Stephanie Brown – författare

A comprehensive theoretical and practical presentation on theassessment and treatment of adult children of alcoholics. In Treating Adult Children of Alcoholics, renowned psychologist,researcher, and author Stephanie Brown develops an in-depth,integrated theory linking childhood experiences with an alcoholicparent to developmental difficulties. She emphasizes the importanceof the traumatic family environment and provides rich clinicaldescriptions, linking systems theory and literature of thehandicapped to the experience of children of alcoholics. Dr. Brown connects environmental issues with individualdevelopment. She details the defensive maneuvers required to copewith an alcoholic parent and explores their impact on thedevelopment of the self. Finally, she outlines the process ofrecovery, continuing to emphasize the link between environment andindividual development. She traces the recovery process from itsfirst step--admitting parental alcoholism--through thereconstruction of personal identity based on incorporating therealities of parental alcoholism into a new vision of theself. For mental health professionals, alcoholism counselors, graduatestudents, recovering alcoholics and their families, and adultchildren of alcoholics, Treating Adult Children of Alcoholicsprovides a clear understanding of the impact of parental alcoholismon the developing child. It also opens the door to a solid,realistic course of treatment that offers hope to thousands ofadult children of alcoholics.

The book that revolutionized the psychotherapist's approach totreating alcoholism When it was first published in 1985, Treating the Alcoholicchallenged traditional psychotherapeutic approaches to alcoholismtreatment. Since then, thousands of mental health professionals,using Dr. Stephanie Brown's treatment model, have found renewedfaith in their ability to help alcoholic patients achieve lastingrecovery. The book begins by studying the experiences of people who havestopped drinking and provides firsthand descriptions of theinevitable emotional, physical, and psychological problems thatfollow. Dr. Brown then offers a model for treatment that replacesthe notion of abstinence as a static state with a dynamic,process-oriented "continuum of recovery" principle. She translatesthe twelve steps of Alcoholics Anonymous into psychological terms,taking particular care to explain the crucial notion of "loss ofcontrol." Perhaps the most surprising element of Dr. Brown's modelis her emphasis on the triadic therapeutic relationship in whichtherapist, patient, and AA counselor work in partnership to ensureongoing recovery. Once considered a radical departure from the conventional wisdom,Treating the Alcoholic offers a now-proven approach that enablespsychiatrists, psychologists, social workers, alcoholismcounselors, and other mental health professionals to understand thedynamics of alcoholism and make profound contributions to therecovery process.

Providing essential theoretical and practical guidelines for clinicians, educators, policymakers, and public health professionals, The Handbook of Addiction Treatment for Women is a comprehensive resource of the most current research and knowledge from recognized experts in the field of addiction and treatment. This much needed guide offers an historical context on the issue of women and addiction, examines the myriad challenges of the female addict, and includes recommendations for choosing a course of treatment that will meet the specific needs of an individual woman addict.

Client Interview, Attendance Note and Legal Analysis for SQE2 is the latest title in a new series of books aimed at those preparing for SQE2, providing a comprehensive overview of everything you need to successfully pass the SQE2 advocacy assessment.This book explains the key principles of oral communication, interview technique, and legal analysis in a clear, concise, and easy-to-understand style. The use of practical examples, from the practice areas set out by the SRA assessment specification, allows such key principles to be effectively introduced and illustrated. The book demonstrates the importance of the three key tenets of listening, questioning, and advising, with a view to ensuring that a matter can be analysed effectively, and effective and appropriate decisions can be made. The book provides a clear and structured approach, with opportunities to apply the relevant principles to the law. Chapters include summaries, key practice cases, practice tips, and exercises to reinforce learning and understanding.Written by an author team with extensive experience in teaching and practice, this unique book will be essential reading for any candidate wishing to be fully prepared for their SQE2 assessment.

Client Interview, Attendance Note and Legal Analysis for SQE2 is the latest title in a new series of books aimed at those preparing for SQE2, providing a comprehensive overview of everything you need to successfully pass the SQE2 advocacy assessment.This book explains the key principles of oral communication, interview technique, and legal analysis in a clear, concise, and easy-to-understand style. The use of practical examples, from the practice areas set out by the SRA assessment specification, allows such key principles to be effectively introduced and illustrated. The book demonstrates the importance of the three key tenets of listening, questioning, and advising, with a view to ensuring that a matter can be analysed effectively, and effective and appropriate decisions can be made. The book provides a clear and structured approach, with opportunities to apply the relevant principles to the law. Chapters include summaries, key practice cases, practice tips, and exercises to reinforce learning and understanding.Written by an author team with extensive experience in teaching and practice, this unique book will be essential reading for any candidate wishing to be fully prepared for their SQE2 assessment.

Americans in the World War II era bought the novels of African American writers in unprecedented numbers. But the names on the books lining shelves and filling barracks trunks were not the now-familiar Richard Wright and Ralph Ellison, but Frank Yerby, Chester Himes, William Gardner Smith, and J. Saunders Redding.In this book, Stephanie Brown recovers the work of these innovative novelists, overturning conventional wisdom about the writers of the period and the trajectory of African American literary history. She also questions the assumptions about the relations between race and genre that have obscured the importance of these once-influential creators.Wright's Native Son (1940) is typically considered to have inaugurated an era of social realism in African-American literature. And Ellison's Invisible Man (1952) has been cast as both a high mark of American modernism and the only worthy stopover on the way to the Black Arts Movement of the 1960s. But readers in the late 1940s purchased enough copies of Yerby's historical romances to make him the best-selling African American author of all time. Critics, meanwhile, were taking note of the generic experiments of Redding, Himes, and Smith, while the authors themselves questioned the obligation of black authors to write protest, instead penning campus novels, war novels, and, in Yerby's case, ""costume dramas."" Their status as ""lesser lights"" is the product of retrospective bias, Brown demonstrates, and their novels established the period immediately following World War II as a pivotal moment in the history of the African American novel.

Americans in the World War II era bought the novels of African American writers in unprecedented numbers. But the names on the books lining shelves and filling barracks trunks were not the now-familiar Richard Wright and Ralph Ellison, but Frank Yerby, Chester Himes, William Gardner Smith, and J. Saunders Redding.In this book, Stephanie Brown recovers the work of these innovative novelists, overturning conventional wisdom about the writers of the period and the trajectory of African American literary history. She also questions the assumptions about the relations between race and genre that have obscured the importance of these once-influential creators.Wright's Native Son (1940) is typically considered to have inaugurated an era of social realism in African American literature. And Ellison's Invisible Man (1952) has been cast as both a high mark of American modernism and the only worthy stopover on the way to the Black Arts Movement of the 1960s. But readers in the late 1940s purchased enough copies of Yerby's historical romances to make him the best-selling African American author of all time. Critics, meanwhile, were taking note of the generic experiments of Redding, Himes, and Smith, while the authors themselves questioned the obligation of black authors to write protest, instead penning campus novels, war novels, and, in Yerby's case, ""costume dramas."" Their status as ""lesser lights"" is the product of retrospective bias, Brown demonstrates, and their novels established the period immediately following World War II as a pivotal moment in the history of the African American novel.