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This book, first published in 1987, is an extended examination of Merleau-Ponty’s political philosophy. It describes and critically elucidates the main political themes to be found in his writings, and shows how his political ideas are related to his general phenomenological philosophy.
568 kr
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Social philosophy oscillates between two opposing ideas: that individuals fashion society, and that society fashions individuals. The concept of ‘situation’ was elaborated by the French existentialist thinkers to avoid this dilemma. Individuals are seen as actively situating themselves in society at the same time as being situated by it. This book, first published in 1990, traces the development of the concept of situation through the work of Gabriel Marcel, Jean-Paul Sartre, Simone de Beauvoir and Maurice Merleau-Ponty. It shows how it illuminates questions of self or subjectivity, embodiment and gender, society and history, and argues that it goes far beyond the currently fashionable notions of the ‘death of the subject’.
600 kr
Läs direkt efter köp
This book, first published in 1987, is an extended examination of Merleau-Ponty’s political philosophy. It describes and critically elucidates the main political themes to be found in his writings, and shows how his political ideas are related to his general phenomenological philosophy.
568 kr
Läs direkt efter köp
Social philosophy oscillates between two opposing ideas: that individuals fashion society, and that society fashions individuals. The concept of ‘situation’ was elaborated by the French existentialist thinkers to avoid this dilemma. Individuals are seen as actively situating themselves in society at the same time as being situated by it. This book, first published in 1990, traces the development of the concept of situation through the work of Gabriel Marcel, Jean-Paul Sartre, Simone de Beauvoir and Maurice Merleau-Ponty. It shows how it illuminates questions of self or subjectivity, embodiment and gender, society and history, and argues that it goes far beyond the currently fashionable notions of the ‘death of the subject’.
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