Simon Armitage – författare

One of the founding stories of English literature, Sir Gawain and the Green Knight narrates the strange tale of a green knight on a green horse who rudely interrupts Camelot’s Round Table festivities one Yuletide, casting a pall of unease over the company and challenging one of their number to a wager. The virtuous Gawain accepts and decapitates the intruder with his own axe. Gushing blood, the knight reclaims his head, orders Gawain to seek him out a year hence, and departs. The following Yuletide, Gawain dutifully sets forth. His quest for the Green Knight involves a winter journey, a seduction scene in a dreamlike castle, a dire challenge answered—and a drama of enigmatic reward disguised as psychic undoing.Preserved on a single surviving manuscript dating from around 1400, composed by an anonymous master, this Arthurian epic was rediscovered only two hundred years ago and published for the first time in 1839. Following in the tradition of Ted Hughes, Marie Borroff, and J.R.R. Tolkien, Simon Armitage—one of England’s leading poets—has produced an inventive translation that resounds with both clarity and spirit. His work, presented here with facing original text and a note by Harvard scholar James Simpson, is meticulously responsible to the sophistication of the original but succeeds equally in its ambition to be read as a totally new poem. It is as if two poets, six hundred years apart, set out on a journey through the same mesmerizing landscapes—acoustic, physical, and metaphorical—to share in and double the pleasure of this enchanting classic.

Simon Armitage's new collection is by turns a voice and a chorus: a hyper-vivid array of dramatic monologues, allegories, parables and tall tales. Here comes everybody: Snoobie and Carla, Lippincott, Wittmann, Yoshioka, Bambuck, Dr Amsterdam, Preminger. The man whose wife drapes a border-curtain across the middle of the marital home; the English astronaut with a terrestrial outlook on life; an orgiastic cast of unreconstructed pie-worshipers at a Northern sculpture farm; the soap-opera supremacists at their zoo-wedding; the driver who picks up hitchhikers as he hurtles towards a head-on collision with Thatcherism; a Christian cheese-shop proprietor in the wrong part of town; the black bear with a dark secret, the woman who curates giant snowballs in the chest freezer. Celebrities and nobodies, all come to the ball.The storyteller who steps in and out of this human tapestry changes, trickster-style, from poem to poem, but retains some identifying traits: the melancholy of the less deceived, crossed with an undercover idealism. And he shares with many of his characters a star-gazing capacity for belief, or for being 'genuine in his disbelief'.Language is on the loose in these poems, which cut and run across the parterre of poetic decorum with their cartoon-strip energies and air of misrule. Armitage creates world after world, peculiar yet always particular, where the only certainty is the unexpected.

WINNER OF THE HOLYER AN GOF PUBLISHERS AWARD FOR POETRYThis gorgeously illustrated collection of poems illuminates and reimagines the ingenious, fragile dwellings of the living creatures around us.Poet Laureate Simon Armitage was inspired to write these poems by the Lost Gardens of Heligan in Cornwall, an ambitious restoration project where history and mystery coexist. The reawakened landscape with its woods, meadows and 'jungle' offers a bustling, fertile realm for all sorts of creatures to inhabit. Armitage uses elements of riddle and folklore to animate a series of dwellings: the 'twig-and-leaf crow's-nest squat' of a squirrel's drey, a beaver lodge's 'spillikin stave church' and a hive's 'reactor core'. Distinctions between human and animal, natural and cultivated, are blurred, emphasising commonality and creating a vibrant account of 'non-stop stop-motion life'.Dwell warns of the fragility of these spaces and their dwellers, exposed to relentless and sadly familiar environmental threats. Just as a garden provides refuge for wildlife, so do these intricate poems offer lasting homes to those who dwell within their lines.This edition is beautifully illustrated by Beth Munro.'These are poems full of a winning, pleasurable charm.' Guardian Best Recent Poetry

Zoom! is the book which launched Simon Armitage's meteoric rise to poetic stardom. It was shortlisted for the Whitbread Poetry Award in 1989 and was a Poetry Book Society Choice.The e-book edition of Zoom! incorporates audio files for 18 of the poems using recordings Simon Armitage made for Peter Sansom in Huddersfield in 1989. So the voice you hear is that of Simon Armitage, then aged 26, when he was still working as a probation officer and had just published his first book of poems.

'Extremely funny' Sunday Telegraph_____________________________A poet is a rock star without the sex'n'drugs, or the rock'n'roll. But that never stopped Simon Armitage dreaming, and in Gig, he explores how music and the muse intertwine in work and in life. Crammed with stories, anecdotes, jokes, absurdities, the odd informal homily, pitfalls and pratfalls (not all the author's own), Yorkshire life and death, Gig is about the dream and reality of what you are, and what you might have been._____________________________'One of our most entertaining authors' Independent'Very, very funny' GQ'Witty, terrific, stupendously funny' Daily Telegraph Simon Armitage, Sunday Times bestseller, April 2024

'A firework display of technique, versatility and passion.' Independent on Sunday'The crafted sincerity of this potent, lyrical collection, in which an absolutely contemporary voice concisely expresses common concerns, is everything that poetry should be.' Times Literary Supplement'The first poet of serious artistic intent since Philip Larkin to have achieved popularity . . . it is possible that he will attain the sort of proverbial status Larkin now occupies.' Sean O'Brien, The Deregulated Muse

Preserved on a single surviving manuscript dating from around 1400, composed by an anonymous master, Sir Gawain and the Green Knight was rediscovered only 200 years ago, and published for the first time in 1839. One of the earliest great stories of English literature, after Beowulf, the poem narrates the strange tale of a green knight on a green horse, who rudely interrupts the Round Table festivities one Yuletide, casting a pall of unease over the company and challenging one of their number to a wager. The virtuous Gawain accepts, and decapitates the intruder with his own axe. Gushing blood, the knight reclaims his head, orders Gawain to seek him out a year hence, and departs. Next Yuletide Gawain dutifully sets forth... His quest for the Green Knight involves a winter journey, a seduction scene in a dream-like castle, a dire challenge answered - and a drama of enigmatic reward disguised as psychic undoing.

A STUNNING COLLECTION OF POEMS CURATED BY THE NEW POET LAUREATE AND THE BESTSELLING AUTHOR OF FOUR FIELDS___________________________'Some of the most ethereal verse ever written' Sunday Telegraph 'A glorious collection of works old and new' Independent on Sunday 'Truly inexhaustible . . . to be read again and again' Daily Mail 'A rich and sustaining larder, a marvellously realized sourcebook of flights of feathered fancy' Guardian 'A life-affirming celebration of the commonplace yet enduringly mysterious creatures we share this world with and the poetry they have inspired' Daily Telegraph

'A joy. Celebrates the real world and revels in its mad glory' Sue Townsend, Sunday Times_____________________________________All Points North is part-memoir and part-excursion. Charting the rugged and uneven terrain of a writer's formative years - from tax problems to probation to American tours, football to family to running away to Iceland - Simon Armitage explores growing up and being Northern. It's about humour, language, writing, film, houses, homes, time wasters, one loose tyre, you, me and all points in-between._____________________________________'Laugh-out-loud funny' Independent'A delight' Jonathan Raban, Times Literary Supplement 'A perfect holiday dipper' Scotsman'An Alan Bennett-style diary' Daily Telegraph

'Extremely funny' Sunday Telegraph_____________________________A poet is a rock star without the sex'n'drugs, or the rock'n'roll. But that never stopped Simon Armitage dreaming, and in Gig, he explores how music and the muse intertwine in work and in life. Crammed with stories, anecdotes, jokes, absurdities, the odd informal homily, pitfalls and pratfalls (not all the author's own), Yorkshire life and death, Gig is about the dream and reality of what you are, and what you might have been._____________________________'One of our most entertaining authors' Independent'Very, very funny' GQ'Witty, terrific, stupendously funny' Daily Telegraph Simon Armitage, Sunday Times bestseller, April 2024

'A joy. Celebrates the real world and revels in its mad glory' Sue Townsend, Sunday Times_____________________________________All Points North is part-memoir and part-excursion. Charting the rugged and uneven terrain of a writer's formative years - from tax problems to probation to American tours, football to family to running away to Iceland - Simon Armitage explores growing up and being Northern. It's about humour, language, writing, film, houses, homes, time wasters, one loose tyre, you, me and all points in-between._____________________________________'Laugh-out-loud funny' Independent'A delight' Jonathan Raban, Times Literary Supplement 'A perfect holiday dipper' Scotsman'An Alan Bennett-style diary' Daily Telegraph

Abbie Fenton wants a baby. Her husband Felix, not unaware of the thunderous ticking of Abbie's biological clock, wants to oblige but their home has still to be blessed. Cue the usual round of doctors, tests, probes and scans - all to no avail. So Abbie - adopted at birth - decides that if she can't have a child then she must at least discover whose child she is. Soon, she and Felix are caught up in a make-or-break search for family, identity and meaning. And little do they know quite where the journey will take them ...The White Stuff announces Simon Armitage, one of our nation's leading and award-winning poets, as one of our greatest novelists.'Superb, very impressive, grimly funny ... I lay on the floor and howled with laughter' Independent 'With plenty of laugh-out-loud moments, touchy-feely bits and some choice observations about the things that men do, Armitage gives Hornby a run for his money' Daily Mirror

A STUNNING COLLECTION OF POEMS CURATED BY THE NEW POET LAUREATE AND THE BESTSELLING AUTHOR OF FOUR FIELDS___________________________'Some of the most ethereal verse ever written' Sunday Telegraph 'A glorious collection of works old and new' Independent on Sunday 'Truly inexhaustible . . . to be read again and again' Daily Mail 'A rich and sustaining larder, a marvellously realized sourcebook of flights of feathered fancy' Guardian 'A life-affirming celebration of the commonplace yet enduringly mysterious creatures we share this world with and the poetry they have inspired' Daily Telegraph

In this new verse adaptation, originally commissioned for BBC radio, Simon Armitage has recast Homer's epic as a series of bristling dramatic dialogues: between gods and men; between no-nonsense Captain Odysseus and his unruly, lotus-eating, homesick companions; and between subtle Odysseus (wiliest hero of antiquity) and a range of shape-shifting adversaries—Calypso, Circe, the Sirens, the Cyclops—as he and his men are "pinballed between islands" of adversity. One of the most individual voices of his generation, Armitage revitalizes our sense of the Odyssey as oral poetry, as indeed one of the greatest of tall tales.

First appearing around 1400, The Death of King Arthur is one of the most widely beloved and spectacularly alliterative poems penned in Middle English. While it is more than six centuries old, this magisterial new translation has finally given American readers the ability to experience the splendor and poignancy of the original. Echoing the lyrical passion that so distinguished Seamus Heaney’s Beowulf, Simon Armitage has produced a virtuosic translation of a timeless masterpiece, one that follows Arthur’s bloody conquests across Europe, all the way to his spectacular and even bloodier downfall. This unparalleled presentation of the greatest Arthurian tale promises to become the definitive edition for generations to come.

Kid gives us one of the liveliest poetic voices to have emerged in the last ten years. Simon Armitage's inspired ear for the demotic and his ability to deal with subjects that many poets turn their backs on have marked him as a poet of originality and force.

Simon Armitage is the most widely and unreservedly praised poet of his generation. The Dead Sea Poems, his fourth collection, culminates in a long visionary poem, 'Five Eleven Ninety Nine'. Elsewhere, questions of belief and trust, of identity and knowledge, dealt with as they occur in everyday domestic life, contribute to a picture of our contemporary world that is at once realistic and touched with a unique imaginative intensity.

Six friends are interviewed by the police after the disappearance of Lucy Lime, the strange unnerving girl - 'I am a walking Universe, I am' - whom they met on the beach beneath the cliffs.Adie likes Gary who likes Shelley who likes Adie. Relationships are strained as they 'sort out what they can put up with, and what they can't' - under the shadow of a soldier on a Great War memorial.Eclipse by Simon Armitage and Friendly Fire by Peter Gill were specially commissioned by the National Theatre for the BT National Connections Scheme for young people.If we hope to have discerning practitioners and audiences tomorrow we must ensure that work of quality is available to young people now. The Connections series is designed to provide such work in easily accessible volumes.

Radio Castle, the voice of Jerusalem. Your local news broadcast from the bed of housebound ex-fireman, John Edward. His son doesn't want to join the family business, and his wife is in love with the town's ex-policeman, but Radio Castle continues to broadcast despite everything life throws at John Edward. When the coveted position of Entertainment Secretary at the Jerusalem Social Club comes up, only one man stands between John Edward and his dream - a certain ex-policeman. As two old adversaries square up, who will get the girl and who will get the job?This dark musical comedy premieres at West Yorkshire Playhouse in November 2005.

"The Universal Home Doctor" is Simon Armitage's most personal collection of poems yet. The poems journey across the globe but are ultimately set against the most intimate of landscapes - the human body.

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature.Ted Hughes (1930-98) was born in Yorkshire. His first book, The Hawk in the Rain, was published in 1957. His last collection, Birthday Letters, was published in 1998 and won the Whitbread Book of the Year, the Forward Prize and the T. S. Eliot Prize. He was appointed Poet Laureate in 1984 and appointed to the Order of Merit in 1998.

When the mysterious Green Knight arrives unbidden at the Round Table one Christmas, only Gawain is brave enough to take up his challenge . . .This story, first told in the 1400s, is one of the most enthralling, dramatic and beloved poems in the English tradition. Now, in Simon Armitage, the poem has found its perfect modern translator. Armitage's retelling of Sir Gawain and the Green Knight captures all of the magic and wonderful storytelling of the original while also revitalising it with his own popular, funny and contemporary voice.

One summer, Simon Armitage decided to walk the Pennine Way - a challenging 256-mile route usually approached from south to north, with the sun, wind and rain at your back. However, he resolved to tackle it back to front, walking home towards the Yorkshire village where he was born, travelling as a 'modern troubadour', without a penny in his pockets and singing for his supper with poetry readings in village halls, churches, pubs and living rooms. Walking Home describes his extraordinary, yet ordinary, journey of human endeavour, unexpected kindnesses and terrible blisters.The companion volume, Walking Away, is published in June 2015.

Simon Armitage's new collection is by turns a voice and a chorus: a hyper-vivid array of dramatic monologues, allegories, parables and tall tales. Here comes everybody: Snoobie and Carla, Lippincott, Wittmann, Yoshioka, Bambuck, Dr Amsterdam, Preminger. The man whose wife drapes a border-curtain across the middle of the marital home; the English astronaut with a terrestrial outlook on life; an orgiastic cast of unreconstructed pie-worshipers at a Northern sculpture farm; the soap-opera supremacists at their zoo-wedding; the driver who picks up hitchhikers as he hurtles towards a head-on collision with Thatcherism; a Christian cheese-shop proprietor in the wrong part of town; the black bear with a dark secret, the woman who curates giant snowballs in the chest freezer. Celebrities and nobodies, all come to the ball.I am a sperm whale. I carry up to 2.5 tonnes of an oil-likebalm in my huge, coffin shaped head. I have a brain thesize of a basketball, and on that basis alone am entitled tomy opinions. I am a sperm whale. When I breathe in, the fluid in my head cools to a dense wax and I nosedive into the depths. My song, available on audiocassette and compact disc is a comfort to divorcees, astrologists and those who have 'pitched the quavering canvas tent of their thoughts on the rim of the dark crater'.- from 'The Christening'The storyteller who steps in and out of this human tapestry changes, trickster-style, from poem to poem, but retains some identifying traits: the melancholy of the less deceived, crossed with an undercover idealism. And he shares with many of his characters a star-gazing capacity for belief, or for being 'genuine in his disbelief'.Language is on the loose in these poems, which cut and run across the parterre of poetic decorum with their cartoon-strip energies and air of misrule. Armitage creates world after world, peculiar yet always particular, where the only certainty is the unexpected.

Kid gives us one of the liveliest poetic voices to have emerged in the last ten years. Simon Armitage's inspired ear for the demotic and his ability to deal with subjects that many poets turn their backs on have marked him as a poet of originality and force.

'A firework display of technique, versatility and passion.' Independent on Sunday'The crafted sincerity of this potent, lyrical collection, in which an absolutely contemporary voice concisely expresses common concerns, is everything that poetry should be.' Times Literary Supplement'The first poet of serious artistic intent since Philip Larkin to have achieved popularity . . . it is possible that he will attain the sort of proverbial status Larkin now occupies.' Sean O'Brien, The Deregulated Muse

Simon Armitage is the most widely and unreservedly praised poet of his generation. The Dead Sea Poems, his fourth collection, culminates in a long visionary poem, 'Five Eleven Ninety Nine'. Elsewhere, questions of belief and trust, of identity and knowledge, dealt with as they occur in everyday domestic life, contribute to a picture of our contemporary world that is at once realistic and touched with a unique imaginative intensity.

As the title implies, Simon Armitage's flesh-and-blood account of numerous personal journeys reads like a private encyclopaedia of emotion and health. Vivid and engaged, the poems range from the rainforests of South America to the deserts of Western Australia, but are set against the ultimate and most intimate of all landscapes, the human body. Equally, the body politic comes into question, through subtle enquiries into Englishness and the idea of home.