Stephen Cooper - Böcker

When Britain’s empire went to war in August 1914, rugby players were the first to volunteer: they led from the front and paid a disproportionate price. When the Armistice came after four long years, their war game was over; even as the last echo of the guns of November faded, it was time to play rugby again. As Allied troops of all nations waited to return home, sport occupied their minds and bodies.In 1919, a grateful Mother Country hosted a rugby tournament for the King’s Cup, to be presented by King George V at Twickenham Stadium. It was a moment of triumph, a celebration of military victory, of Allied unity and of rugby values, moral and physical. Never before had teams from Australia, Canada, New Zealand, South Africa, Britain and France been assembled in one place. Rugby held the first ever ‘World Cup’ – football would not play its own version until 1930. In 2015 the modern Rugby World Cup returns to England and Twickenham as the world remembers the Centenary of the Great War. With a foreword by Jason Leonard, this is the story of rugby’s journey through the First World War to its first World Cup, and how those values endure today.

SHORTLISTED FOR THE 2016 CROSS SPORTS BOOK OF THE YEAR AWARDWhen Britain’s empire went to war in August 1914, rugby players were the first to volunteer: they led from the front and paid a disproportionate price. When the Armistice came after four long years, their war game was over; even as the last echo of the guns of November faded, it was time to play rugby again.As Allied troops of all nations waited to return home, sport occupied their minds and bodies. In 1919, a grateful Mother Country hosted a rugby tournament for the King’s Cup, to be presented by King George V at Twickenham Stadium. It was a moment of triumph, a celebration of military victory, of Allied unity and of rugby values, moral and physical. Never before had teams from Australia, Canada, New Zealand, South Africa, Britain and France been assembled in one place. Rugby held the first ever ‘World Cup’ – football would not play its own version until 1930.In 2019 the modern Rugby World Cup moves to Japan in the Centenary of the King’s Cup. With a foreword by Jason Leonard, this is the story of rugby’s journey through the First World War to its first World Cup, and how those values endure today.

WINNER OF THE BRITISH SPORT BOOK AWARDS - RUGBY BOOK OF THE YEARThis is the story of 15 men killed in the Great War. All played rugby for one London club; none lived to hear the final whistle. Rugby brought them together; rugby led the rush to war. They came from Britain and the Empire to fight in every theatre and service, among them a poet, playwright and perfumer. Some were decorated and died heroically; others fought and fell quietly. Together their stories paint a portrait in miniature of the entire War. The Final Whistle plays tribute to the pivotal role rugby played in the Great War by following the poignant stories of fifteen men who played for Rosslyn Park, London. They came from diverse backgrounds, with players from Australia, Ceylon, Wales and South Africa, but they were united by their love of the game and their courage in the face of war. From the mystery of a missing memorial, Cooper’s meticulous research has uncovered the story of these men and captured their lives, from their vanished Edwardian youth and vigour, to the war they fought and how they died.

This volume assembles for the first time a staggering multiplicity of reflections and readings of John Fante's 1939 classic, Ask the Dust, a true testament to the work's present and future impact.The contributors to this work—writers, critics, fans, scholars, screenwriters, directors, and others—analyze the provocative set of diaspora tensions informing Fante's masterpiece that distinguish it from those accounts of earlier East Coast migrations and minglings. A must-read for aficionados of L.A. fiction and new migration literature, John Fante's "Ask the Dust": A Joining of Voices and Views is destined for landmark status as the first volume of Fante studies to reveal the novel's evolving intertextualities and intersectionalities.Contributors: Miriam Amico, Charles Bukowski, Stephen Cooper, Giovanna DiLello, John Fante, Valerio Ferme, Teresa Fiore, Daniel Gardner, Philippe Garnier, Robert Guffey, Ryan Holiday, Jan Louter, Chiara Mazzucchelli, Meagan Meylor, J'aime Morrison, Nathan Rabin, Alan Rifkin, Suzanne Manizza Roszak, Danny Shain, Robert Towne, Joel Williams

This volume assembles for the first time a staggering multiplicity of reflections and readings of John Fante's 1939 classic, Ask the Dust, a true testament to the work's present and future impact.The contributors to this work—writers, critics, fans, scholars, screenwriters, directors, and others—analyze the provocative set of diaspora tensions informing Fante's masterpiece that distinguish it from those accounts of earlier East Coast migrations and minglings. A must-read for aficionados of L.A. fiction and new migration literature, John Fante's "Ask the Dust": A Joining of Voices and Views is destined for landmark status as the first volume of Fante studies to reveal the novel's evolving intertextualities and intersectionalities.Contributors: Miriam Amico, Charles Bukowski, Stephen Cooper, Giovanna DiLello, John Fante, Valerio Ferme, Teresa Fiore, Daniel Gardner, Philippe Garnier, Robert Guffey, Ryan Holiday, Jan Louter, Chiara Mazzucchelli, Meagan Meylor, J'aime Morrison, Nathan Rabin, Alan Rifkin, Suzanne Manizza Roszak, Danny Shain, Robert Towne, Joel Williams

Psychiatry by Ten Teachers follows the highly-praised and successful ‘Ten Teachers’ tradition of providing the key information in a chosen specialty as required by the medical undergraduate, junior doctor and trainee GP, written by ten respected experts in the field. With medical students closely involved in the text’s development from the outset the text focuses on what the medical student and junior really need to know, with a clear rationale for the inclusion of every topic discussed at a level appropriate for the inexperienced, and will be of value to their future career whatever field they ultimately decide to specialize in.Completely up to date, this revised second edition encourages students and recently qualified doctors to get the most out of their psychiatry and community attachments, without overwhelming them with unnecessary detail. In line with the core curriculum recommended by the Royal College of Psychiatry, useful tips and advice ensure this is much more than a standard introduction to the subject, encouraging additional reading, supporting critical thinking and bringing exam success.

Overturning many of the established perspectives on Larkin's poetry and prose, Cooper's book presents new evidence from a range of previously unpublished sources, and is the first full-length critical work to analyse Larkin's early fiction, as well as advancing new readings of The Less Deceived', The Whitsun Weddings' and High Windows'. Critics have tended to label Larkin's poetry as sexist, racist and reactionary. However, this volume demonstrates that Larkin's artistic impulse throughout his career was to challenge orthodox models of social and sexual politics. Focusing on the Brunette Coleman novellas and the unfinished novels, a structural blueprint is identified as prefiguring the later poems' commentary on sexual and social conduct. Further unpublished material includes correspondence, workbook drafts, dream records, and a playscript, depicting, alternately, hostility to wartime heroics, revulsion from capitalism, unease with traditional gender roles and an interest in psychoanalysis. This study makes available to scholars paintings by Larkin's friend, James Sutton, which illuminate the writer's concern with social oppression, especially the predicament of women in the 1940s. This is a fresh and revealing study on Larkin's artistic subversion; stylistic and thematic, it reveals the underlying themes of Larkin's entire oeuvre.

Overturning many of the established perspectives on Larkin's poetry and prose, Cooper's book presents new evidence from a range of previously unpublished sources, and is the first full-length critical work to analyse Larkin's early fiction, as well as advancing new readings of The Less Deceived', The Whitsun Weddings' and High Windows'. Critics have tended to label Larkin's poetry as sexist, racist and reactionary. However, this volume demonstrates that Larkin's artistic impulse throughout his career was to challenge orthodox models of social and sexual politics. Focusing on the Brunette Coleman novellas and the unfinished novels, a structural blueprint is identified as prefiguring the later poems' commentary on sexual and social conduct. Further unpublished material includes correspondence, workbook drafts, dream records, and a playscript, depicting, alternately, hostility to wartime heroics, revulsion from capitalism, unease with traditional gender roles and an interest in psychoanalysis. This study makes available to scholars paintings by Larkin's friend, James Sutton, which illuminate the writer's concern with social oppression, especially the predicament of women in the 1940s. This is a fresh and revealing study on Larkin's artistic subversion; stylistic and thematic, it reveals the underlying themes of Larkin's entire oeuvre.