Sharon Wood – författare

The past few years have featured such blockbusters as Super-Size Me, Fahrenheit 9/11, Sicko, March of the Penguins, and An Inconvenient Truth. And as news articles proclaim a new era in the history of documentary films, more and more new directors are making their first film a nonfiction one. But in addition to posing all of the usual challenges inherent to more standard filmmaking, documentaries also present unique problems that need to be understood from the outset. Where does the idea come from? How do you raise the money? How much money do you need? What visual style is best suited to the story? What are the legal issues involved? And how can a film reach that all-important milestone and find a willing distributor? Epstein, Friedman, and Wood tackle all of these important questions with examples and anecdotes from their own careers. The result is an informative and entertaining guide for those just starting out, and an enlightening read for anyone interested in a behind-the-scenes look at this newly reinvigorated field of film.

This book examines women's writing in Italy from Unification to the present day, exploring the lives and works of women writers within the context of Italian history, culture and politics. The changing face of Italian social and political life since Unification has greatly affected the position of women in Italy. This work discusses the relation between the changing role of women over this period, their struggle for social and political emancipation and equality, and the search by women writers for a personal and authentic literary voice. Wood's other publications include "Woman as Object: Narrative and Gender in the Work of Alberto Moravia" (1990). The series provides a survey, country by country of women's writing from the beginnings of the major struggle for emancipation up to the present day. While the main emphasis is on literature, the social, political and cultural development of each country provides a context for understanding the position and preoccupations of women writers. Modern critical currents are also taken into account in relating feminist criticism to recent critical theory.Other volumes in this series include "Norwegian Women's Writing 1850-1990" and the forthcoming "Swedish Women's Writing 1850-1990".

A History of Women's Writing in Italy offers a comprehensive historical account of writing by women in Italy. Covering writing from the Middle Ages to the present day, it moves away from narrow definitions of literature, and brings to the reader's attention other forms of expression such as letter writing, religious and devotional writing, scholarly and philosophical essays, travel writing, and journalism. Contributors point to the considerable practical, social and ideological difficulties faced by women in writing and presenting their work to a wider reading public, but also highlight the resourcefulness and determination of women through the centuries in making their voices heard. Extensive guides to further reading and a detailed guide to more than two hundred writers form an integral part of the volume. The international team of contributors have produced a striking work of scholarship and research, which will be invaluable for students and scholars alike.

A History of Women's Writing in Italy offers a comprehensive historical account of writing by women in Italy. Covering writing from the Middle Ages to the present day, it moves away from narrow definitions of literature, and brings to the reader's attention other forms of expression such as letter writing, religious and devotional writing, scholarly and philosophical essays, travel writing, and journalism. Contributors point to the considerable practical, social and ideological difficulties faced by women in writing and presenting their work to a wider reading public, but also highlight the resourcefulness and determination of women through the centuries in making their voices heard. Extensive guides to further reading and a detailed guide to more than two hundred writers form an integral part of the volume. The international team of contributors have produced a striking work of scholarship and research, which will be invaluable for students and scholars alike.

How has it happened that from being politely ignored or marginalized just half a century ago, women writers in Italy are now at the centre of literary activity? To what extent does writing by women reflect the successes and failures of Italy in the post-war period? What form did the feminist movement in Italy take, and how did this affect what - and how - women wrote? And how are women who write responding to a more fragmented post-modern age?These are just some of the questions asked of the relationship between women and fiction in post-war Italy in this anthology. It includes stories by Cialente, Ginzburg, Ortese, Morante, Romano, Maraini and Duranti as well as Bompiani, Sanvitale, Mizzau, Scaramuzzino, Capriolo and Petrignani. The thirteen stories presented offer a range of style and content indicative of the wealth and diversity of writing by women, and their reading is supported by critical notes and an extensive vocabulary. This is a clear and challenging introduction to the rich field of women and fiction in Italy.

Elsa Morante has long been recognized internationally as one of the most significant and innovative writers of twentieth-century Italy; nonetheless, there has to date been no full-length study in English dedicated to her work. This collection of twelve essays offers the first comprehensive evaluation of Morante to appear outside Italy, while taking into account modern critical and theoretical developments.

This book explores the work of a writer, Annie Chartres Vivanti (1866–1942), whobrought a transnational dimension to the marked provincialism of the Italian novel byaddressing issues of gender, ethnicity, and sexuality on personal and internationallevels, and by creating work that distanced itself from much of the female-penned literature ofthe day, scorning both decorum and social respectability. Chapters in this book examineVivanti’s output from multiple perspectives, taking into account her politics and hercareer as a journalist, writer, and singer, as well as her literary work.