Susanna Ashton - Böcker

This title includes rare firsthand accounts of slavery from across the Palmetto State collected together for the first time. Out of the hundreds of published slave narratives, only a handful exist specific to South Carolina, and most of these are not readily available to modern readers. Edited by Susanna Ashton, this collection restores to print seven slave narratives documenting the lived realities of slavery as it existed across the Palmetto State's upcountry, midlands, and lowcountry, from plantation culture to urban servitude. First published between the late eighteenth century and the dawn of the twentieth, these richly detailed firsthand accounts present a representative cross section of slave experiences, from religious awakenings and artisan apprenticeships to sexual exploitations and harrowing escapes. In their distinctive individual voices, narrators celebrate and mourn the lives of fellow slaves, contemplate the meaning of freedom, and share insights into the social patterns and cultural controls exercised during a turbulent period in American history. Each narrative is preceded by an introduction to place its content and publication history in historical context. The volume also features an afterword surveying other significant slave narratives and related historical documents on South Carolina. ""I Belong to South Carolina"" reinserts a chorus of powerful voices of the dispossessed into South Carolina's public history, reminding us of the cruelties of the past and the need for vigilant guardianship of liberty in the present and future.

Growing up in Cleveland after the Civil War and during the brutal rollback of Reconstruction and the onset of Jim Crow, Charles W. Chesnutt could have passed as white but chose to identify himself as black. An intellectual and activist involved with the NAACP who engaged in debate with Booker T. Washington and W. E. B. Du Bois, he wrote fiction and essays that addressed issue as various as segregation, class among both blacks and white, Southern nostalgia, and the Wilmington coup d’etat of 1898. The portrayals of race, racial violence, and stereotyping in Chesnutt’s works challenge teachers and students to contend with literature as both a social and an ethical practice. In part 1 of this volume, ‘Materials,’ the editors survey the critical reception of Chesnutt’s works in his lifetime and after, along with the biographical, critical, and archival texts available to teachers and students. The essays in part 2, ‘Approaches,’ address such topics in teaching Chesnutt as his use of dialect, the role of intertextuality and genre in his writing, irony, and his treatment of race, economics and social justice.

South Carolina has always loomed larger in the national imagination, particularly in terms of political and social policy, than its size and population might justify. The audacity and the often astonishing character of thinkers and political figures who have hailed from this region might suggest that climate affects personality. Edward Rutledge challenged the condemnation of the slave trade in the initial draft of the Declaration of Independence; John C. Calhoun penned the audacious philosophy of state nullification; Citadel cadets fired shots at Fort Sumter; and Senator Strom Thurmond defended racial segregation with the longest filibuster in Senate history. South Carolina has always used its passion to influence national debate.Rhondda Robinson Thomas and Susanna Ashton seek to remedy in this collection the singularly narrow way in which South Carolina's intellectual character has been defined in the popular imagination. Thomas and Ashton document an equally important tradition that parallels that of white radical thought. Through this anthology they reveal a tradition of national prominence and influence of black intellectuals, educators, journalists, and policy analysts from South Carolina. These native and adopted citizens mined their experiences to shape their own thinking about the state of the nation. Francis Grimké, Daniel Payne, Mary McLeod Bethune, Kelly Miller, Septima Clark, Benjamin Mays, Marian Wright Edelman, and Jesse Jackson have changed this nation for the better with their questions, challenges, and persistence--all in the proudest South Carolinian tradition.In The South Carolina Roots of African American Thought, each of the nineteen authors is introduced with a supplementary scholarly essay to illustrate the cultural and historical import of their works and to demonstrate how they draw upon and distinguish themselves from one another. These connections exhibit a coherent legacy of engagement, brought on and nurtured by South Carolina traditions.

The remarkable story of the man behind the book that helped spark the Civil War, in a stunning historical detective story“I love this research.” —Henry Louis Gates Jr., at a Hutchins Center presentation of Susanna Ashton’s findingsIn December of 1850, a faculty wife in Brunswick, Maine, named Harriet Beecher Stowe hid a fugitive slave in her house. While John Andrew Jackson stayed for only one night, he made a lasting impression: drawing from this experience, Stowe began to write Uncle Tom’s Cabin, one of the most influential books in American history and the novel that helped inspire the overthrow of slavery in the United States.A Plausible Man unfolds as a historical detective story, as Susanna Ashton combs obscure records for evidence of Jackson’s remarkable flight from slavery to freedom, his quest to liberate his enslaved family, and his emergence as an international advocate for abolition. This fresh and original work takes us through the Civil War, Reconstruction, and the restoration of white supremacy—where we last glimpse Jackson losing his freedom again on a Southern chain gang.In the spirit of Tiya Miles’s prizewinning All That She Carried and Erica Armstrong Dunbar’s Never Caught, Susanna Ashton breathes life into a striving and nuanced American character, one unmistakably rooted in the vast sweep of nineteenth-century America.