Susanne Martin – författare

As the United States and the countries of Western Europe have sought to promote democratic rule in those parts of the world that have not enjoyed the blessings of liberty, they have failed to consider an important factor. Competitive elections, the sine qua non of democratic government, often gives rise to serious bouts of political violence: mob riots, inter-party fighting, and internal wars. The essays collected in this volume evaluate the relationship between terrorist activity and electoral politics. Do democratic elections themselves undermine the development and stability of the democratic institutions the United States and its allies seek to promote? Under what conditions are democratic elections effective at bringing terrorist organizations into the political process, thereby quelling violence? When and how might terrorist organizations use democratic elections to foment violence?This book was published as a special issue of Terrorism and Political Violence.

As the United States and the countries of Western Europe have sought to promote democratic rule in those parts of the world that have not enjoyed the blessings of liberty, they have failed to consider an important factor. Competitive elections, the sine qua non of democratic government, often gives rise to serious bouts of political violence: mob riots, inter-party fighting, and internal wars. The essays collected in this volume evaluate the relationship between terrorist activity and electoral politics. Do democratic elections themselves undermine the development and stability of the democratic institutions the United States and its allies seek to promote? Under what conditions are democratic elections effective at bringing terrorist organizations into the political process, thereby quelling violence? When and how might terrorist organizations use democratic elections to foment violence?This book was published as a special issue of Terrorism and Political Violence.

This book presents a critical reflection on the major armed conflicts that occurred during the 1990s and the first decade of the twenty-first century. Conflicts in Bosnia, Kosovo, Chechnya, Iraq, Afghanistan and Syria all involved the use of terrorism by one or more groups. Looking to the future, the book asks what this means for violent conflicts yet to come?Using a variety of case studies, the authors provide a systematic and comprehensive analysis of the role played by terrorism as a stand-alone tactic as well as one used to ignite broad-scale conflict. They also pose the question on what occasions does terrorism tend to occur as an armed conflict begins to subside, and when, in other words, is it a trailing indicator?

This book presents a critical reflection on the major armed conflicts that occurred during the 1990s and the first decade of the twenty-first century. Conflicts in Bosnia, Kosovo, Chechnya, Iraq, Afghanistan and Syria all involved the use of terrorism by one or more groups. Looking to the future, the book asks what this means for violent conflicts yet to come?Using a variety of case studies, the authors provide a systematic and comprehensive analysis of the role played by terrorism as a stand-alone tactic as well as one used to ignite broad-scale conflict. They also pose the question on what occasions does terrorism tend to occur as an armed conflict begins to subside, and when, in other words, is it a trailing indicator?

Siegfried Kracauers Werk in seiner Breite und Originalität steht im Zentrum dieses Bandes, der in internationaler und interdisziplinärer Perspektivierung eine Vielzahl der Themen, Denkfiguren und Schreibweisen des Autors analysiert.

Ausgehend von Befunden eines aktuell veränderten gesellschaftlichen Stellenwerts der Angst untersucht der Sammelband in interdisziplinärer Perspektive gegenwärtige Ursachen, Auswirkungen, Repräsentationen, Ausprägungen, Deutungen und Praktiken der Angst.

How can contemporary dance contribute to a critical discourse on age and ageing? Built on the premise that age(ing) is something we practice and perform as individuals and as a society, Susanne Martin asks for and develops strategies that allow dance artists to do age(ing) differently. As a whole, this project is an artistic research inquiry, which draws on and contributes to dance practice. The study develops, discusses, and stages practices and performances of age(ing) that offer alternatives to stereotypical and normative age(ing) narratives, which are not only part of dance but also of everyday culture.