Stephen Hopkins – författare

This ground-breaking book provides the first comprehensive investigation of the history and memory of the Northern Ireland Troubles in Britain. It examines the impacts of the conflict upon individual lives, political and social relationships, communities and culture in Britain, and explores how the people of Britain (including its Irish communities) have responded to, and engaged with the conflict, in the context of contested political narratives produced by the State and its opponents. Setting an agenda for further research and public debate, the book demonstrates that 'unfinished business' from the conflicted past persists unaddressed in Britain, and advocates the importance of acknowledging legacies, understanding histories and engaging with memories in the context of peace-building and reconciliation.

This ground-breaking book provides the first comprehensive investigation of the history and memory of the Northern Ireland Troubles in Britain. It examines the impacts of the conflict upon individual lives, political and social relationships, communities and culture in Britain, and explores how the people of Britain (including its Irish communities) have responded to, and engaged with the conflict, in the context of contested political narratives produced by the State and its opponents. Setting an agenda for further research and public debate, the book demonstrates that 'unfinished business' from the conflicted past persists unaddressed in Britain, and advocates the importance of acknowledging legacies, understanding histories and engaging with memories in the context of peace-building and reconciliation.

This book examines memoir-writing by many of the key political actors in the Northern Irish ‘Troubles’ (1969–1998), and argues that memoir has been a neglected dimension of the study of the legacies of the violent conflict. It investigates these sources in the context of ongoing disputes over how to interpret Northern Ireland’s recent past. A careful reading of these memoirs can provide insights into the lived experience and retrospective judgments of some of the main protagonists of the conflict. The period of relative peace rests upon an uneasy calm in Northern Ireland. Many people continue to inhabit contested ideological territories, and in their strategies for shaping the narrative ‘telling’ of the conflict, key individuals within the Protestant Unionist and Catholic Irish Nationalist communities can appear locked into exclusive and self-justifying discourses. In such circumstances, while some memoirists have been genuinely self-critical, many others have utilised a post-conflict language of societal reconciliation in order to mask a strategy that actually seeks to score rhetorical victories and to discomfort traditional enemies. Memoir-writing is only one dimension of the current ad hoc approach to ‘dealing with the past’ in Northern Ireland, but in the absence of any consensus regarding an overarching ‘truth and reconciliation’ process, this is likely to be the pattern for the foreseeable future. This study provides the first comprehensive analysis of a major resource for understanding the conflict.

From the Foreword:«This important contribution...to the history of this period shines a light on voices often left in the shadows of history's formal and established narrative, voices that reached across divides, laying down the roots of trust and shared humanity that would make the peace process possible. This work serves as both a reminder and a call. It is a reminder of the vital contributions of those civil society organisations who risked and hoped for peace when it was far from certain, and a call to each of us, in Ireland and beyond, to draw from their example as we strive for a world beyond the acceptance of war as anything other than a great human failure, and encourages us to continue to strive for a world where peace, justice, and equality prevail as the natural condition once again.»(Michael D. Higgins, Uachtarán na hÉireann, President of Ireland)　In the context of the twenty-fifth anniversary of the Good Friday Agreement in April 2023, elite politicians and paramilitary groups were presented as the drivers for conflict and peace in Northern Ireland. This book shifts the focus to the role played by civil society groups which sought to mobilise for peace and reconciliation in the late 1980s and early 1990s. It begins with an analysis of peace activism in Northern Ireland during the earlier decades of violence and is followed by an in-depth case study of the Peace Train Organisation, which was set up to counter paramilitary attacks on the trainline between Dublin and Belfast. The final part assembles contributions from fifteen key protagonists in civil society organisations, reflecting upon their work and lives.　　The authors seek to redress the balance in the historiography and popular perception of this critical period, arguing that civil society groups helped shift the social and political climate surrounding the conflict. The book breaks new ground in the memorialisation of the peace process, highlighting the neglected role of transnational civil society peace activism.

This book examines memoir-writing by many of the key political actors in the Northern Irish ‘Troubles’ (1969–1998), and argues that memoir has been a neglected dimension of the study of the legacies of the violent conflict. It investigates these sources in the context of ongoing disputes over how to interpret Northern Ireland’s recent past. A careful reading of these memoirs can provide insights into the lived experience and retrospective judgments of some of the main protagonists of the conflict. The period of relative peace rests upon an uneasy calm in Northern Ireland. Many people continue to inhabit contested ideological territories, and in their strategies for shaping the narrative ‘telling’ of the conflict, key individuals within the Protestant Unionist and Catholic Irish Nationalist communities can appear locked into exclusive and self-justifying discourses. In such circumstances, while some memoirists have been genuinely self-critical, many others have utilised a post-conflict language of societal reconciliation in order to mask a strategy that actually seeks to score rhetorical victories and to discomfort traditional enemies. Memoir-writing is only one dimension of the current ad hoc approach to ‘dealing with the past’ in Northern Ireland, but in the absence of any consensus regarding an overarching ‘truth and reconciliation’ process, this is likely to be the pattern for the foreseeable future. This study provides the first comprehensive analysis of a major resource for understanding the conflict.

Liverpool Football Club, in stark contrast to its competitors, remains locally owned, not a conglomerate or media business. Unlike its main rivals, the Liverpool club has been loathe to pursue global markets for merchandizing - though it attracts a huge fandom around the world - and its ambitions remain resolutely fixed on footballing success. No football club has ever had such an extended period of dominance inthe English game, nor extended that dominance to Europe so effectively.Many of the current crop of top young players are locally born and are a central feature of the city's nightlife, as well as national icons in pop/football/youth culture. But there are fears that the Club's great days have now passed. At the height of its powers in the 1980s, Liverpool FC was the site of two catastrophic crowd disasters, which effectively transformed the sport and added to wounding perceptions about the city's alleged sentimentality, fatalism and irreversible decline. The legacy of the Heysel and Hillsborough tragedies continues to shape the self-image of the Club and those who support it.A seething rivalry with nearby corporate giant Manchester United is a constant reminder of football's new order.Addressing all of these concerns, as well as Liverpool's global reputation as the home of the Beatles and the 'Mersey sound', this book takes an original approach to the study of football by examining its links with other important popular culture forms, especially pop music, but also television and youth styles. In particular, however, it looks at the very special meaning of football in Liverpool.