Stevie Davies – författare

'The masterwork of a great genius' William Makepeace ThackerayA novel of intense emotional power, heightened atmosphere and fierce intelligence, Jane Eyre dazzled and shocked readers with its passionate depiction of a woman's search for equality and freedom on her own terms. Its heroine Jane endures loneliness and cruelty in the home of her heartless aunt and the cold charity of Lowood School. Her natural independence and spirit prove necessary when she takes a position as governess at Thornfield Hall. But when she finds love with her sardonic employer, Rochester, the discovery of a shameful secret forces her to make a terrible choice. Edited with an Introduction and notes by STEVIE DAVIES

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. Charlotte Brontë's first published novel, Jane Eyre was immediately recognised as a work of genius when it appeared in 1847. Orphaned into the household of her Aunt Reed at Gateshead, subject to the cruel regime at Lowood charity school, Jane Eyre nonetheless emerges unbroken in spirit and integrity. How she takes up the post of governess at Thornfield Hall, meets and loves Mr Rochester and discovers the impediment to their lawful marriage are elements in a story that transcends melodrama to portray a woman's passionate search for a wider and richer life than that traditionally accorded to her sex in Victorian society.

One of the BBC's '100 Novels That Shaped Our World'The groundbreaking story of a woman's valiant struggle for independence from her abusive husband Gilbert Markham is deeply intrigued by Helen Graham, a beautiful and secretive young woman who has moved into nearby Wildfell Hall with her young son. He is quick to offer Helen his friendship, but when her reclusive behaviour becomes the subject of local gossip and speculation, Gilbert begins to wonder whether his trust in her has been misplaced. It is only when she allows Gilbert to read her diary that the truth is revealed and the shocking details of the disastrous marriage she has left behind emerge. Told with great immediacy, combined with wit and irony, The Tenant of Wildfell Hall is a powerful depiction of a woman's fight for domestic independence and creative freedom.In her introduction Stevie Davies discusses The Tenant of Wildfell Hall as feminist testament, inspired by Anne Brontë's experiences as a governess and by the death of her brother Branwell Brontë, and examines the novel's language, biblical references and narrative styles.Edited with an introduction and notes by Stevie Davis

One of the BBC's '100 Novels That Shaped Our World'A beautiful edition of Anne Brontë's most enduring novel, to accompany her sisters' greatest books in Penguin Clothbound Classics.Gilbert Markham is deeply intrigued by Helen Graham, a beautiful and secretive young woman who has moved into nearby Wildfell Hall with her young son. He is quick to offer Helen his friendship, but when her reclusive behaviour becomes the subject of local gossip and speculation, Gilbert begins to wonder whether his trust in her has been misplaced. It is only when she allows Gilbert to read her diary that the truth is revealed and the shocking details of the disastrous marriage she has left behind emerge. Told with great immediacy, combined with wit and irony, The Tenant of Wildfell Hall is a powerful depiction of a woman's fight for domestic independence and creative freedom.The Penguin Classics edition of Anne Brontë's The Tenant of Wildfell Hall has been designed by Coralie Bickford-Smith and is edited with an introduction and notes by the novelist Stevie Davies.

"By arrangement with Carcanet Press Ltd."--T.p. verso.

Dr Davies’ stimulating study covers the full range of Donne’s poetry, from the early satires and elegies to the Songs and Sonnets and Divine Poems, and includes thoughtful analysis of parts of his memorable sermons. Questioning the traditional critical approach which relates the writer’s life and work, she emphasises instead the Renaissance scepticism which brought all belief – including the concept of the “self” – into doubt. Close, sensitive readings of individual poems, which make room for personal reactions to their profound emotion, are balanced by a wider exploration of the cultural, religious and political context conditioning the poet’s mind. Raising a feminist challenge to the “virility” of his writing, Davies exposes the poet’s misogyny and the emotional conflict and vulnerability which it reveals. This powerful book will offer new directions for the study of Donne’s turbulent and brilliant intelligence.

This lucid and perceptive study subjects the Emily Brontë myth to radical scrutiny, questioning the validity of memorabilia and eye-witness accounts. Contrasting her art with the daguerreotype realism coming into vogue in the 1840’s, Stevie Davies reads Emily Brontë’s life in terms of her own image of landmarks buried or half-buried beneath drifting snow which disguises or betrays underlying realities. A radical reading of Wuthering Heights explores it as a poet’s and musician’s novel, which can be ‘scored’ as in opera or the piano transcriptions of symphonies, which Emily Brontë possessed and played. Close study of her sheet music; her germinal Brussels essays; books and journals in her possession; and translations into European languages will demonstrate the phenomenal intellectual range, originality and acuity of an author who can be regarded as a European.

The Feminine Reclaimed breaks new ground in the field of Renaissance scholarship. Stevie Davies considers the feminine principle as it was developed through the humanist and Neoplatonic revival of ancient classical learning and from this perspective approaches the major works of the three great literary figures of the English Renaissance -- Spenser, Shakespeare, and Milton.Through close, perceptive readings of their most crucial works, informed by a familiarity with the whole range of their context in the European literature and thought of their time, Stevie Davies is able to demonstrate the great importance of the feminine principle in the consciousness of these writers and their age, a time of political, religious, and social upheaval in which perceptions of woman and her status in society underwent momentous changes. She analyzes guiding symbols, mythical allusions, and literary structures in major works by the three poets to show that this rediscovered image of the feminine was incorporated into The Faerie Queene, Shakespeare's last plays, and Paradise Lost in such a manner as to create an alternative system of values which either redefined or criticized the patriarchal structures of the contemporary world.

In pre-war Germany, two boys grow up together inseparable. However, as adulthood approaches and Nazism continues its inexorable march, Dahl and Quantz can no longer reconcile their childhood friendship as one becomes an SS officer and the other a pawn in the intelligence unit.

Jess has lived peaceably in Shrewsbury withher husband Jacob for many years. He is solid,dependable, beautiful to her. She is contentedto be his wife, to look after his elderly mother,aunt and cousin, to be a pillar of their family andcommunity. Then, suddenly, everything changes.

Mark gradually ingratiates himself into the life of his nex-door neighbour Freya, who is struggling with the death of her own husband. Freya, lost in a sea of grief, only slowly begins to realise that Mark's motives may not be quite as compassionate as they seem and her eyes are opened to the threat she has guilelessly invited into her home.

For all her life, idealistic 20-year-old bookworm Magdalena Arber has been split down the middle: veering wildly between fidelity to indoctrinated Nazi beliefs, and her father's humanist values. Then comes the summons - the Nazi War Labour Service is conscripting her into a teaching position in East Prussia. Magda is elated. It's a release from the cosy cage of childhood, and a chance to form young minds. She enters a lush rural world of forests, lakes, and meadows where order prevails. Yet there are monstrous hands out to shape the whole continuum of earthly creatures. The Gestapo are a lurking darkness. There is bombing further East, and news of a moving Russian front. Will Alt Schonbek burn as well? Can Magda survive?

1949: Egypt's struggle against its British occupiers moves towards crisis; Israel declares its statehood, driving out the Arabs. Joe Roberts, an RAF sergeant, his wife Ailsa and daughter, Nia, leave Wales for Egypt.

Wiltshire 1860: One year after Darwin's explosive publication of The Origin of Species, sisters Anna and Beatrice Pentecost awaken to a world shattered by science, radicalism and the stirrings of feminist rebellion; a world of charismatic religious movements, Spiritualist seances, bitter loss and medical trauma.

Sebastian has long been haunted by the disappearance of his father, Jack Messenger: celebrated travel writer, potential spy and murder victim, his absent presence and equivocal past continue to cast inescapable shadows over his son, who must also contend with his ageing mother’s fragmented memory and his own dereliction of a partner.So who is the stranger that buttonholes Sebastian at an academic conference on the Welsh coast, and reveals lies and transgressions neither outgrown nor comprehended? How does he know Sebastian, and what are his connections to Jack Messenger?Equivocator, in a story that stretches from Egypt to Germany, from Iran’s Zagros Mountains to the Gower coastline, is a study of fathers and sons, lovers and betrayers, loss and recovery, and combines dark fable, satire and a love story in its pursuit of the question: can Sebastian find his own salvation, despite the inheritance from his father?