S.S. Van Dine - Böcker

The Canary of the title is Margaret Odell, once a showgirl in the Ziegfeld Follies, more recently an occasional nightclub singerl. When she is murdered, there are any number of suspects, all of the male variety. The police are baffled but Philo Vance is on the scene, ready to apply his brilliance, his erudition, his astonishingly nuanced grasp of human nature to the solving of the crime.

Members of the Greene family keep dying while the pool of possible perpetrators keeps shrinking. Philo Vance—the independently wealthy, staggeringly brilliant, not remotely modest amateur sleuth—uses his detective skills to unravel the murders, though sadly not before most of the Greene family has been bumped off.

Gracie Allen breaks the Philo Phormula in a number of ways. First is its title: this is the only book in the series to modify “Murder Case” with more than one word, much less with the name of a character. And then there’s that character: Gracie Allen was a very real, much-loved comedienne in the 1930s, famous for her double act with George Burns, and in fact the plot revolves around her. Gracie’s centrality is no accident: Van Dine wrote the story as a vehicle for Allen, and actually created the novel only after the film had come out. So do all these departures pay off? We’d be lying if we said that Gracie hits every single mark, but Van Dine does a surprisingly entertaining job of translating Ms. Allen’s delicious Ditzy Blonde persona to the page, and she makes a charming foil for Philo’s evergreen erudition.

Like The Gracie Allen Murder Case before it, Winter was first written as a screenplay, in this case a vehicle for the figure skater Sonja Henie. However, while Allen’s scatterbrained persona made a charming foil for Philo’s stuffed-shirt pretensions, Ms. Henie provided no such inspiration. Van Dine did not live long enough to see her outed as a Nazi supporter, but her ice-princess act offered less for Philo to play against. It should be noted that Winter was published posthumously to close out the series, and though it went to press without Van Dine’s usual repeated revisions, it is true vintage Philo—utterly distinctive in style and its own very genuine kind of pleasure.

New York in the 1920s is the world’s most glamorous city, and drinking it in like the finest champagne is Philo Vance, an expert in art with the deepest pockets, the brainiest brains, and the most gloriously ludicrous pretensions in the history of crime fiction.When a scheming young stockbroker is murdered—in a delicious locked-room scenario based on a real case of the day—Vance steps in to solve the puzzle not merely because he is bored and seeking new entertainment, but also because honor compels him to point out all the ways in which the police are getting it wrong. The cops of course are profoundly grateful, like all members of the lower orders when their mistakes are pointed out. Peter Wimsey would be appalled, but the reader will be delighted. Philo Vance (here in his first outing) is the sleuth you love to hate.

The sleuth we love to hate is back, as Philo Vance investigates the murder of a "fast and easy showgirl" known as the Canary. Let us begin by promising that no actual birds are harmed in this story. The Canary of the title is Margaret Odell, once a showgirl in the Ziegfeld Follies, more recently an occasional nightclub singer and professional good time. When she is murdered, there are any number of suspects, all of the male variety. The police, of course, are baffled—it was ever thus—but happily, Philo Vance is on the scene, ready to apply his brilliance, his erudition, his astonishingly nuanced grasp of human nature to the solving of the crime. British crime writer and critic Julian Symons once noted that “It is difficult to grasp the extent of Van Dine’s success,” but a success he surely was: Canary stayed on bestseller lists for months and was filmed with William Powell and Louise Brooks. Will you cozy up to Philo Vance? Unlikely. But you’ll have a dandy time.

The sleuth we love to loathe is back! Philo Vance—the snootiest snob in Jazz Age NYC—investigates murders in the wealthy Greene family, who are dropping like flies!Members of the Greene family keep dying, while the pool of possible perpetrators keeps shrinking…although the servants, each one weirder than the next, remain in the pink of health). Vance—the independently wealthy, staggeringly brilliant, not remotely modest (and did we mention handsome?) amateur sleuth—uses his detective skills to unravel the murders, though sadly not before most of the Greene family has been bumped off.First published in 1928, The Greene Murder Case topped the year’s bestseller lists and was made into not one, not two, but an astonishing three films, the first starring William Powell, and the second somebody named Grant Richards. The third, a made-for-TV movie, came out just sixteen years ago…in the Czech Republic. That’s our Philo, the Sleuth the World Loves to Hate.

Nightclub singer Margaret Odell, the famous Broadway beauty and ex-Follies girl known as "The Canary", is found murdered in her ransacked apartment, her jewelry stolen. It appears at first to be a robbery gone wrong, but the police can find no physical evidence to pinpoint a culprit. No one witnessed anyone entering or leaving, and the only unwatched entrance to the apartment building was bolted from the inside.Who could have killed the Canary in her locked cage? The victim was seeing a number of men, ranging from a high society gentleman to ruthless gangsters, and more than one man visited her apartment on the night she died. When the D.A. is stumped, he turns to his friend Philo Vance, an erudite and snobbish aristocrat, who applies his brilliant observations of human nature during a poker game with the suspects to determine who in fact knocked the Canary from her perch-permanently.