Steven Jay Schneider – författare
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13 produkter
13 produkter
Häftad, Engelska, 2003
242 kr
Skickas inom 5-8 vardagar
Whether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as "cult" and "exploitation" or "alternative" and "independent," the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the traditionally conservative structures of the Hollywood system. Underground U.S.A. offers a fascinating overview of this area of maverick moviemaking by considering the links between the experimental and exploitative traditions of the American underground.
E-bok
Engelska, 2003381 kr
Läs direkt efter köp
Whether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as "cult" and "exploitation" or "alternative" and "independent," the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the traditionally conservative structures of the Hollywood system. Underground U.S.A. offers a fascinating overview of this area of maverick moviemaking by considering the links between the experimental and exploitative traditions of the American underground.
Häftad, Engelska, 2009
375 kr
Skickas inom 7-10 vardagar
Psychoanalytic theory has been the subject of attacks from philosophers, cultural critics and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.
Inbunden, Engelska, 2004
1 417 kr
Skickas inom 7-10 vardagar
Psychoanalytic theory has been the subject of attacks from philosophers, cultural critics and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.
Häftad, Engelska, 2005
429 kr
Skickas inom 7-10 vardagar
The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi pian melodrama, Japanese horror, new Hollywood cinema and global found footage cinema.Features*Includes a preface by Toby Miller.*Each chapter covers a key world cinema tradition and is written by an expert in the field: Roy Armes, Nitzan Ben-Shaul, Peter Bondanella, Corey Creekmur, Adrian Danks, Peter Hames, Randal Johnson, Robert Kolker, Myrto Konstantarakos, Jay McRoy, Negar Mottahedeh, Richard Neupert, Christina Stojanova, J.P. Telotte, Stephen Teo.*Traditions are examined from a wide range of views and include historical, social, cultural and industrial perspectives.
Inbunden, Engelska, 2003
1 183 kr
Skickas inom 10-15 vardagar
Is horror a fundamentally nihilistic genre? Why are those of us who enjoy horror films so attracted to watching things on screen that in real life we would almost certainly find repellent? Do monster movies have a deleterious moral effect on their viewers? In seeking to answer such questions, as well as a host of related ones, Dark Thoughts reveals that our fascination with horror cinema, and the pleasure we take in it, is in the end simply a natural extension of a philosopher's inclination to wonder.This is a collection of highly engaging and provocative essays by top scholars in the increasingly interrelated fields of Philosophy, Film Studies, and Communication Arts that deal with the epistemology, aesthetics, ethics, metaphysics, and genre dynamics of horror cinema past and present. Contributors include Curtis Bowman, Noël Carroll, Elizabeth Cowie, Angela Curran, Cynthia Freeland, Michael Grant, Matt Hills, Deborah Knight, George McKnight, Ken Mogg, Aaron Smuts, Robert C. Solomon, and J.P. Telotte. Over the past several years, one of the hottest topics in the realm of philosophical aesthetics has been cinematic horror. The emotional effects it has on audiences, the mysterious metaphysics of its impossible beings, the controversial ethics of its violent contents-these are just a few of the concerns to have drawn the attention of scholars and students alike. . .not to mention the genre's legions of fans. Since the publication of Noël Carroll's groundbreaking study, The Philosophy of Horror; or, Paradoxes of the Heart (1990), and including most recently Cynthia Freeland's The Naked and the Undead: Evil and the Appeal of Horror (2000), a plethora of articles have been authored by seemingly normal philosophers about the decidedly abnormal activities of the antagonists of fright flicks.
Häftad, Engelska, 2006
677 kr
Skickas inom 3-6 vardagar
Traditions in World Cinema brings together a colorful and wide ranging collection of world cinematic traditions-national, regional, and global-all of which are in need of introduction, investigation and, in some cases, critical reassessment. The movements described range from well-known traditions such as German expressionism, Italian neorealism, French, British, and Czech new wave, and new Hollywood cinema to those of emerging significance, such as Danish Dogma, postcommunist cinema, Brazilian post–Cinema Novo, new Argentine cinema, pre-independence African film traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi pian melodrama, Japanese horror, and global found-footage cinema.The essays, all written by recognized experts in the field, are jargon free and accessible to both general readers and students. In addition, each chapter is followed by a list of suggested films and readings, offering readers pathways to further viewing and study.Bringing fresh insights to those movements that have provided significant and noteworthy alternatives to Hollywood, this book is an essential introduction to the rich diversity of world cinema.
Häftad, Engelska, 2005
375 kr
Skickas inom 10-15 vardagar
As global cinema becomes increasingly difficult to distinguish, characterizations of horror films from various geographical and cultural locations seem more fluid and transitional than ever before. However, this does not mean denying the existence of national features that affect and are reflected in horror films, whether from an artistic or a reception standpoint. Horror is one of the most studied genres in cinema, yet none of the many books on the subject focus on films or traditions outside the United States or the United Kingdom. While Italian, Japanese, Mexican, German, and Hong Kong horror films have received a modicum of critical recognition, the areas of Egyptian, Romanian, Belgian, Dutch, New Zealand, and Thai horror all still need - in fact, demand - some attention. Horror International seeks to rectify this by giving the global perspectives and cross-cultural dynamics of world horror cinema its due. This groundbreaking collection of eighteen original essays examine a myriad of films, showing how each draws from Hollywood horror conventions and also local cinematic traditions, local folklore, and national historical and cultural concerns. The production, marketing, and reception of various national cinemas are also addressed, demonstrating how these films are understood by different audiences worldwide. This in turn sheds new light on the original cultural production of many works and their subsequent ""translations"" and meanings in different national contexts. The diverse and highly informative essays in Horror International will engross both scholars and fans of horror films and finally illuminate the distinct multicultural factors of this exciting cinematic genre.
Häftad, Engelska, 2026
240 kr
Kommande
** The bestselling film book returns fully updated for 2026! ** With more than 1.75 million copies sold worldwide in 30 languages, 1001 Movies You Must See Before You Die is the ultimate movie guide that celebrates the cult classics and their contemporary competitors, along with box office hits and breakout independents.Capturing the must-see movies of all time from more than 100 years of cinema, this go-to guide offers an abundance of witty analysis and revelatory insights. Discover some of the most poignant movies from every country and every genre, from action and animation, to comedy, documentary, musical, thriller, noir, short, romance, sci-fi and Western.Newly revised and refreshed, this definitive edition features 500 original movie posters and hundreds of impressive movie stills, including recent Oscar-winning and nominated films such as Anora, Oppenheimer, Everything Everywhere All at Once and Wicked. Quotes from movie directors and critics, together with little-known facts, complement the incisive reviews and vital statistics of each movie to make this the most fact-filled edition ever.No matter your passion, whether it be musical, superhero or Korean cinema, 1001 Movies You Must See Before You Die is the perfect companion for any film buff or critic. 'Both a fun stroll through some all-time favourites, and a guilty reminder of just how many great movies I haven't seen yet . . .'Aubrey Day, Total Film'As edited by Steven Jay Schneider, it makes for addictive browsing, and likewise features top quality stills.'Film Review
E-bok
Engelska, 2019417 kr
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From bloodsucking schoolgirls to flesh-eating zombies, and from psychopathic killers to beasts from hell, ''100 European Horror Films'' provides a lively and illuminating guide to a hundred key horror movies from the 1920s to the present day. Alongside films from countries particularly associated with horror production - notably Germany, Italy, and Spain and movies by key horror filmmakers such as Mario Bava, Dario Argento, and Lucio Fulci, ''100 European Horror Films'' also includes films from countries as diverse as Denmark, Belgium, and the Soviet Union, and filmmakers such as Bergman, Polanski and Claire Denis, more commonly associated with art cinema. The book features entries representing key horror subgenres such as the Italian ''giallo'' thrillers of the late 60s and 70s, psychological thrillers, and zombie, cannibal, and vampire movies. Each entry includes a plot synopsis, major credits, and a commentary on the film''s significance, together with its production and exhibition history. Films covered in the book include early classics such as Paul Wegener''s ''The Golem,'' Robert Wiene''s ''The Cabinet of Dr. Caligari,'' and ''Murnau''s Nosferatu''; 70s horror favorites such as ''Daughters of Darkness, The Beast,'' and ''Suspiria''; and notable recent releases such as ''The Devil''s Backbone, Malefique,'' and ''The Vanishing.''
E-bok
PDF, Engelska, 2019417 kr
Läs direkt efter köp
From bloodsucking schoolgirls to flesh-eating zombies, and from psychopathic killers to beasts from hell, ''100 European Horror Films'' provides a lively and illuminating guide to a hundred key horror movies from the 1920s to the present day. Alongside films from countries particularly associated with horror production - notably Germany, Italy, and Spain and movies by key horror filmmakers such as Mario Bava, Dario Argento, and Lucio Fulci, ''100 European Horror Films'' also includes films from countries as diverse as Denmark, Belgium, and the Soviet Union, and filmmakers such as Bergman, Polanski and Claire Denis, more commonly associated with art cinema. The book features entries representing key horror subgenres such as the Italian ''giallo'' thrillers of the late 60s and 70s, psychological thrillers, and zombie, cannibal, and vampire movies. Each entry includes a plot synopsis, major credits, and a commentary on the film''s significance, together with its production and exhibition history. Films covered in the book include early classics such as Paul Wegener''s ''The Golem,'' Robert Wiene''s ''The Cabinet of Dr. Caligari,'' and ''Murnau''s Nosferatu''; 70s horror favorites such as ''Daughters of Darkness, The Beast,'' and ''Suspiria''; and notable recent releases such as ''The Devil''s Backbone, Malefique,'' and ''The Vanishing.''
E-bok
Engelska, 201144 kr
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"I have, by the way, seen 943 of the 1001 movies, and am carefully rationing the remaining titles to prolong my life." - Roger Ebert"1001 ways to give cinema new scope." - The HeraldExpert critics in each genre of film, from romance to horror and sci-fi, have once again painstakingly revised this list of essential must see-movies, cut and added films to bring the must-watch list bang up to date for 2013, from great classics like The Birth of a Nation and Gone With the Wind to recent Oscar winners like Life of Pi, Amour, Argo and the blockbusters that is Skyfall. Each entry tells you exactly why these films deserve inclusion in this definitive illustrated list, engaging readers in each film''s concept development and production, including curious trivia facts about the movies, as well as the most famous pieces of memorabilia associated with them.Illustrated with hundreds of stunning film stills, portraits and poster art 1001 Movies You Must See Before You Dieoffers an incredible visual insight into the world of modern cinema. It puts together the most significant movies from all genres, from animation to Western, through action, comedy, documentary, musical, noir, romance, thriller, short and sci-fi. Movies from over 30 different countries have been included, offering a truly wide multi-cultural perspective, and the time span includes more than a century of extraordinary cinematography. Packed with vital statistics, and a few facts that might surprise you, this is a collector''s must for the bookshelf as well as an entertaining read for all those who love the world of film. Whether your passion lies with The Blue Angel or Blue Velvet, from the films you shouldn''t have missed the first time around, to the films you can see again and again, 1001 Movies You Must See Before You Die is the definitive guide for all movie lovers.Contents includes... Introduction19001910192019301940 195019601970 198019902000
Häftad, Engelska, 2007
383 kr
Skickas inom 5-8 vardagar
From bloodsucking schoolgirls to flesh-eating zombies, and from psychopathic killers to beasts from hell, "100 European Horror Films" provides a lively and illuminating guide to a hundred key horror movies from the 1920s to the present day. Alongside films from countries particularly associated with horror production - notably Germany, Italy, and Spain and movies by key horror filmmakers such as Mario Bava, Dario Argento, and Lucio Fulci, "100 European Horror Films" also includes films from countries as diverse as Denmark, Belgium, and the Soviet Union, and filmmakers such as Bergman, Polanski and Claire Denis, more commonly associated with art cinema. The book features entries representing key horror subgenres such as the Italian "giallo" thrillers of the late 60s and 70s, psychological thrillers, and zombie, cannibal, and vampire movies. Each entry includes a plot synopsis, major credits, and a commentary on the film's significance, together with its production and exhibition history. Films covered in the book include early classics such as Paul Wegener's "The Golem," Robert Wiene's "The Cabinet of Dr. Caligari," and "Murnau's Nosferatu"; 70s horror favorites such as "Daughters of Darkness, The Beast," and "Suspiria"; and notable recent releases such as "The Devil's Backbone, Malefique," and "The Vanishing."