Spencer Weber Waller – författare

Thurman Arnold (1891-1969) was a major iconoclast of American law and a great liberal of the 20th century. In this first biography of Arnold, Spencer Weber Waller traces Arnold's life from his birth in Laramie, Wyoming, and explores how his western upbringing influenced his distinctive views about law and power. After studying at Princeton and Harvard Law School, Arnold practiced law in Chicago, served in World War I, and eventually returned to Laramie, where he was a prominent practitioner, mayor, and state legislator in the 1920s.As the rise of national corporations began to destroy the local businesses that were the core of his legal practice, Arnold turned from the courtroom to the academy, most notably at Yale Law School, where he became one of the leading spokesmen for the legal realism movement. Arnold's work attracted the attention of Franklin Roosevelt, who appointed him to head the Antitrust Division during the New Deal. He went on to establish Arnold, Fortas & Porter, which became the epitome of the modern Washington, DC law firm, and defended pro-bono hundreds of clients accused of Communist sympathies during the McCarthy era.One of the few individuals who shaped 20th century American law in so many of its facets, Arnold's biography is long overdue, and Waller honors his life and legacy with a book that is both vividly narrated and extensively researched.

Brands and brand management have become a central feature of the modern economy and a staple of business theory and business practice. Contrary to the law's conception of trademarks, brands are used to indicate far more than source and/or quality. This volume begins the process of broadening the legal understanding of brands by explaining what brands are and how they function, how trademark and antitrust/competition law have misunderstood brands, and the implications of continuing to ignore the role brands play in business competition. This is the first book to engage with the topic from an interdisciplinary perspective, hence it will be a must-have for all those interested in the phenomenon of brands and how their function is recognized by the legal system. The book integrates both a competition and an intellectual property law dimension and explores the regulatory environment and case law in both Europe and the United States.

Since the second half of the 19th century, live entertainment in the United States has been governed by monopolies and powerful business cartels. Through power and greed they controlled who could produce, book, and present live performance and legitimate theatre, affecting audiences in New York City and across North America.Far from being a historical problem, it took the botched rollout of the 2023 Taylor Swift Eras tour via Live Nation/Ticketmaster for people and Congress to question this established history, and more importantly, ask what could be done to change it via stronger enforcement of the antitrust laws to help prevent high prices and poor service suffered by concert-goers who buy their tickets online.But how did we get to this point? This is the story of the real battle for Broadway, where the men who controlled the business determined not only who produced for the theatrical and vaudeville stage but also what they produced, who would perform, where the show would play, how much the audience would pay, and how those profits would be divided. Discover how it took the law nearly sixty years to catch up to the illegal anticompetitive strategies of the Barons of the Gilded Age and their successors and why this story matters today.Including 18 images and newly available archival material, Power and Greed unpacks the shady world of the Syndicate, the Shuberts, the Vaudeville Combine, and their modern-day successors. Combining archival research, lively discussion and historical narrative this is a perfect read for theatre and entertainment fans, history enthusiasts and students of antitrust law that shows us how market competition and competition law can shape, but never eliminate, the worst impulses of those in power and those who seek power over what we see in live entertainment.