Stuart Blackburn – författare

"This book serves as a window into the rich and revealing lives and self-representations of the particular individuals who have produced the life histories. In so doing, it makes very important broader points about the use of life histories in social science research in general and in the study of South Asian social-cultural life in particular." —Sarah LambLife histories have a wide, if not universal, appeal. But what does it mean to narrate the story of a life, whether one's own or someone else's, orally or in writing? Which lives are worth telling, and who is authorized to tell them? The essays in this volume consider these questions through close examination of a wide range of biographies, autobiographies, diaries, and oral stories from India. Their subjects range from literary authors to housewives, politicians to folk heroes, and include young and old, women and men, the illiterate and the learned.Contributors are David Arnold, Stuart Blackburn, Sudipta Kaviraj, Barbara D. Metcalf, Kirin Narayan, Francesca Orsini, Jonathan P. Parry, Jean-Luc Racine, Josiane Racine, David Shulman, and Sylvia Vatuk.

Stuart Blackburn takes the reader inside a little-known form of shadow puppetry in this captivating work about performing the Tamil version of the Ramayana epic. Blackburn describes the skill and physical stamina of the puppeteers in Kerala state in South India as they perform all night for as many as ten weeks during the festival season. The fact that these performances often take place without an audience forms the starting point for Blackburn's discussion--one which explores not only this important epic tale and its performance, but also the broader theoretical issues of text, interpretation, and audience. Blackburn demonstrates how the performers adapt the narrative and add their own commentary to re-create the story from a folk perspective. At a time when the Rama story is used to mobilize political movements in India, the puppeteers' elaborate recitation and commentary presents this controversial tale from another ethical perspective, one that advocates moral reciprocity and balance. While the study of folk narrative has until now focused on tales, tellers, and tellings, this work explores the importance of audience--absent or otherwise.Blackburn's elegant translations of the most dramatic and pivotal sequences of the story enhance our appreciation of this unique example of performance art.

This book of oral tales from the south Indian region of Kannada represents the culmination of a lifetime of research by A. K. Ramanujan, one of the most revered scholars and writers of his time. The result of over three decades'' labor, this long-awaited collection makes available for the first time a wealth of folktales from a region that has not yet been adequately represented in world literature. Ramanujan''s skill as a translator, his graceful writing style, and his profound love and understanding of the subject enrich the tales that he collected, translated, and interpreted.   With a written literature recorded from about 800 A.D., Kannada is rich in mythology, devotional and secular poetry, and more recently novels and plays. Ramanujan, born in Mysore in 1929, had an intimate knowledge of the language. In the 1950s, when working as a college lecturer, he began collecting these tales from everyone he could—servants, aunts, schoolteachers, children, carpenters, tailors. In 1970 he began translating and interpreting the tales, a project that absorbed him for the next three decades. When Ramanujan died in 1993, the translations were complete and he had written notes for about half of the tales.   With its unsentimental sympathies, its laughter, and its delightfully vivid sense of detail, the collection stands as a significant and moving monument to Ramanujan''s memory as a scholar and writer.   This book of oral tales from the south Indian region of Kannada represents the culmination of a lifetime of research by A. K. Ramanujan, one of the most revered scholars and writers of his time. The result of over three decades'' labor, this long-awaited c

It’s 1969.Stephen's plans to attend Harvard Law School are derailed by the Vietnam War draft lottery. Faced with the prospect of being sent to fight in Southeast Asia, he evades military service by fleeing to California.Arrested at an anti-war protest, Stephen flees again, this time to a commune in northern California. There, he falls in love with Sharon, the leader of an underground radical group. Under Sharon’s influence, Stephen plants a bomb that accidentally claims a life. Escaping from the FBI, he heads to Canada with his newborn daughter, Rosie, after Sharon decides to stay behind. As Rosie grows up, Stephen conceals the truth about their past. Many years later, Rosie uncovers the truth and sets out to find her mother. With the FBI closing in, Rosie loses her father and is left to navigate an uncertain future.Luck of the Draw is a thriller laced with radical politics, divided loyalties, and personal tragedies. Ultimately, it is a story of love, loss, and survival.

Christmas Day, 1941.As survivors of the attack on Pearl Harbor arrive by boat in San Francisco, they bring with them the devastating reality of war.In a city gripped by fear, suspicion and a thirst for revenge, six lives become intertwined: a traumatised survivor, a grieving widow, a Japanese spy, a professor drawn into espionage, a Japanese-American family, and the general whose orders will send them – and thousands more – to internment camps.Caught in a web of romance, blackmail, and betrayal, they are swept into an FBI investigation, an assassination plot and a desperate escape across borders.Set against the forced removal of Japanese Americans during the Second World War, this gripping historical novel explores the human cost of war and the choices people are forced to make.

This study of an oral tradition in northeast India is the first of its kind in this part of the eastern Himalayas. A comparative analysis reveals parallel stories in an area stretching from central Arunachal Pradesh into upland Southeast Asia and southwest China. The subject of the volume, the Apatanis, are a small population of Tibeto-Burman speakers who live in a narrow valley halfway between Tibet and Assam. Their origin myths, migration legends, oral histories, trickster tales and ritual chants, as well as performance contexts and genre system, reveal key cultural ideas and social practices, shifts in tribal identity and the reinvention of religion.

At the centre of this study is a shaman's chant performed during a three-week long feast in the eastern Himalayas. The book includes a translation of this 12-hour text chanted in Apatani, a Tibeto-Burman language, and a description of the events that surround it, especially ritual exchanges with ceremonial friends, in which fertility is celebrated. The shaman's social role, performance and ritual language are also described. Although complex feasts, like this one among Apatanis, have been described in northeast India and upland Southeast Asia for more than a century, this is the first book to present a full translation of the accompanying chant and to integrate it into the interpretation of the social significance of the total event.