Sneja Gunew – författare

Expert contributing authors survey the development of multicultural ideals through art across different geopolitical contexts, highlighting how these ideas have challenged founding myths of the nation state. They analyse the subsequent adoption of multiculturalism by state agencies, leading to the emergence of new forms of welfare, education and culture services. Responding to populist scepticism surrounding the concept, the Companion underscores the dynamic contribution multicultural art and activism has made to the pursuit of social justice, highlighting in particular its links to Indigenous communities, cosmopolitanism and transnational spaces.

The Elgar Companion to the Arts and Global Multiculturalism is an essential resource for students and scholars of cultural studies, sociology, art history, migration, globalization and political theory. It is also a key resource for policymakers seeking to incorporate multicultural ideals into their work.

The ‘minority’ feminist viewpoints have often been submerged in the interests of maintaining a mainstream, universal model of feminism. This anthology takes into account the various differences among women while looking at the important areas of feminist struggle. While sisterhood is indeed global, it certainly does not mean that all women are required to submerge their specific differences and assimilate to a universal model. Consequently, the collection includes essays by leaders in the field of post-structuralist enquiry as well as by those immersed in the new spirituality, and the social consequences of recent biological research. Other essays reflect the political struggles which continue to be waged with different strategies by socialist and radical feminists, and the self-searching analyses undertaken by feminists uneasy about their inclusion within educational institutions and the radical new interpretations of sexuality within the cultural domain. The collection begins with a critique of white mainstream feminism emanating from Aboriginal women in Australia. The implications of the critique indicate that there is a pervasive racism within the feminist movement.

The ‘minority’ feminist viewpoints have often been submerged in the interests of maintaining a mainstream, universal model of feminism. This anthology takes into account the various differences among women while looking at the important areas of feminist struggle. While sisterhood is indeed global, it certainly does not mean that all women are required to submerge their specific differences and assimilate to a universal model. Consequently, the collection includes essays by leaders in the field of post-structuralist enquiry as well as by those immersed in the new spirituality, and the social consequences of recent biological research. Other essays reflect the political struggles which continue to be waged with different strategies by socialist and radical feminists, and the self-searching analyses undertaken by feminists uneasy about their inclusion within educational institutions and the radical new interpretations of sexuality within the cultural domain. The collection begins with a critique of white mainstream feminism emanating from Aboriginal women in Australia. The implications of the critique indicate that there is a pervasive racism within the feminist movement.