Sk Sagir Ali – författare

This volume studies the representation of religion in South Asian Anglophone literature of the twentieth and twenty-first century. It traces the contours of South Asian writing through the consequences of the complex contesting forces of blasphemy and secularization. Employing a cross-disciplinary approach, it discusses various key issues such as religious fundamentalism, Islamophobia, religious majoritarianism, nationalism, and secularism. It also provides an account of the reception of this writing within the changing conceptions of racial "Others" and cultural difference, particularly with respect to minority writers, in terms of ethnic background and lack of access to social mobility. The volume features chapters on key texts, including The Hungry Tide, The Enchantress of Florence, In Times of Seige, One Part Woman, Anil’s Ghost, The Book of Gold Leaves, Red Earth and Pouring Rain, The Black Coat and Swarnalata, among others.

An important contribution to the study of South Asian literature, the book will be indispensable for students and researchers of literary studies, religious studies, cultural studies, literary criticism, and South Asian studies.

This volume studies the representation of religion in South Asian Anglophone literature of the twentieth and twenty-first century. It traces the contours of South Asian writing through the consequences of the complex contesting forces of blasphemy and secularization. Employing a cross-disciplinary approach, it discusses various key issues such as religious fundamentalism, Islamophobia, religious majoritarianism, nationalism, and secularism. It also provides an account of the reception of this writing within the changing conceptions of racial "Others" and cultural difference, particularly with respect to minority writers, in terms of ethnic background and lack of access to social mobility. The volume features chapters on key texts, including The Hungry Tide, The Enchantress of Florence, In Times of Seige, One Part Woman, Anil’s Ghost, The Book of Gold Leaves, Red Earth and Pouring Rain, The Black Coat and Swarnalata, among others.

An important contribution to the study of South Asian literature, the book will be indispensable for students and researchers of literary studies, religious studies, cultural studies, literary criticism, and South Asian studies.

Literature and Theory is designed to assist students to apply key critical theories to literary texts. Focusing on representative works and authors widely taught across classrooms in the world – Joyce, Dickinson, Shakespeare, Beckett, Eliot, and Octavia Butler – it picks up different aspects of studying literature in an accessible format. The volume also brings together chapters that represent major modern literary schools of thought, including structuralism, poststructuralism, myth criticism, queer theory, feminism, postcolonialism, and deconstruction.

This book will be of great interest to scholars and researchers of literary and critical theory, as well as culture studies.

Literature and Theory is designed to assist students to apply key critical theories to literary texts. Focusing on representative works and authors widely taught across classrooms in the world – Joyce, Dickinson, Shakespeare, Beckett, Eliot, and Octavia Butler – it picks up different aspects of studying literature in an accessible format. The volume also brings together chapters that represent major modern literary schools of thought, including structuralism, poststructuralism, myth criticism, queer theory, feminism, postcolonialism, and deconstruction.

This book will be of great interest to scholars and researchers of literary and critical theory, as well as culture studies.

This book examines cultural imaginations post 9/11. It explores the idea of a religious community and its multifaceted representations in literature and popular culture. The essays in the volume focus on the role of literature, film, music, television shows and other cultural forms in opening up spaces for complex reflections on identities and cultures, and how they enable us to rethink the ‘trauma of familiarity’, post-traumatic heterotopias, religious extremism and the idea of the ‘neighbour’ in post-9/11 literary and cultural imagination. The volume also probes the intersections of religion, popular media, televised simulacrum and digital martyrdom in the wake of 9/11. It also probes the simulation of new- age media images with reference to the creation and dissemination of ‘martyrs’, the languages of grief, religionisation of terrorism, islamophobia, religious stereotypes and the reading of comics in writing the terror.

An essential read, the book reclaims and reinterprets the alternative to a Eurocentric/Americentric understanding of cultural and geopolitical structures of global designs. It will be of great interest to researchers of literature and cultural studies, media studies, politics, film studies and South Asian studies.

This book examines cultural imaginations post 9/11. It explores the idea of a religious community and its multifaceted representations in literature and popular culture. The essays in the volume focus on the role of literature, film, music, television shows and other cultural forms in opening up spaces for complex reflections on identities and cultures, and how they enable us to rethink the ‘trauma of familiarity’, post-traumatic heterotopias, religious extremism and the idea of the ‘neighbour’ in post-9/11 literary and cultural imagination. The volume also probes the intersections of religion, popular media, televised simulacrum and digital martyrdom in the wake of 9/11. It also probes the simulation of new- age media images with reference to the creation and dissemination of ‘martyrs’, the languages of grief, religionisation of terrorism, islamophobia, religious stereotypes and the reading of comics in writing the terror.

An essential read, the book reclaims and reinterprets the alternative to a Eurocentric/Americentric understanding of cultural and geopolitical structures of global designs. It will be of great interest to researchers of literature and cultural studies, media studies, politics, film studies and South Asian studies.

This book looks at texts produced before and after 9/11 by novelists with Muslim backgrounds in Britain. It delves into the ways in which the politics of representation have changed in the wake of 9/11 and highlights the conflicts that arise in these coming-of-age narratives between the demands of a liberal individualist lifestyle and those of community, family, and faith. Drawing on the works of Salman Rushdie, Hanif Kureishi, Nadeem Aslam, Qaisra Shahraz, Leila Aboulela, Robin Yassin-Kassab, Zia Haider Rahman, and Ahdaf Soueif, Community, Faith, and Resistance discusses how these authors distinguish between Islam as a religion and Islam as a culture and negotiate complex themes of religion, representation, recognition, and secularism in their works.

The volume will be of great interest to scholars and researchers, particularly those focused on literature, politics, cultural studies, South Asian studies, Islamic studies, and decolonial studies, providing valuable insights and fostering deeper understanding in these disciplines.

This book looks at texts produced before and after 9/11 by novelists with Muslim backgrounds in Britain. It delves into the ways in which the politics of representation have changed in the wake of 9/11 and highlights the conflicts that arise in these coming-of-age narratives between the demands of a liberal individualist lifestyle and those of community, family, and faith. Drawing on the works of Salman Rushdie, Hanif Kureishi, Nadeem Aslam, Qaisra Shahraz, Leila Aboulela, Robin Yassin-Kassab, Zia Haider Rahman, and Ahdaf Soueif, Community, Faith, and Resistance discusses how these authors distinguish between Islam as a religion and Islam as a culture and negotiate complex themes of religion, representation, recognition, and secularism in their works.

The volume will be of great interest to scholars and researchers, particularly those focused on literature, politics, cultural studies, South Asian studies, Islamic studies, and decolonial studies, providing valuable insights and fostering deeper understanding in these disciplines.

This book represents a significant intervention in human rights and its literary praxis, underscoring its paramount relevance and pressing urgency within the intricate tapestry of the Asian Pacific context. The book examines the local trauma endured within the complex geopolitical landscape of the Asian continent while also embracing a broader outlook that transcends geosocial boundaries. As a pivotal contribution to the discourse on Asian trauma studies, the chapters address a critical scholarly lacuna by delving into critical theoretical reflections and providing a robust epistemological foundation. The chapters look at human rights and trauma studies in a way that focuses not only on Europe. The volume fosters a deep comprehension of the historical and cultural facets shaping the Asian continent and its human rights challenges. The book is indispensable for educators, policymakers, and researchers engaged in the intricate realm of human rights and trauma studies.