Simone Pinet – författare
Visar alla böcker från författaren Simone Pinet. Handla med fri frakt och snabb leverans.
5 produkter
Archipelagoes
Insular Fictions from Chivalric Romance to the Novel
Av Simone Pinet
Häftad, 2011
350 kr
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Archipelagoes examines insularity as the space for adventure in the Spanish book of chivalry, much like the space of the forest in French chivalric romance. In this innovative work, Simone Pinet explores the emergence of insularity as a privileged place for the location of adventure in Spanish …
Task of the Cleric
Cartography, Translation, and Economics in Thirteenth-Century Iberia
Av Simone Pinet
E-bok, 2016
919 kr
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Composed in early thirteenth-century Iberia, the Libro de Alexandre was Spain’s first vernacular version of the Romance of Alexander and the first poem in the corpus now known as the mester de clerecÍa. These learned works, written by clergy and connected with both school and court, were also tools …
Task of the Cleric
Cartography, Translation, and Economics in Thirteenth-Century Iberia
Av Simone Pinet
E-bok, 2016
993 kr
Lägg i varukorg
Composed in early thirteenth-century Iberia, the Libro de Alexandre was Spain’s first vernacular version of the Romance of Alexander and the first poem in the corpus now known as the mester de clerecÍa. These learned works, written by clergy and connected with both school and court, were also tools …
Task of the Cleric
Cartography, Translation, and Economics in Thirteenth-Century Iberia
Av Simone Pinet
Inbunden, 2016
796 kr
Lägg i varukorg
Composed in early thirteenth-century Iberia, the Libro de Alexandre was Spain’s first vernacular version of the Romance of Alexander and the first poem in the corpus now known as the mester de clerecÍa. These learned works, written by clergy and connected with both school and court, were also tools …
Courting the Alhambra
Cross-Disciplinary Approaches to the Hall of Justice Ceilings
Av Cynthia Robinson, Simone Pinet
Häftad, 2008
2110 kr
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The ceiling paintings in the Hall of Justice of the Alhambra have not received serious scholarly attention for the past thirty years, perhaps due to their difficult incorporation into a discrete program of Christian vs. Islamic art, categories that until recently remained unchallenged themselves. …
