Silvana Patriarca – författare

Numbers and Nationhood, first published in 1996, explores the Italian inflection of a Europe-wide phenomenon in the nineteenth century: the rise of statistics as a mode of representation in society. Silvana Patriarca examines the ideologies which informed the copious statistical literature produced between the 1820s, when statistical publications began to proliferate in the Italian states, and the 1870s, when a unified Italy entered a fully positivistic era. Her innovative study illuminates the relationship between the needs of an emerging nation and the uses to which statistics were put, generating a long-lasting image of Italy which nevertheless accentuated its internal territorial divisions. By examining the power of numerical representations, Numbers and Nationhood provides a fresh reading of the historiography of Risorgimento Italy and of positivism, bringing to the fore issues of science, ideology, and representation.

Numbers and Nationhood, first published in 1996, explores the Italian inflection of a Europe-wide phenomenon in the nineteenth century: the rise of statistics as a mode of representation in society. Silvana Patriarca examines the ideologies which informed the copious statistical literature produced between the 1820s, when statistical publications began to proliferate in the Italian states, and the 1870s, when a unified Italy entered a fully positivistic era. Her innovative study illuminates the relationship between the needs of an emerging nation and the uses to which statistics were put, generating a long-lasting image of Italy which nevertheless accentuated its internal territorial divisions. By examining the power of numerical representations, Numbers and Nationhood provides a fresh reading of the historiography of Risorgimento Italy and of positivism, bringing to the fore issues of science, ideology, and representation.

Why do Italians believe that they have a national character and that this character is a major reason for their political woes? Why is their self-image so frequently derogatory? In this meticulous study of the role of national character in Italian political and social discourse, Silvana Patriarca reconstructs the genealogy of a pervasive idea in the culture of modern Italy. Using sources ranging from political pamphlets to newspapers and films, this book shows how self-representations of national character and its vices were shaped by foreign perceptions and stereotypes, internal political struggles, and changing intellectual paradigms. Investigating the politics of these representations, their ideological content, and their uses, the author recasts the study of Italian patriotism and nationalism as discourses and sheds light on Italian political culture and on the rhetoric of nationalism more generally.

Why do Italians believe that they have a national character and that this character is a major reason for their political woes? Why is their self-image so frequently derogatory? In this meticulous study of the role of national character in Italian political and social discourse, Silvana Patriarca reconstructs the genealogy of a pervasive idea in the culture of modern Italy. Using sources ranging from political pamphlets to newspapers and films, this book shows how self-representations of national character and its vices were shaped by foreign perceptions and stereotypes, internal political struggles, and changing intellectual paradigms. Investigating the politics of these representations, their ideological content, and their uses, the author recasts the study of Italian patriotism and nationalism as discourses and sheds light on Italian political culture and on the rhetoric of nationalism more generally.

Focusing on the experiences and representations of the 'brown babies' born at the end of World War Two from the encounters between Black Allied soldiers and Italian women, this book explores the persistence of racial thinking and racism in post-fascist and postcolonial Italy. Through the use of a large variety of historical sources, including personal testimonies and the cinema, Silvana Patriarca illustrates Italian - and also American - responses to what many considered a 'problem'. She sensitively analyses the perceptions of race/color among different actors, such as state and local authorities, Catholic clerics, filmmakers, geneticists, psychologists, and ordinary people, and her book is rich in detail about their impact on the lives of the children. Uncovering the pervasiveness of anti-Black prejudice in the early democratic republic, as well as the presence and limitations of anti-racist sensibilities, Race in Post-Fascist Italy allows us to better understand Italy's conflicted reaction to its growing diversity.