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Intended for the student and general reader, this close literary study of the most famous Greek tragedy combines scene-by-scene literary analysis with an account of the play's historical, intellectual, social, and mythical background. It traces adaptions of the play from Aristotle on to Freud, Levi-Strauss, Lacan and the most recent criticism. This second edition draws on new approaches to the study of Greek tragedy; discusses the most recent interpretative scholarship on the play; and contains an annotated up-to-date bibliography.

The end of the Cold War augurs momentous changes within armed forces in Western societies. Clarification of these changes is the purpose of The Postmodern Military. The armed forces of the United States and those of other Western developed democracies are moving toward a postmodern format. The modern military that fully emerged in the nineteenth century was associated with the rise of the nation-state, war oriented in mission, a conscripted mass army, masculine in makeup and ethos, and sharply differentiated in structure and culture from civilian society. The postmodern military, by contrast, undergoes a loosening of the ties with the nation-state, becomes multipurpose in mission, moves toward a smaller volunteer force, is increasingly androgynous in makeup and ethos, and has greater permeability with civilian society. The Postmodern Military assesses contemporary civil-military trends by first looking at specific areas in the U.S. military. Then, an international team of leading military sociologists assesses the postmodern thesis in twelve countries (Australia, Canada, Denmark, France, Germany, Israel, Italy, the Netherlands, New Zealand, South Africa, Switzerland, the UK).This book provides the student and defense professional with a foundation on which to base organizational and personal policies. It also has much to tell the general reader about what life is really like in today's military and how it is both the same and different around the world.

The ease of transportation, the opening of international immigration policies, the growing refugee movements, and the increasing size of unauthorized immigrant populations suggest that immigration worldwide is a phenomenon of utmost importance to professionals who develop policies and programs for, or provide services to, immigrants. Immigration occurs in both the wealthy nations of the global North and the poorer countries of the global South; it involves individuals who arrive with substantial human capital and those with little. It has far-reaching implications for a nation's economy, public policies, social and health services, and culture. The purpose of this volume, therefore, is to explore current patterns and policies of immigration in key countries and regions across the globe and analyze the implications for these countries and their immigrant populations. Each of its chapters, written by an international and interdisciplinary group of experts, explores how country conditions, policies, values, politics, and attitudes influence the process of immigration and subsequently affect immigrants, migration, and the nation itself. No other volume explores the landscape of worldwide immigration as broadly as this does, with sweeping coverage of countries and empirical research, together with an analytic framework that sets the context of human migration against a wide backdrop of experiential factors that take shape long before an immigrant enters a host country. At once a sourcebook and an applied model of immigration studies, Immigration Worldwide is a valuable reference for scholars and students seeking a wide-ranging yet nuanced survey of the key issues salient to debates about the programs and policies that best serve immigrant populations and their host countries.

Twenty-nine modern essays on Aeschylus, Sophocles, and Euripides in a selection made accessible to both professional scholar and student; all Greek quotations have been translated.

Hero Myths: A Reader provides a selection of 25 stories about heroes from around the world.

Has Queer Theory 'grown out' of Feminism - in both senses? If it has, is that process a coming-out story?