Sinclair Bell - Böcker

This title provides a panoramic view of ancient cultures in Italy. This impressive collection brings to light the works of international scholars, some previously unavailable to an English-language audience. With new information and assessments about the art, architecture, and archaeology of one of the most dynamic periods in the history of the ancient world - the transition between pre-Roman and Roman Italy - these scholars focus on ancient Italy and the wider Mediterranean. Shedding new light on the evidence of well-known and recently excavated sites and the objects they have yielded - their iconography, manufacturing techniques, and afterlives - this collection follows the first archaeological traces of the rise of ancient Italy to its rediscovery in the Renaissance and its reinvention in contemporary fiction, offering a vibrant contribution to classical studies. Paying tribute to Richard Daniel De Puma, a scholar who has made significant and influential contributions to Etruscan and Roman studies, the contributors to this collection echo the ambition and creativity of his work while offering an up-to-date survey of contemporary Etruscan scholarship. In surveying new developments in both fields, the work collected here represents the diverse, interdisciplinary interests of De Puma as well as areas of recent groundbreaking research.

This new collection presents a rich selection of innovative scholarship on the Etruscans, a vibrant, independent people whose distinct civilization flourished in central Italy for most of the first millennium BCE and whose artistic, social and cultural traditions helped shape the ancient Mediterranean, European, and Classical worlds. Includes contributions from an international cast of both established and emerging scholarsOffers fresh perspectives on Etruscan art and culture, including analysis of the most up-to-date research and archaeological discoveriesReassesses and evaluates traditional topics like architecture, wall painting, ceramics, and sculpture as well as new ones such as textile archaeology, while also addressing themes that have yet to be thoroughly investigated in the scholarship, such as the obesus etruscus, the function and use of jewelry at different life stages, Greek and Roman topoi about the Etruscans, the Etruscans’ reception of ponderation, and moreCounters the claim that the Etruscans were culturally inferior to the Greeks and Romans by emphasizing fields where the Etruscans were either technological or artistic pioneers and by reframing similarities in style and iconography as examples of Etruscan agency and reception rather than as a deficit of local creativity

The Memoirs of the American Academy in Rome, an annual publication of the American Academy in Rome, gathers articles on topics including Roman archaeology and topography, ancient and modern Italian history, Latin literature, and Italian art and architectural history.Volume 63/64 is the first volume edited by Sinclair W. Bell, Professor of Art History at Northern Illinois University. This volume includes the following essays and articles:" Incised and Stamped Ceramics from Morgantina: Taking the Long View" by Emma Buckingham and Carla M. Antonaccio; "Early Iron Age and Orientalizing Mediterranean Networks from Funerary Contexts in Latium vetus: Identifying Gender and Special Patterns of Interaction" by Francesca Fulminante; "Herakles on the Move: A Greek Hydria's Journey from Athens to Vulci" by Sheramy D. Bundrick; "A Hemicycle with a View" by Barbara Burrell; "Coinage Programs and Panegyric in the Reign of Trajan: Imagery, Audience, and Gency" by Nathan T. Elkins; "Matidia Minor and the Rebuilding of Suessa Aurunca" by Margaret Woodhull; "Sesostris' Chariot in a Roman Circus? A New Interpretation of a Scene Depicted on an Imperial Oil Lamp" by Sylvain Forichon; "The Sylloge Einsidlensis, Poggio Bracciolini's De Varietate Fortunae, the Turris de Arcu, and the Disappearance of the Arch of Titus in the Circus Maximus" by Tommaso Leoni; "Three Drawings of the Domus Aurea and the Colosseum at the Uffizi: Disiecta membra froma Drawing-book after the Antique?" by Marco Burnetti; and reports from the American Academy in Rome covering 2017-2019.