Seymour Chwast – författare

The "left-handed designer," Seymour Chwast has been putting his unparalleled take-and influence-on the world of illustration and design for the last half century. In his version of Dante''s Divine Comedy, Chwast''s first graphic novel, Dante and his guide Virgil don fedoras and wander through noir-ish realms of Hell, Purgatory, and Paradise, finding both the wicked and the wondrous on their way.

Dante Alighieri wrote his epic poem The Divine Comedy from 1308 to 1321 while in exile from his native Florence. In the work''s three parts (Inferno, Purgatory, and Paradise), Dante chronicles his travels throughthe afterlife, cataloging a multitude of sinners and saints-many of them real people to whom Dante tellingly assigned either horrible punishment or indescribable pleasure-and eventually meeting both God and Lucifer face-to-face.

In his adaptation of this skewering satire, Chwast creates a visual fantasia that fascinates on every page: From the multifarious torments of the Inferno to the host of delights in Paradise, his inventive illustrations capture the delirious complexity of this classic of the Western canon.

At War with War visualizes humanity''s 5,000-year-long state of conflict, chaos, and violence on a continuous timeline. Seventy pages of stark black-and-white pen-and-ink drawings and woodcuts illustrate history''s most notorious battles -- from 3300 BCE to the present day. Interspersed are contemplations on war from historic thinkers, including excerpts from "The Art of War" by Sun Tsu, "The Complaint of Peace" by Desiderius Erasmus, and "The State" by Randolph Bourne. Searing and sardonic, balancing anger and despair with wit and humanity, these raw illustrations follow in the tradition of great social satirists such as Honoré Daumier, Frans Masereel, Felix Vallotton, and Otto Dix.      Seymour Chwast is a design legend. As co-founder with Milton Glaser of Push Pin Studios, he led a revolution in graphic design in the 1960s and ''70s, producing bold, vibrant work that pushed the limits of nearly every visual medium.Now, he turns his pen and sketchpad toward creating a new book on a subject that has been a personal obsession for nearly six decades: the fight against war, humankind''s never-ending scourge.

Accompany a band of merry medieval pilgrims as they make their way-on motorcycles, of course-to Canterbury. Meeting at the Tabard Inn, the travelers, including a battle-worn knight, a sweetly pretentious prioress, the bawdy Wife of Bath, and an emaciated scholar-clerk, come up with a plan to pass time on the journey to Thomas à Becket''s shrine by telling stories. The twenty-four tales, which range from high romance set in ancient Greece to low comedy in contemporary England, are adapted into graphic novel form by Seymour Chwast-a pitch-perfect transposition of Chaucer''s pointed satire. Chwast''s illustrations relate tales of trust and treachery, of piety and bawdiness, in an engaging style that will appeal to those who have enjoyed The Canterbury Tales for years, and those for whom this is a first, delectable introduction.

Seymour Chwast, an icon of the graphic design world, has delighted audiences with his adaptations of The Divine Comedy, The Canterbury Tales, and The Odyssey, but it is in Mark Twain''s A Connecticut Yankee in King Arthur''s Court that he has found his match. Inspired by Twain''s comic irreverence for the Knights of the Round Table, Chwast''s illustrations showcase his humor at its finest. He brings us a brilliant imagining of the beloved hero, Hank Morgan, as well as the full cast of Camelot characters, from Merlin to Lancelot to the king himself. With a bold and colorful design and no shortage of witty surprises, this is Mark Twain as you''ve never seen him before.

Combines art with puzzle challenges.

A descent into discovering different versions of hell and its realms of torture around the world across literature, religions, culture, and folklore, gorgeously illustrated and accompanied by writing on the origins and details of each hell.Whether it's a real place, a human construct, an idea, or a superstition, hell is a grotesque demimonde in literature, cultures, religions, and folklore throughout the ages. There are many different hells to be found, each one distressing in its own way. But they all share the same essence: they are terrible places guarded by one or more evil spirits, where punishment is split into various levels of damnation.Those who wish to venture on this dangerous journey beyond the gates of the underworld will find their guide in two extraordinary authors and graphic designers: Steven Heller and Seymour Chwast. And like Dante in the footsteps of Virgil, they will be able to navigate their way through the burning (or icy!) dark realms that lurk in the heart of the human imagination-the Jewish Gehenna, the Sunni Jahannam, the Swahili hell, the Mayan myth of Xibalba, and many others-as well as all the characters who have created hell, visited it, or been involved in more or less fortunate descents into it.Equally appealing to fans of the literary hellscape of Dante's Inferno, the bright utopia of The Good Place, and the dark humor of Edward Gorey, Hell offers a feast of chillingly hilarious graphic art and illuminating content that comprehensively plumbs the multiple depths of the underworld.