Stephen Hoskins is the Hewlett Packard Professor of Fine Print and Director of the Centre for Fine Print Research (CFPR) at the University of the West of England, Bristol, UK. He is the chair of the IMPACT International conference for Printmaking and the Association of European Printing Museums. A practising printmaker, his work has been exhibited worldwide and is held in major collections including the Victoria and Albert Museum and Tate Gallery in London, UK.

[Review for the first edition] Overall, the book creates a nuanced picture of what 3D printing currently is and what it has the potential to become in the visual arts community. Hoskins’ . . . clear writing style demonstrates his expertise in the field while enabling readers with no previous knowledge of 3D printing to understand both the technical processes of creation as well as the artistic implications of this new technology.

• PrefaceIntroduction1. The History of 3D Printing in Relation to the Visual Arts 2. An Overview of Current 3D Printing Technologies: What Each Offers and How They Might Develop in the Future 3. Crafts and CraftspeopleCase Study: Jack RowCase Study: Marianne ForrestCase Study: Michael Eden4. The Fine ArtsCase Study: Sophie KahnCase Study: Jonathan MonaghanCase Study: Mat CollishawCase Study: Sebastian Burdon5. Design and Designers: Case Studies from Contemporary DesignersCase Study: Assa AshuachCase Study: Laura Alvarado and Vivian MellerCase Study: Lionel DeanCase Study: Dr Peter Walters6. Hackspaces, Fablabs and Makerspaces, Art Research: The COllaborative and More Public Face of 3D Printing and its Future in the ArtsCase Study: Don Undeen7. Fashion and AnimationCase Study: Michael Schmidt8. ConclusionGlossaryFurther Reading ListIndex

Stephen Hoskins is the Hewlett Packard Professor of Fine Print and Director of the Centre for Fine Print Research (CFPR) at the University of the West of England, Bristol, UK. He is the chair of the IMPACT International conference for Printmaking and the Association of European Printing Museums. A practising printmaker, his work has been exhibited worldwide and is held in major collections including the Victoria and Albert Museum and Tate Gallery in London, UK.

[Review for the first edition] Overall, the book creates a nuanced picture of what 3D printing currently is and what it has the potential to become in the visual arts community. Hoskins’ . . . clear writing style demonstrates his expertise in the field while enabling readers with no previous knowledge of 3D printing to understand both the technical processes of creation as well as the artistic implications of this new technology.

• PrefaceIntroduction1. The History of 3D Printing in Relation to the Visual Arts 2. An Overview of Current 3D Printing Technologies: What Each Offers and How They Might Develop in the Future 3. Crafts and CraftspeopleCase Study: Jack RowCase Study: Marianne ForrestCase Study: Michael Eden4. The Fine ArtsCase Study: Sophie KahnCase Study: Jonathan MonaghanCase Study: Mat CollishawCase Study: Sebastian Burdon5. Design and Designers: Case Studies from Contemporary DesignersCase Study: Assa AshuachCase Study: Laura Alvarado and Vivian MellerCase Study: Lionel DeanCase Study: Dr Peter Walters6. Hackspaces, Fablabs and Makerspaces, Art Research: The COllaborative and More Public Face of 3D Printing and its Future in the ArtsCase Study: Don Undeen7. Fashion and AnimationCase Study: Michael Schmidt8. ConclusionGlossaryFurther Reading ListIndex

Stephen Hoskins is the Hewlett Packard Professor of Fine Print and Director of the Centre for Fine Print Research (CFPR) at the University of the West of England, Bristol, UK. He is the chair of the IMPACT International conference for Printmaking and the Association of European Printing Museums. A practising printmaker, his work has been exhibited worldwide and is held in major collections including the Victoria and Albert Museum and Tate Gallery in London, UK.

[Review for the first edition] Overall, the book creates a nuanced picture of what 3D printing currently is and what it has the potential to become in the visual arts community. Hoskins’ . . . clear writing style demonstrates his expertise in the field while enabling readers with no previous knowledge of 3D printing to understand both the technical processes of creation as well as the artistic implications of this new technology.

• PrefaceIntroduction1. The History of 3D Printing in Relation to the Visual Arts 2. An Overview of Current 3D Printing Technologies: What Each Offers and How They Might Develop in the Future 3. Crafts and CraftspeopleCase Study: Jack RowCase Study: Marianne ForrestCase Study: Michael Eden4. The Fine ArtsCase Study: Sophie KahnCase Study: Jonathan MonaghanCase Study: Mat CollishawCase Study: Sebastian Burdon5. Design and Designers: Case Studies from Contemporary DesignersCase Study: Assa AshuachCase Study: Laura Alvarado and Vivian MellerCase Study: Lionel DeanCase Study: Dr Peter Walters6. Hackspaces, Fablabs and Makerspaces, Art Research: The COllaborative and More Public Face of 3D Printing and its Future in the ArtsCase Study: Don Undeen7. Fashion and AnimationCase Study: Michael Schmidt8. ConclusionGlossaryFurther Reading ListIndex