The ultimate guide to printing inks and processes, from the pigment to the printmaker.Inks have remained a fundamental aspect of the printing process since its invention. In this comprehensive and accessible guide, Stephen Hoskins and Michael Craine trace the development of ink from ancient China through the Middle Ages and from the industrial revolution to the digital age. As well as its history, they explore inks for different forms of printmaking, specialist inks, environmental issues and recent developments in health and safety for the printmaker. Offering detailed guidance to the inks used for processes from etching and relief printing to lithography and screen printing, as well as how to make your own from dry pigment, the book is beautifully illustrated with examples and offers practical information for all levels of printmakers, from the specialist to the amateur.

Fully revised and with a new chapter and international case studies, this second edition of the best-selling book traces how artists and designers continue to adapt and incorporate 3D printing technology into their work and explains how the creative industries are directly interfacing with this new technology. Covering a broad range of applied art practice – from fine art and furniture-design to film-making – Stephen Hoskins introduces some of his groundbreaking research from the Centre for Fine Print Research along with an updated history of 3D print technology, a new chapter on fashion and animation, and new case studies featuring artists working with metal, plastic, ceramic and other materials. A fascinating investigation into how the applied arts continue to adapt to new technologies and a forecast of what developments we might expect in the future, this book is essential reading for students, researchers studying contemporary art and design and professionals involved in the creative industries.

Fully revised and with a new chapter and international case studies, this second edition of the best-selling book traces how artists and designers continue to adapt and incorporate 3D printing technology into their work and explains how the creative industries are directly interfacing with this new technology. Covering a broad range of applied art practice – from fine art and furniture-design to film-making – Stephen Hoskins introduces some of his groundbreaking research from the Centre for Fine Print Research along with an updated history of 3D print technology, a new chapter on fashion and animation, and new case studies featuring artists working with metal, plastic, ceramic and other materials. A fascinating investigation into how the applied arts continue to adapt to new technologies and a forecast of what developments we might expect in the future, this book is essential reading for students, researchers studying contemporary art and design and professionals involved in the creative industries.

Fully revised and with a new chapter and international case studies, this second edition of the best-selling book traces how artists and designers continue to adapt and incorporate 3D printing technology into their work and explains how the creative industries are directly interfacing with this new technology. Covering a broad range of applied art practice – from fine art and furniture-design to film-making – Stephen Hoskins introduces some of his groundbreaking research from the Centre for Fine Print Research along with an updated history of 3D print technology, a new chapter on fashion and animation, and new case studies featuring artists working with metal, plastic, ceramic and other materials. A fascinating investigation into how the applied arts continue to adapt to new technologies and a forecast of what developments we might expect in the future, this book is essential reading for students, researchers studying contemporary art and design and professionals involved in the creative industries.

The ultimate guide to printing inks and processes, from the pigment to the printmaker.Inks have remained a fundamental aspect of the printing process since its invention. In this comprehensive and accessible guide, Stephen Hoskins and Michael Craine trace the development of ink from ancient China through the Middle Ages and from the industrial revolution to the digital age. As well as its history, they explore inks for different forms of printmaking, specialist inks, environmental issues and recent developments in health and safety for the printmaker. Offering detailed guidance to the inks used for processes from etching and relief printing to lithography and screen printing, as well as how to make your own from dry pigment, the book is beautifully illustrated with examples and offers practical information for all levels of printmakers, from the specialist to the amateur.

The ultimate guide to printing inks and processes, from the pigment to the printmaker.Inks have remained a fundamental aspect of the printing process since its invention. In this comprehensive and accessible guide, Stephen Hoskins and Michael Craine trace the development of ink from ancient China through the Middle Ages and from the industrial revolution to the digital age. As well as its history, they explore inks for different forms of printmaking, specialist inks, environmental issues and recent developments in health and safety for the printmaker. Offering detailed guidance to the inks used for processes from etching and relief printing to lithography and screen printing, as well as how to make your own from dry pigment, the book is beautifully illustrated with examples and offers practical information for all levels of printmakers, from the specialist to the amateur.

Fully revised and with a new chapter and international case studies, this second edition of the best-selling book traces how artists and designers continue to adapt and incorporate 3D printing technology into their work and explains how the creative industries are directly interfacing with this new technology. Covering a broad range of applied art practice – from fine art and furniture-design to film-making – Stephen Hoskins introduces some of his groundbreaking research from the Centre for Fine Print Research along with an updated history of 3D print technology, a new chapter on fashion and animation, and new case studies featuring artists working with metal, plastic, ceramic and other materials. A fascinating investigation into how the applied arts continue to adapt to new technologies and a forecast of what developments we might expect in the future, this book is essential reading for students, researchers studying contemporary art and design and professionals involved in the creative industries.

Fully revised and with a new chapter and international case studies, this second edition of the best-selling book traces how artists and designers continue to adapt and incorporate 3D printing technology into their work and explains how the creative industries are directly interfacing with this new technology. Covering a broad range of applied art practice – from fine art and furniture-design to film-making – Stephen Hoskins introduces some of his groundbreaking research from the Centre for Fine Print Research along with an updated history of 3D print technology, a new chapter on fashion and animation, and new case studies featuring artists working with metal, plastic, ceramic and other materials. A fascinating investigation into how the applied arts continue to adapt to new technologies and a forecast of what developments we might expect in the future, this book is essential reading for students, researchers studying contemporary art and design and professionals involved in the creative industries.

Fully revised and with a new chapter and international case studies, this second edition of the best-selling book traces how artists and designers continue to adapt and incorporate 3D printing technology into their work and explains how the creative industries are directly interfacing with this new technology. Covering a broad range of applied art practice – from fine art and furniture-design to film-making – Stephen Hoskins introduces some of his groundbreaking research from the Centre for Fine Print Research along with an updated history of 3D print technology, a new chapter on fashion and animation, and new case studies featuring artists working with metal, plastic, ceramic and other materials. A fascinating investigation into how the applied arts continue to adapt to new technologies and a forecast of what developments we might expect in the future, this book is essential reading for students, researchers studying contemporary art and design and professionals involved in the creative industries.

The ultimate guide to printing inks and processes, from the pigment to the printmaker.Inks have remained a fundamental aspect of the printing process since its invention. In this comprehensive and accessible guide, Stephen Hoskins and Michael Craine trace the development of ink from ancient China through the Middle Ages and from the industrial revolution to the digital age. As well as its history, they explore inks for different forms of printmaking, specialist inks, environmental issues and recent developments in health and safety for the printmaker. Offering detailed guidance to the inks used for processes from etching and relief printing to lithography and screen printing, as well as how to make your own from dry pigment, the book is beautifully illustrated with examples and offers practical information for all levels of printmakers, from the specialist to the amateur.