Sue Roe – författare

'Supercharged. Highly colourful . . . they're all here, the big names of the time - behaving badly, and, at times, quite madly too' ObserverDuring the 1920s, in the Parisian neighbourhood of Montparnasse, a unique flowering of avant-garde artistic creativity became the cradle of Dada and Surrealism. In this crowd biography, Sue Roe tells the story - from Duchamp to Dali, via Man Ray and Max Ernst - of the salons and cafes, alliances and feuds, love affairs and scandals, successes and suicides of one of the most important and long-lasting artistic achievements of the twentieth century.'Describes with plenty of colour how surrealism, from Rene Magritte's bowler hats to Salvador Dali's watches, was born and developed' The Times'Brings together some of the chief protagonists in one of the 20th century's most inventive art movements. A vivid read' Radio Times

'Her first full work of the charged Modernism that would come to define her' Paris ReviewJacob Flanders is a young man passing from adolescence to adulthood in a hazy rite of passage. From his boyhood on the windswept shores of Cornwall to his days as a student in Cambridge, his elusive, chameleon-like character is gradually revealed in a stream of loosely related incidents and impressions: whether through his mother's letters, his friend's conversations, or the thoughts of the women who adore him. Then we glimpse him as a young man in 1914, caught under the glare of a London streetlamp as Europe is on the brink of war. This tantalizing novel heralded Woolf's departure from the traditional methods of the novel, with its experimental play between time and reality, memory and desire.Edited with an Introduction and Notes by Sue Roe

Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Berthe Morisot and Mary Cassatt. Though they were often ridiculed or ignored by their contemporaries, astonishing sums are paid today for the works of these artists. Their dazzling pictures are familiar - but how well does the world know the Impressionists as people? In a vivid and moving narrative, biographer Sue Roe shows the Impressionists in the studios of Paris, rural lanes of Montmartre and rowdy riverside bars as Paris underwent Baron Haussman's spectacular transformation.For over twenty years they lived and worked together as a group, struggling to rebuild their lives after the Franco-Prussian war and supporting one another through shocked public reactions to unfamiliar canvasses depicting laundresses, dancers, spring blossom and boating scenes. This intimate, colourful, superbly researched account takes us into their homes as well as their studios and describes their unconventional, volatile and precarious lives, as well as the stories behind their paintings.

The New York Times–bestselling biography of Manet, Cezanne, Degas, and others—a “revealing group portrait . . . lively, required reading” (People).Though they were often ridiculed or ignored by their contemporaries, their paintings are now revered around the world. Their dazzling works are familiar to even the most casual art lovers—but how well do we know the Impressionists as people? The first book to offer an intimate and lively biography of the world’s most popular group of artists, including Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Morisot, and Cassatt.Sue Roe’s Private Lives of the Impressionists, follows an extraordinary group of artists into their Paris studios, down the rural lanes of Montmartre, and into the rowdy riverside bars of a city undergoing monumental change. Vivid and deeply researched, it casts a brilliant light on this unparalleled society of genius colleagues who lived and worked together for twenty years—and transformed the art world with their breathtaking depictions of ordinary life.

When young Pablo Picasso arrived in Paris in October 1900 he made his way up the hillside of Montmartre . . . The real revolution in the arts first took place not, as is commonly supposed, in the 1920s to the accompaniment of the Charleston, black jazz and mint juleps but more quietly and intimately, in the shadow of the windmills - artificial and real - and in the cafes and cabarets of Montmartre during the first decade of the century. The cross-fertilization of painting, writing, music and dance produced a panorama of activity characterized by the early works of Picasso, Braque, Matisse, Derain, Vlaminck and Modigliani, the appearance of the Ballet Russe and the salons of Gertrude Stein.In In Montmartre, Sue Roe vividly brings to life the bohemian world of art in Paris between 1900-1910.

'She vividly charts the birth of surrealism . . . a tale rich in absurdity and outlandish characters, from Cocteau and Max Ernst to Dali and Picasso' Sunday TimesIn this entertaining and informative biography, Sue Roe illustrates how surrealism emerged in Paris amidst an artistic ambience of lively experimentation. Before surrealism made its startling impact, artists including Marcel Duchamp and Giorgio De Chirico had already begun to shift the focus of the art scene in Montparnasse. Beginning with Duchamp, Roe tells the story of the wonderfully eccentric and avant-garde Dada movement, the birth of Surrealist photography with Man Ray and his muse Kiki de Montparnasse, the love triangle between writer Paul Éluard, his wife Gala and the artist Max Ernst, until the arrival of Salvador Dalí in 1929. In Montparnasse recounts the extraordinary, revolutionary work these artists undertook as much as the salons, café life, friendships, rows and love affairs that were their background.'Highly colourful . . . they're all here, the big names of the time - behaving badly, and, at times, quite madly too' Observer'Brings together some of the chief protagonists in one of the 20th century's most inventive art movements. A vivid read' Radio Times

A WATERSTONES BOOK OF THE YEAR'A compelling tale . . . Brilliantly insightful and well-written.' - TimesFernande Olivier, Olga Khokhlova, Marie-Therese Walter, Dora Maar, Francoise Gilot, and Jacqueline Roque. These six extraordinary women shared Pablo Picasso's life and were instrumental in his career, yet they have long been dismissed as simply passive models or muses.Hidden Portraits reveals that their lives were - without exception - remarkable. All six were unconventional, independent and talented. All six were tested, both by Picasso's subterfuges and betrayals, and the wider social turbulence they lived through. The extent to which each influenced Picasso's art in major new directions has never been fully acknowledged.Sue Roe delves deeply into the truth of the women's experiences for the first time, to tell the story of Picasso's women from their point of view. Her enthralling book spans seventy years, from Bohemian early twentieth century Montmartre to the glittering Riviera in the 1920s, through Paris under Nazi occupation and beyond Picasso's final years of seclusion.The result is a riveting, atmospheric read about six fascinating and charismatic women, outstanding in their own time, whose individual stories have up to now been glossed over or hidden from view.

A WATERSTONES BOOK OF THE YEAR'A compelling tale . . . Brilliantly insightful and well-written.' - TimesFernande Olivier, Olga Khokhlova, Marie-Therese Walter, Dora Maar, Francoise Gilot, and Jacqueline Roque. These six extraordinary women shared Pablo Picasso's life and were instrumental in his career, yet they have long been dismissed as simply passive models or muses.Hidden Portraits reveals that their lives were - without exception - remarkable. All six were unconventional, independent and talented. All six were tested, both by Picasso's subterfuges and betrayals, and the wider social turbulence they lived through. The extent to which each influenced Picasso's art in major new directions has never been fully acknowledged.Sue Roe delves deeply into the truth of the women's experiences for the first time, to tell the story of Picasso's women from their point of view. Her enthralling book spans seventy years, from Bohemian early twentieth century Montmartre to the glittering Riviera in the 1920s, through Paris under Nazi occupation and beyond Picasso's final years of seclusion.The result is a riveting, atmospheric read about six fascinating and charismatic women, outstanding in their own time, whose individual stories have up to now been glossed over or hidden from view.

Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Berthe Morisot and Mary Cassatt. Though they were often ridiculed or ignored by their contemporaries, astonishing sums are paid today for the works of these artists. Their dazzling pictures are familiar - but how well does the world know the Impressionists as people? In a vivid and moving narrative, biographer Sue Roe shows the Impressionists in the studios of Paris, rural lanes of Montmartre and rowdy riverside bars as Paris underwent Baron Haussman's spectacular transformation.For over twenty years they lived and worked together as a group, struggling to rebuild their lives after the Franco-Prussian war and supporting one another through shocked public reactions to unfamiliar canvasses depicting laundresses, dancers, spring blossom and boating scenes. This intimate, colourful, superbly researched account takes us into their homes as well as their studios and describes their unconventional, volatile and precarious lives, as well as the stories behind their paintings.

In 1942, at the height of his fame, Augustus John predicted that 'fifty years from now I shall be known as the brother of Gwen John'. Gwen John (1876 - 1939) is indeed now recognised as a great artistic innovator, yet for years her life remained shrouded in the myth of the solitary recluse. Born in Pembrokeshire, Gwen followed her brother to the Slade. Her future was bound up with Augustus, his women and his coteries, yet she was also daring and highly original, living determinedly in her own way. Defiant yet shy, she painted and modelled amid the Bohemian circles of early twentieth-century Paris and embarked on a long, intense love affair with France's most legendary artistic figure, the sculptor Rodin. A friend of Symbolist poets and post-Impressionist painters, later she turned increasingly to religion, achieving a deep serenity which masked her inner turbulence, creating her haunting paintings - delicate, austere, restrained and still. Based on her lively and passionate unpublished letters and copiously illustrated, this vivid new biography challenges our prejudices about the ways we evaluate women artists and finally uncovers the life of this ardent and complicated personality, one of the finest artists of her day.Important Notice: The digital edition of this book is missing some of the images or content found in the physical edition.