Stephen Garton – författare

First Published in 2004, Routledge is an imprint of Taylor & Francis, an informa company.

A history of sexuality runs the risk of confirming popular fears that academics are capable of ruining even the most simple of pleasures. This book, however, is written in the hope that histories of sexuality (although not necessarily this one) can enlighten and, occasionally, even delight. At their best such histories offer a means of investigating the clash of instinct and culture — how seemingly timeless and natural behaviours shape and are in turn shaped by history. Sexual practices may persist through time but history also illuminates how sex and sexuality are surprisingly mutable. This capacity of history to unsettle and surprise is evident in many of the works discussed here. In less than 40 years the history of sexuality, as a definable area of scholarly enterprise, has grown from a few works describing past attitudes and behaviours into an enormously rich field that sustains its own journal, a number of monograph series and countless seminars, conferences, articles and books. Moreover, this field has moved well beyond accounts of exotic ideas and strange obsessions to embrace sophisticated analyses of such issues as subjectivity, identity, power, desire, gender and embodiment. Through these studies we now have a much more detailed account of past sexual ideas, beliefs, practices, fantasies and struggles.

The phrase “Harlem in the 1920s” evokes images of the Harlem Renaissance, or of Marcus Garvey and soapbox orators haranguing crowds about politics and race. Yet the most ubiquitous feature of Harlem life between the world wars was the game of “numbers.” Thousands of wagers, usually of a dime or less, would be placed on a daily number derived from U.S. bank statistics. The rewards of “hitting the number,” a 600-to-1 payoff, tempted the ordinary men and women of the Black Metropolis with the chimera of the good life. Playing the Numbers tells the story of this illegal form of gambling and the central role it played in the lives of African Americans who flooded into Harlem in the wake of World War I.For a dozen years the “numbers game” was one of America’s rare black-owned businesses, turning over tens of millions of dollars every year. The most successful “bankers” were known as Black Kings and Queens, and they lived royally. Yet the very success of “bankers” like Stephanie St. Clair and Casper Holstein attracted Dutch Schultz, Lucky Luciano, and organized crime to the game. By the late 1930s, most of the profits were being siphoned out of Harlem.Playing the Numbers reveals a unique dimension of African American culture that made not only Harlem but New York City itself the vibrant and energizing metropolis it was. An interactive website allows readers to locate actors and events on Harlem’s streets.