Steve Cannon – författare

In France during the 1960s and 1970s, popular music became a key component of socio-cultural modernisation as the music/record industry became increasingly important in both economic and cultural terms in response to demographic changes and the rise of the modern media. As France began questioning traditional ways of understanding politics and culture before and after May 1968, music as popular culture became an integral part of burgeoning media activity. Press, radio and television developed free from de Gaulle's state domination of information, and political activism shifted its concerns to the use of regional languages and regional cultures, including the safeguard of traditional popular music against the centralising tendencies of the Republican state. The cultural and political significance of French music was again revealed in the 1990s, as French-language music became a highly visible example of France's quest to maintain her cultural 'exceptionalism' in the face of the perceived globalising hegemony of English and US business and cultural imperialism. Laws were passed instituting minimum quotas of French-language music. The 1980s and 1990s witnessed developing issues raised by new technologies, as compact discs, the minitel telematics system, the internet and other innovations in radio and television broadcasting posed new challenges to musicians and the music industry. These trends and developments are the subject of this volume of essays by leading scholars across a range of disciplines including French studies, musicology, cultural and media studies and film studies. It constitutes the first attempt to provide a complete and up-to-date overview of the place of popular music in modern France and the reception of French popular music abroad.

Petrophysics is the science of evaluating the rock and fluid properties of oil, gas and water reservoirs through the acquisition of physical samples, electrical, chemical, nuclear and magnetic data acquired by surface logging, downhole coring, and drilling and wireline sondes.  The evaluation, analysis and interpretation of this data is as much an art as a science as it requires an understanding of geology, chemistry, physics, electronics, mechanics and drilling technology.  The techniques have been developed over the last 100 years primarily by the oil and gas industry, but the principles are equally relevant in coal mining, hydrogeology and environmental science.This book is firmly aimed at students of geology and petroleum engineering looking for a practical understanding of the background and workflows required to complete a petrophysical study of a well, a reservoir or a field.  Petrophysics is log analysis constrained by geology, and if we ignore the rocks we risk making poor investment decisions.

Petrophysics is the science of evaluating the rock and fluid properties of oil, gas and water reservoirs through the acquisition of physical samples, electrical, chemical, nuclear and magnetic data acquired by surface logging, downhole coring, and drilling and wireline sondes.  The evaluation, analysis and interpretation of this data is as much an art as a science as it requires an understanding of geology, chemistry, physics, electronics, mechanics and drilling technology.  The techniques have been developed over the last 100 years primarily by the oil and gas industry, but the principles are equally relevant in coal mining, hydrogeology and environmental science.This book is firmly aimed at students of geology and petroleum engineering looking for a practical understanding of the background and workflows required to complete a petrophysical study of a well, a reservoir or a field.  Petrophysics is log analysis constrained by geology, and if we ignore the rocks we risk making poor investment decisions.

Reservoir management is fundamental to the efficient and responsible means of extracting hydrocarbons, and maximising the economic benefit to the operator, licence holders and central government.  All stakeholders have a social responsibility to protect the local population and environment. The process of managing an oil or gas reservoir begins after discovery and continues through appraisal, development, production and abandonment; there is cost associated with each phase and a series of decision gates should be in place to ensure that an economic benefit exists before progress is made. To correctly establish potential value at each stage it is necessary to acquire and analyse data from the subsurface, the planned surface facilities and the contractual obligations to the end-user of the hydrocarbons produced. This is especially true of any improved recovery methods proposed or plans to extend field life. To achieve all the above requires a multi-skilled team of professionals working together with a clear set of objectives and associated rewards. The team's make-up will change over time, as different skills are required, as will the management of the team, with geoscientists, engineers and commercial analysts needed to address the issues as they arise. This book is designed as a guide for non-specialists involved in the process of reservoir management, which is often treated as a task for reservoir engineers alone: it is a task for all the disciplines involved in turning a exploration success into a commercial asset. Most explorers earn their bonus based on the initial estimates of in-place hydrocarbons, regardless of the ultimate cost of production; the explorers have usually moved on to a new basin before the first oil or gas is produced! This book is not a deeply academic tome, rather the description of a process enlivened by a number of stories and case studies from the author's forty years of experience in the oil-patch.

In France during the 1960s and 1970s, popular music became a key component of socio-cultural modernisation as the music/record industry became increasingly important in both economic and cultural terms in response to demographic changes and the rise of the modern media. As France began questioning traditional ways of understanding politics and culture before and after May 1968, music as popular culture became an integral part of burgeoning media activity. Press, radio and television developed free from de Gaulle's state domination of information, and political activism shifted its concerns to the use of regional languages and regional cultures, including the safeguard of traditional popular music against the centralising tendencies of the Republican state. The cultural and political significance of French music was again revealed in the 1990s, as French-language music became a highly visible example of France's quest to maintain her cultural 'exceptionalism' in the face of the perceived globalising hegemony of English and US business and cultural imperialism. Laws were passed instituting minimum quotas of French-language music. The 1980s and 1990s witnessed developing issues raised by new technologies, as compact discs, the minitel telematics system, the internet and other innovations in radio and television broadcasting posed new challenges to musicians and the music industry. These trends and developments are the subject of this volume of essays by leading scholars across a range of disciplines including French studies, musicology, cultural and media studies and film studies. It constitutes the first attempt to provide a complete and up-to-date overview of the place of popular music in modern France and the reception of French popular music abroad.