Steve McCaffery – författare

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators  A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.

The Darkness of the Present includes essays that collectively investigate the roles of anomaly and anachronism as they work to unsettle commonplace notions of the 'contemporary' in the field of poetics. In the eleven essays of The Darkness of the Present, poet and critic Steve McCaffery argues that by approaching the past and the present as unified entities, the contemporary is made historical at the same time as the historical is made contemporary. McCaffery's writings work against the urge to classify works by placing them in standard literary periods or disciplinary partitions. Instead, McCaffery offers a variety of insights into unusual and ingenious affiliations between poetic works that may have previously seemed distinctive. He questions the usual associations of originality and precedence. In the process, he repositions many texts within genealogies separate from the ones to which they are traditionally assigned. The chapters in The Darkness of the Present might seem to present an eclectic fa\u00e7ade and can certainly be read independently. They are linked, however, by a common preoccupation reflected in the title of the book: the anomaly and the anachronism and the way their empirical emergence works to unsettle a steady notion of the 'contemporary' or 'new.'

The Darkness of the Present includes essays that collectively investigate the roles of anomaly and anachronism as they work to unsettle commonplace notions of the “contemporary” in the field of poetics.   In the eleven essays of The Darkness of the Present, poet and critic Steve McCaffery argues that by approaching the past and the present as unified entities, the contemporary is made historical at the same time as the historical is made contemporary.   McCaffery’s writings work against the urge to classify works by placing them in standard literary periods or disciplinary partitions. Instead, McCaffery offers a variety of insights into unusual and ingenious affiliations between poetic works that may have previously seemed distinctive. He questions the usual associations of originality and precedence. In the process, he repositions many texts within genealogies separate from the ones to which they are traditionally assigned.   The chapters in The Darkness of the Present might seem to present an eclectic façade and can certainly be read independently. They are linked, however, by a common preoccupation reflected in the title of the book: the anomaly and the anachronism and the way their empirical emergence works to unsettle a steady notion of the “contemporary” or “new.”

Conceived in 1976 and published in 1980, LEGEND exemplifies the political and linguistic commitments of then-nascent Language writing. Coauthored by Bruce Andrews, Charles Bernstein, Ray DiPalma, Steve McCaffery, and Ron Silliman, the work was composed on typewriters and developed through the mail. The twenty-six poems of the volume bring together every possible permutation of collaborative authorship in one-, two-, three-, and five-author combinations, revealing the evolution of distinctive styles against and in conversation with others. Along with a complete reproduction of the original text, LEGEND: The Complete Facsimile in Context includes a critical introduction by editors Matthew Hofer and Michael Golston, a generous selection of material from the authors' correspondence, and a new collaborative piece by the authors. This book will be an essential resource to students and scholars in twentieth-century poetry and poetics.

In two massive volumes, Steve McCaffery, Canada's most challenging, experimental and innovative poet/critic amasses the best of his previously published and ungathered work.From the early concrete and visual poems of Broken Mandala and Transitions to the Beast to the Ludwig Wittgenstein-inspired philosophical investigations of EVOBA, from the innovative novel Panopticon to the Governor General's Award-nominated Theory of Sediment and the recent The Cheat of Words, this comprehensive edition covers all phases of McCaffery's vast and heterogeneous poetic oeuvre. Many works that have previously only been available in small, privately circulated editions, such as Shifters and Every Way Oakly, are available in perfect-bound form here for the first time.Volume 2, following in the wake of the extraordinarily successful first volume, collects the best of McCaffery's ungathered work. Along with selections from his concrete and visual poetry, this book contains sound poem and performance scores, excerpts from early chapbooks, 'pataphysical essays and sections of the often-discussed but rarely seen text The Abstract Ruin. For new readers and long-time fans of McCaffery alike, Volume 2 of Seven Pages Missing is essential reading.

In two massive volumes, Steve McCaffery, Canada's most challenging, experimental and innovative poet/critic amasses the best of his previously published and ungathered work.From the early concrete and visual poems of Broken Mandala and Transitions to the Beast to the Ludwig Wittgenstein-inspired philosophical investigations of EVOBA, from the innovative novel Panopticon to the Governor General's Award-nominated Theory of Sediment and the recent The Cheat of Words, this comprehensive edition covers all phases of McCaffery's vast and heterogeneous poetic oeuvre. Many works that have previously only been available in small, privately circulated editions, such as Shifters and Every Way Oakly, are available in perfect-bound form here for the first time.Volume 2, following in the wake of the extraordinarily successful first volume, collects the best of McCaffery's ungathered work. Along with selections from his concrete and visual poetry, this book contains sound poem and performance scores, excerpts from early chapbooks, 'pataphysical essays and sections of the often-discussed but rarely seen text The Abstract Ruin. For new readers and long-time fans of McCaffery alike, Volume 2 of Seven Pages Missing is essential reading.