girl Dad is a picture book that honors the loving men who raise, love, and uplift strong girls. Share Girl Dad with the dads in your life, on Father's Day or any day.Plus: Don't forget to check out Sean Williams's Boy Dad!A Bank Street College of Education’s Children’s Book Committee’s Best Children’s Books of the Year pick!

A picture book celebration of girl dads everywhere by The Dad Gang CEO, Sean Williams—now in a lower-price format! A fun read-aloud written in upbeat rhyming verse, Girl Dad is a picture book that honors the loving men who raise, love, and uplift strong girls. Share Girl Dad with the dads in your life, on Father's Day or any day.Plus: Don't forget to check out Sean Williams's Boy Dad!A Bank Street College of Education’s Children’s Book Committee’s Best Children’s Books of the Year pick!

As the bloodied and weary galaxy faces battle once more, the Jedi take on the formidable task of bringing the last of the Empire into the light-From the ashes of the New Republic, torn apart by the Yuuzhan Vong forces, the newly formed Galactic Alliance has risen, determined to bring peace to the entire galaxy. But first the Yuuzhan Vong must be contained once and for all. And so Luke Skywalker seeks a world long lost to legend: Zonama Sekot, a sentient planet believed to have repelled an invasion by the Yuuzhan Vong decades before. Deciphering the enigmatic secrets of Zonama Sekot just might turn the relentless tides of war-

The second of a mass-market original trilogy charting the beginning of the galaxy's victory over the dreaded Yuuzhan Vong alien invaders. Under the leadership of Luke Skywalker and a combined Jedi-government council, the newly formed Galatic Federation of Free Alliances is doggedly fighting back--and winning. Luke is on a quest for a legend, in hope of bringing back the ultimate answer to the war. And a mysterious prophet has risen among the Yuuzhan Vong lower castes to turn Yuuzhan Vong culture on its ear. This adventure includes major storylines for favorite characters, both old and new.

The Jedi move one step closerto saving the embattled galaxy-only to confronta formidable wallof resistance….The harrowing search forZonama Sekot if finallyover for Luke Skywalker, Jacen Solo, and others aboard the Jade Shado. But joy turns to alarm when the living planetsends a defiant message: it refuses to follow them back to a galaxy full of war, exploitation, and misery.While Luke works feverishly to persuade the elusiveplanet to reconsider, the Yuuzhan Vong launch a full-scale attack aimed at the heart of the new alliance. Sent to defend a major communicating base, Han and Leia find themselves hopelessly outnumbered.Reinforcements are just too far away to help before everything is destroyed. So the courageous pair mustnow fight an unrelenting battle against staggering odds.Whether they actually survive is another matter….

Musics of the World offers a rich and inviting introduction to music from around the globe, exploring a diverse array of traditions and genres in depth while helping students develop skills for approaching new music in their lives. Clear, accessible introductory chapters give students a solid overview of ethnomusicology, setting the stage for eighteen geographically-focused chapters that ground students in a region's cultural context before exploring what makes each place musically unique. Throughout, videos, timed musical tracks, definitions, color photographs, recipes, and discussion questions provide a variety of avenues through which to engage with the music and cultures at hand.

Bright Star of the West traces the life, repertoire, and influence of Joe Heaney, Ireland's greatest sean-nós ("old style") singer. Born in 1919, Joe Heaney grew up in a politically volatile time, as his native Ireland became a democracy. He found work and relative fame as a singer in London before moving to Scotland. Eventually, like many others searching for greater opportunity, he emigrated to the United States, where he worked as a doorman while supplementing his income with appearances at folk festivals, concerts and clubs. As his reputation and following grew, Heaney gained entry to the folk music scene and began leading workshops as a visiting artist at several universities. In 1982 the National Endowment for the Arts awarded Heaney America's highest honor in folk and traditional arts, the prestigious National Heritage Fellowship. Although Heaney's works did not become truly popular in his homeland until many years after his death, today he is hailed as a seminal figure of traditional song and is revered by those who follow traditional music. Authors Sean Williams and Lillis Ó Laoire address larger questions about song, identity, and culture. They explore the deep ambivalence both the Irish and Irish-Americans felt toward the traditional aspects of their culture, examining other critical issues, such as gender and masculinity, authenticity, and contemporary marketing and consumption of sean-nós singing in both Ireland and the United States. Comingling Heaney's own words with the authors' comprehensive research and analysis, Bright Star of the West weaves a poignant critical biography of the man, the music, and his continuing legacy in Ireland and the United States.

Bright Star of the West traces the life, repertoire, and influence of Joe Heaney, Ireland's greatest sean-nós ("old style") singer. Born in 1919, Joe Heaney grew up in a politically volatile time, as his native Ireland became a democracy. He found work and relative fame as a singer in London before moving to Scotland. Eventually, like many others searching for greater opportunity, he emigrated to the United States, where he worked as a doorman while supplementing his income with appearances at folk festivals, concerts and clubs. As his reputation and following grew, Heaney gained entry to the folk music scene and began leading workshops as a visiting artist at several universities. In 1982 the National Endowment for the Arts awarded Heaney America's highest honor in folk and traditional arts, the prestigious National Heritage Fellowship. Heaney's works did not become truly popular in his homeland until many years after his death. Today he is hailed as a seminal figure of traditional song and is revered by those who follow traditional music. Authors Sean Williams and Lillis Ó Laoire address larger questions about song, identity, and culture. They explore the deep ambivalence both the Irish and Irish-Americans felt toward the traditional aspects of their culture, examining other critical issues, such as gender and masculinity, authenticity, and contemporary marketing and consumption of sean-nós singing in both Ireland and the United States. Comingling Heaney's own words with the authors' comprehensive research and analysis, Bright Star of the West weaves a poignant critical biography of the man, the music, and his continuing legacy in Ireland and the United States.

The erotic allure of the female-coded being who sings men to a watery death differs from the nostalgic allure evoked in the hearts and minds of immigrants by the music and foods of home, but an internal ache exists regardless. From sounds and rituals used to connect to the ancestors with music used by those who practice more than one religion, the sacred looms large in both vernacular and mainstream practices. The twin dangers of transgression and resistance---whether by musically thriving while being both queer and Black or performing hip hop in an endangered language---bring to light acts that celebrate strength and honor cultural practices. Liminal moments, or lifetimes, that are sacred, alluring, or dangerous appear again and again to remind us of the centrality of music in our lives.In Music at the Threshold from the Sacred to the Dangerous, author Sean Williams explores the connection of liminality to musical culture by focusing on how performance practices tend to occur at liminal places and times, and often by potentially marginalized people who are, in fact, central to the expression of cultural identity. Williams highlights issues of access and interdisciplinarity and shows how people use music to facilitate transformation in culturally bound ways. Featuring themes of access to the unknown, dual faith, erotic power, longing for home, transgression, and resistance, each chapter draws from an array of musical settings and cultural traditions that---considered on their own---might not be as remarkable without seeing the greater picture. Rather than focus on a single genre in a single place, this meta-ethnography casts a wide thematic net across genres, regions, and people.

The erotic allure of the female-coded being who sings men to a watery death differs from the nostalgic allure evoked in the hearts and minds of immigrants by the music and foods of home, but an internal ache exists regardless. From sounds and rituals used to connect to the ancestors with music used by those who practice more than one religion, the sacred looms large in both vernacular and mainstream practices. The twin dangers of transgression and resistance---whether by musically thriving while being both queer and Black or performing hip hop in an endangered language---bring to light acts that celebrate strength and honor cultural practices. Liminal moments, or lifetimes, that are sacred, alluring, or dangerous appear again and again to remind us of the centrality of music in our lives.In Music at the Threshold from the Sacred to the Dangerous, author Sean Williams explores the connection of liminality to musical culture by focusing on how performance practices tend to occur at liminal places and times, and often by potentially marginalized people who are, in fact, central to the expression of cultural identity. Williams highlights issues of access and interdisciplinarity and shows how people use music to facilitate transformation in culturally bound ways. Featuring themes of access to the unknown, dual faith, erotic power, longing for home, transgression, and resistance, each chapter draws from an array of musical settings and cultural traditions that---considered on their own---might not be as remarkable without seeing the greater picture. Rather than focus on a single genre in a single place, this meta-ethnography casts a wide thematic net across genres, regions, and people.

Focus: Irish Traditional Music, Second Edition introduces the instrumental and vocal musics of Ireland, its diaspora in North America, and its Celtic neighbors while exploring the essential values underlying these rich musical cultures and placing them in broader historical and social context. With both the undergraduate and graduate student in mind, the text weaves together past and present, bringing together important ideas about Irish music from a variety of sources and presenting them, in three parts, within interdisciplinary lenses of history, film, politics, poetry, and art:I. Irish Music in Place and Time provides an overview of the island’s musical history and its relationship to current performance practice.II. Music Traditions Abroad and at Home contrasts the instrumental and vocal musics of the "Celtic Nations" (Scotland, Wales, Brittany, etc.) and the United States with those of Ireland.III. Focusing In: Vocal Music in Irish-Gaelic and English identifies the great songs of Ireland’s two main languages and explores the globalization of Irish music.New to this edition are discussions of those contemporary issues reflective of Ireland’s dramatic political and cultural shifts in the decade since first publication, issues concerning equity and inclusion, white nationalism, the Irish Traveller community, hip hop and punk, and more. Pedagogical features—such as discussion questions, a glossary, a timeline of key dates, and expanded references, as well as an online soundtrack—ensure that readers of Focus: Irish Traditional Music, Second Edition will be able to grasp Ireland's important social and cultural contexts and apply that understanding to traditional and contemporary vocal and instrumental music today.

Focus: Irish Traditional Music, Second Edition introduces the instrumental and vocal musics of Ireland, its diaspora in North America, and its Celtic neighbors while exploring the essential values underlying these rich musical cultures and placing them in broader historical and social context. With both the undergraduate and graduate student in mind, the text weaves together past and present, bringing together important ideas about Irish music from a variety of sources and presenting them, in three parts, within interdisciplinary lenses of history, film, politics, poetry, and art:I. Irish Music in Place and Time provides an overview of the island’s musical history and its relationship to current performance practice.II. Music Traditions Abroad and at Home contrasts the instrumental and vocal musics of the "Celtic Nations" (Scotland, Wales, Brittany, etc.) and the United States with those of Ireland.III. Focusing In: Vocal Music in Irish-Gaelic and English identifies the great songs of Ireland’s two main languages and explores the globalization of Irish music.New to this edition are discussions of those contemporary issues reflective of Ireland’s dramatic political and cultural shifts in the decade since first publication, issues concerning equity and inclusion, white nationalism, the Irish Traveller community, hip hop and punk, and more. Pedagogical features—such as discussion questions, a glossary, a timeline of key dates, and expanded references, as well as an online soundtrack—ensure that readers of Focus: Irish Traditional Music, Second Edition will be able to grasp Ireland's important social and cultural contexts and apply that understanding to traditional and contemporary vocal and instrumental music today.

This companion to The Ethnomusicologists' Cookbook combines scholarship with a unique approach to the study of the world's foods, musics, and cultures. Covering over four dozen regions, the entries in these collection each include a regional food-related proverb, a recipe for a complete meal, a list of companion readings and listening pieces, and a short essay that highlights the significant links between music and food in the area. The Ethnomusicologists' Cookbook, Volume 2 will appeal to ethnomusicologists, anthropologists, and sociologists, but should also find a welcome place on the bookshelf of anyone who enjoys eating and learning about foods from around the world.

This companion to The Ethnomusicologists' Cookbook combines scholarship with a unique approach to the study of the world's foods, musics, and cultures. Covering over four dozen regions, the entries in these collection each include a regional food-related proverb, a recipe for a complete meal, a list of companion readings and listening pieces, and a short essay that highlights the significant links between music and food in the area. The Ethnomusicologists' Cookbook, Volume 2 will appeal to ethnomusicologists, anthropologists, and sociologists, but should also find a welcome place on the bookshelf of anyone who enjoys eating and learning about foods from around the world.

The Garland Handbook of Southeast Asian Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 4, Southeast Asia (1998). Largely revised and updated, the essays offer detailed, regional studies of the different musical cultures of Southeast Asia and examine the ways in which music helps to define the identity of this particular area. Part one provides an in-depth introduction to the area of Southeast Asia and explores a series of issues and processes, such as colonialism, mass media, spirituality, and war. The articles in this section are important in gaining historical, political, and social perspective. Part two focuses on mainland Southeast Asia, with essays representing Cambodia, Thailand, Laos, Burma, Peninsular Malaysia, Vietnam, Singapore, and the minority peoples of mainland Southeast Asia. Part three focuses on island Southeast Asia, dividing the area into three sections: Indonesia, the Philippines, and Borneo. In addition to offering a detailed study of the music of each area, it also offers recent perspectives on the gamelan and theater traditions of Indonesia. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues – musical and cultural – arise when one studies the music of Southeast Asia – issues that might not occur in the study of other musics of the world. An accompanying compact disc offers musical examples from Southeast Asia.

Named one of New York Times Top-20 Cookbooks of 2006.Have you ever wanted to host a full evening of Indian food, culture, and music? How about preparing a traditional Balinese banquet? Or take a trip to Cairo and enjoy an Egyptian feast? The Ethnomusicologists' Cookbook takes you around the world on a culinary journey that is also a cultural and social odyssey.Many cookbooks offer a snapshot of individual recipes from different parts of the world, but do nothing to tell the reader how different foods are presented together, or how to relate these foods to other cultural practices. For years, ethnomusicologists have visited the four corners of the earth to collect the music and culture of native peoples, from Africa to the Azores, from Zanzibar to New Zealand. Along the way, they've observed how music is an integral part of social interaction, particularly when it's time for a lavish banquet or celebration. Foodways and cultural expression are not separate; this book emphasizes this connection through offering over thirty-five complete meals, from appetizers to entrees to side dishes to desserts and drinks. A list of recommended CDs fills out the culinary experience, along with hints on how to present each dish and to organize the overall meal.The Ethnomusicologists' Cookbook combines scholarship with a unique and fun approach to the study of the world's foods, musics, and cultures. More than just a cookbook, it is an excellent companion for anyone embarking on a cultural-culinary journey.

Named one of New York Times Top-20 Cookbooks of 2006.Have you ever wanted to host a full evening of Indian food, culture, and music? How about preparing a traditional Balinese banquet? Or take a trip to Cairo and enjoy an Egyptian feast? The Ethnomusicologists' Cookbook takes you around the world on a culinary journey that is also a cultural and social odyssey.Many cookbooks offer a snapshot of individual recipes from different parts of the world, but do nothing to tell the reader how different foods are presented together, or how to relate these foods to other cultural practices. For years, ethnomusicologists have visited the four corners of the earth to collect the music and culture of native peoples, from Africa to the Azores, from Zanzibar to New Zealand. Along the way, they've observed how music is an integral part of social interaction, particularly when it's time for a lavish banquet or celebration. Foodways and cultural expression are not separate; this book emphasizes this connection through offering over thirty-five complete meals, from appetizers to entrees to side dishes to desserts and drinks. A list of recommended CDs fills out the culinary experience, along with hints on how to present each dish and to organize the overall meal.The Ethnomusicologists' Cookbook combines scholarship with a unique and fun approach to the study of the world's foods, musics, and cultures. More than just a cookbook, it is an excellent companion for anyone embarking on a cultural-culinary journey.

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