Suk-Young Kim – författare
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Överstelöjtnant Kim Yong har oerhörda privilegier med nordkoreanska mått mätt. Han äger en importerad bil och kan åka var han vill i landet. Men förräderianklagelser raserar hela Yongs tillvaro. Han döms till Nordkoreas mest ökända arbetsläger, nr 14 i Hamgyong-provinsen – en värld av våld och tortyr. Medan han tvångsarbetar i en gruva två kilometer under marken blir dagsljus Kims enda lyx. Allt eftersom månaderna går blir han bekant med politiska fångar, omänskliga lägervakter och en apokalyptisk hungersnöd.
Jag flydde från Nordkoreas värsta fångläger är en historia om motståndskraft i en värld präglad av förtryck. Det är känt att det finns ett nordkoreanskt lägersystem, men det finns ytterst lite information om hur det fungerar, eftersom fångarna sällan kommer levande därifrån. Efter år av minutiös planering och med hjälp av gamla vänner lyckas Kim fly från Nordkorea.
KIM YONG var överstelöjtnant vid Nordkoreas nationella säkerhetstjänst och yrkesmilitär som tjänade utländsk valuta tills han plötsligt skickades till ett arbetsläger 1993. Han är nu bosatt i Sydkorea.
KIM SUK-YOUNG är professor vid University of California i Los Angeles. Hon har tidigare skrivit en bok om Nordkorea.
"gastkramande och oavbrutet intressant vittnesskildring av ett totalitärt angivarsamhälle och den nordkoreanska regimens brutala förtryck av den egna befolkningen. [...] Texten är förtjänstfullt översatt till svenska av Ulf Irheden."
Btj, betyg 4 av 5
»Kim ger oss ett underbart osympatiskt porträtt av en hjärntvättad partipamp.« Financial Times
»[Kims] opartiska redogörelse för hur en man uthärdade det outhärdliga ger en ledtråd till hur sådan extrem omänsklighet kan uppstå.« Japan Times
»En påminnelse om den nordkoreanska regimens brutalitet.« Korean Quarterly
»Fängslande, men också skrämmande.« New Books Asia
1 062 kr
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The Korean demilitarized zone might be among the most heavily guarded places on earth, but it also provides passage for thousands of defectors, spies, political emissaries, war prisoners, activists, tourists, and others testing the limits of Korean division. This book focuses on a diverse selection of inter-Korean border crossers and the citizenship they acquire based on emotional affiliation rather than constitutional delineation. Using their physical bodies and emotions as optimal frontiers, these individuals resist the state's right to draw geopolitical borders and define their national identity. Drawing on sources that range from North Korean documentary films, museum exhibitions, and theater productions to protester perspectives and interviews with South Korean officials and activists, this volume recasts the history of Korean division and draws a much more nuanced portrait of the region's Cold War legacies. The book ultimately helps readers conceive of the DMZ as a dynamic summation of personalized experiences rather than as a fixed site of historical significance.
997 kr
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How did Korea with a relatively small-scale music industry come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity.
318 kr
Skickas inom 7-10 vardagar
How did Korea with a relatively small-scale music industry come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity.
254 kr
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Korea has fully stepped onto the global stage in stunning strides. From the Oscar-winning film Parasite to the pop juggernaut known as BTS, Korean popular culture has taken the world by storm. This new Korean wave has influenced global tastes in drama, music, fashion, and can even be seen in the beauty industry’s obsession with Korean skincare products—Korea is everywhere. At the top of this list of greatest hits is Squid Game, a genre-bending Netflix series that has ignited social media platforms and inspired armies of devoted fans around the world. The seeds for a deep collaborative relationship between Netflix and K-drama had been sown long before the phenomenal success of Squid Game, but what particular social conditions allowed for this show to speak viscerally to global audiences today as the most-watched drama in ninety countries? In Surviving Squid Game, scholar of Korean pop culture Suk-Young Kim throws back the curtain to reveal the multiple factors accounting for the global dominance of K-culture. It investigates the origins, manifestations, and future prospects for this cultural trailblazer, making it essential reading for both content creators and fans of Korean culture across all media.
1 272 kr
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1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean popular music in relation to the rise of personal technology and social media, situating a feverish cross-media partnership within the Korean historical context and broader questions about what it means to be "live" and "alive." Based on in-depth interviews with K-pop industry personnel, media experts, critics, and fans, as well as archival research, K-pop Live explores how the industry has managed the tough sell of live music in a marketplace in which virtually everything is available online. Teasing out digital media's courtship of "liveness" in the production and consumption of K-pop, Kim investigates the nuances of the affective mode in which human subjects interact with one another in the digital age. Observing performances online, in concert, and even through the use of holographic performers, Kim offers readers a step-by-step guide through the K-pop industry's variegated efforts to diversify media platforms as a way of reaching a wider global network of music consumers. In an era when digital technology inserts itself into nearly all social relationships, Kim reveals how "what is live" becomes a question of how we exist as increasingly mediated subjects, fragmented and isolated by technological wonders while also longing for a sense of belonging and being alive through an interactive mode of exchange we often call "live."
310 kr
Skickas inom 7-10 vardagar
1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean popular music in relation to the rise of personal technology and social media, situating a feverish cross-media partnership within the Korean historical context and broader questions about what it means to be "live" and "alive." Based on in-depth interviews with K-pop industry personnel, media experts, critics, and fans, as well as archival research, K-pop Live explores how the industry has managed the tough sell of live music in a marketplace in which virtually everything is available online. Teasing out digital media's courtship of "liveness" in the production and consumption of K-pop, Kim investigates the nuances of the affective mode in which human subjects interact with one another in the digital age. Observing performances online, in concert, and even through the use of holographic performers, Kim offers readers a step-by-step guide through the K-pop industry's variegated efforts to diversify media platforms as a way of reaching a wider global network of music consumers. In an era when digital technology inserts itself into nearly all social relationships, Kim reveals how "what is live" becomes a question of how we exist as increasingly mediated subjects, fragmented and isolated by technological wonders while also longing for a sense of belonging and being alive through an interactive mode of exchange we often call "live."
Millennial North Korea
Forbidden Media and Living Creatively with Surveillance
Inbunden, Engelska, 2024
1 202 kr
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North Korea may be known as the world's most secluded society, but it too has witnessed the rapid rise of new media technologies in the new millennium, including the introduction of a 3G cell phone network in 2008. In 2009, there were only 70,000 cell phones in North Korea. That number has grown tremendously in just over a decade, with over 7 million registered as of 2022. This expansion took place amid extreme economic hardship and the ensuing possibilities of destabilization. Against this social and political backdrop, Millennial North Korea traces how the rapidly expanding media networks in North Korea impact their millennial generation, especially their perspective on the outside world.Suk-Young Kim argues that millennials in North Korea play a crucial role in exposing the increasing tension between the state and its people, between risktakers who dare to transgress strict social rules and compliant citizens accustomed to the state's centralized governance, and between thriving entrepreneurs and those left out of the growing market economy. Combining a close reading of North Korean state media with original interviews with defectors, Kim explores how the tensions between millennial North Korea and North Korean millennials leads to a more nuanced understanding of a fractured and fragmented society that has been frequently perceived as an unchanging, monolithic entity.
292 kr
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North Korea may be known as the world's most secluded society, but it too has witnessed the rapid rise of new media technologies in the new millennium, including the introduction of a 3G cell phone network in 2008. In 2009, there were only 70,000 cell phones in North Korea. That number has grown tremendously in just over a decade, with over 7 million registered as of 2022. This expansion took place amid extreme economic hardship and the ensuing possibilities of destabilization. Against this social and political backdrop, Millennial North Korea traces how the rapidly expanding media networks in North Korea impact their millennial generation, especially their perspective on the outside world.Suk-Young Kim argues that millennials in North Korea play a crucial role in exposing the increasing tension between the state and its people, between risktakers who dare to transgress strict social rules and compliant citizens accustomed to the state's centralized governance, and between thriving entrepreneurs and those left out of the growing market economy. Combining a close reading of North Korean state media with original interviews with defectors, Kim explores how the tensions between millennial North Korea and North Korean millennials leads to a more nuanced understanding of a fractured and fragmented society that has been frequently perceived as an unchanging, monolithic entity.