Tarik Sabry – författare

In this groundbreaking book, Tarik Sabry is seeking out the terrain for best understanding the experience of being modern in transitional societies. He adopts a dynamic, ethnographically based approach to the meanings of 'modernness' in the Arab context and, within a relational framework, focuses on structures of thought, everydayness and self-referentiality to explore the process of building a bridge that rejoins the 'modern' in Arab thought with the 'modern' in Arab lived experience. In bringing together modernity as a philosophical category with the bridging spaces of Arab everyday life, Sabry is offering fresh methods of comprehending the question of what it means to be modern in the Arab world today.

'Arab Cultural Studies: Mapping the Field' is the first attempt to explore ways of conceptualising and theorising the nascent field of Arab Cultural Studies. It reflects and engages in an interdisciplinary discussion on the different facets of Arab cultural studies, including gender, economy, history, epistemology, language, method, politics, literary and cultural criticism, institutionalization, popular culture, creativity and much more. The book presents a meta-narrative about how scholars have thus far thought and re-thought the field. It brings together prominent and emerging experts, writing from both Arab and Western academia, to engage with key complex, epistemic and methodological questions and to articulate in the meantime the new kinds of language and hermeneutics necessary for the appropriation of an historically conscious and coherent field of scientific enquiry into contemporary Arab media, culture and society.

'Arab Cultural Studies: Mapping the Field' is the first attempt to explore ways of conceptualising and theorising the nascent field of Arab Cultural Studies. It reflects and engages in an interdisciplinary discussion on the different facets of Arab cultural studies, including gender, economy, history, epistemology, language, method, politics, literary and cultural criticism, institutionalization, popular culture, creativity and much more. The book presents a meta-narrative about how scholars have thus far thought and re-thought the field. It brings together prominent and emerging experts, writing from both Arab and Western academia, to engage with key complex, epistemic and methodological questions and to articulate in the meantime the new kinds of language and hermeneutics necessary for the appropriation of an historically conscious and coherent field of scientific enquiry into contemporary Arab media, culture and society.

In this groundbreaking book, Tarik Sabry is seeking out the terrain for best understanding the experience of being modern in transitional societies. He adopts a dynamic, ethnographically based approach to the meanings of 'modernness' in the Arab context and, within a relational framework, focuses on structures of thought, everydayness and self-referentiality to explore the process of building a bridge that rejoins the 'modern' in Arab thought with the 'modern' in Arab lived experience. In bringing together modernity as a philosophical category with the bridging spaces of Arab everyday life, Sabry is offering fresh methods of comprehending the question of what it means to be modern in the Arab world today.

This edited collection offers an unprecedented focus on decolonising audience and user studies in the global South, challenging essentialist discourses of media imperialism and technological determinism.Including original essays and contemporary case studies spanning Africa, Middle East, Latin America, and Asia, this book provides a nuanced double critique of both local and West‑centric approaches, pushing back against historically extractive audience research logics that have marginalised global South perspectives. This volume emphasises the importance of everyday experiences and advocates for building bridges between emerging philosophical discourses of modernity, postmodernity, and digitality from the global South and diverse ways of being digital. By critiquing narrowly defined methodologies and recovering previously delegitimised experiences, this book reimagines audience research through new evidence, methods, and theories that centre previously discarded voices and contexts.This essential resource serves both as a rallying call for epistemic justice and as a practical guide for decolonial approaches in media and communication studies. It will be invaluable for practitioners, activists, scholars, researchers, policymakers, and students across various disciplines, including anthropology, sociology, political science, psychology, Global South studies, media, communication, and cultural studies.

This edited collection offers an unprecedented focus on decolonising audience and user studies in the global South, challenging essentialist discourses of media imperialism and technological determinism.Including original essays and contemporary case studies spanning Africa, Middle East, Latin America, and Asia, this book provides a nuanced double critique of both local and West‑centric approaches, pushing back against historically extractive audience research logics that have marginalised global South perspectives. This volume emphasises the importance of everyday experiences and advocates for building bridges between emerging philosophical discourses of modernity, postmodernity, and digitality from the global South and diverse ways of being digital. By critiquing narrowly defined methodologies and recovering previously delegitimised experiences, this book reimagines audience research through new evidence, methods, and theories that centre previously discarded voices and contexts.This essential resource serves both as a rallying call for epistemic justice and as a practical guide for decolonial approaches in media and communication studies. It will be invaluable for practitioners, activists, scholars, researchers, policymakers, and students across various disciplines, including anthropology, sociology, political science, psychology, Global South studies, media, communication, and cultural studies.

This edited collection offers an unprecedented focus on decolonising audience and user studies in the global South, challenging essentialist discourses of media imperialism and technological determinism.Including original essays and contemporary case studies spanning Africa, Middle East, Latin America, and Asia, this book provides a nuanced double critique of both local and West centric approaches, pushing back against historically extractive audience research logics that have marginalised global South perspectives. This volume emphasises the importance of everyday experiences and advocates for building bridges between emerging philosophical discourses of modernity, postmodernity, and digitality from the global South and diverse ways of being digital. By critiquing narrowly defined methodologies and recovering previously delegitimised experiences, this book reimagines audience research through new evidence, methods, and theories that centre previously discarded voices and contexts.This essential resource serves both as a rallying call for epistemic justice and as a practical guide for decolonial approaches in media and communication studies. It will be invaluable for practitioners, activists, scholars, researchers, policymakers, and students across various disciplines, including anthropology, sociology, political science, psychology, Global South studies, media, communication, and cultural studies.

This edited collection offers an unprecedented focus on decolonising audience and user studies in the global South, challenging essentialist discourses of media imperialism and technological determinism.Including original essays and contemporary case studies spanning Africa, Middle East, Latin America, and Asia, this book provides a nuanced double critique of both local and West centric approaches, pushing back against historically extractive audience research logics that have marginalised global South perspectives. This volume emphasises the importance of everyday experiences and advocates for building bridges between emerging philosophical discourses of modernity, postmodernity, and digitality from the global South and diverse ways of being digital. By critiquing narrowly defined methodologies and recovering previously delegitimised experiences, this book reimagines audience research through new evidence, methods, and theories that centre previously discarded voices and contexts.This essential resource serves both as a rallying call for epistemic justice and as a practical guide for decolonial approaches in media and communication studies. It will be invaluable for practitioners, activists, scholars, researchers, policymakers, and students across various disciplines, including anthropology, sociology, political science, psychology, Global South studies, media, communication, and cultural studies.

What is 'Arab' about Arab subcultures? This is the first book to set out to delineate different ways of studying and theorising Arab subcultural groups and practices, including film, graffiti, music, live art performances, Arab techies and youth cultures. Contributors tackle a number of questions including: How is the study of Arab subcultures to be theorised? How are we to analyse such creative processes in a new worldliness characterised by trans-temporality and trans-subjectivity? Arab Subcultures effectively opens up a critical and interdisciplinary dialogue about Arab subcultures with different fields of enquiry, including anthropology, philosophy, art criticism and cultural studies, at the heart of which lies the key intellectual task of re-imagining the uneasy relation between aesthetics and politics in the age of revolutions.

What is 'Arab' about Arab subcultures? This is the first book to set out to delineate different ways of studying and theorising Arab subcultural groups and practices, including film, graffiti, music, live art performances, Arab techies and youth cultures. Contributors tackle a number of questions including: How is the study of Arab subcultures to be theorised? How are we to analyse such creative processes in a new worldliness characterised by trans-temporality and trans-subjectivity? Arab Subcultures effectively opens up a critical and interdisciplinary dialogue about Arab subcultures with different fields of enquiry, including anthropology, philosophy, art criticism and cultural studies, at the heart of which lies the key intellectual task of re-imagining the uneasy relation between aesthetics and politics in the age of revolutions.

What is 'Arab' about Arab subcultures? This is the first book to set out to delineate different ways of studying and theorising Arab subcultural groups and practices, including film, graffiti, music, live art performances, Arab techies and youth cultures. Contributors tackle a number of questions including: How is the study of Arab subcultures to be theorised? How are we to analyse such creative processes in a new worldliness characterised by trans-temporality and trans-subjectivity? Arab Subcultures effectively opens up a critical and interdisciplinary dialogue about Arab subcultures with different fields of enquiry, including anthropology, philosophy, art criticism and cultural studies, at the heart of which lies the key intellectual task of re-imagining the uneasy relation between aesthetics and politics in the age of revolutions.

In this revealing new study, Tarik Sabry and Joe Khalil preside over an original new exploration of Arab culture. They employ subjects as varied as anthropology, media studies, philosophy, political economy and cultural studies to illuminate the relationship between culture, time and publics in an Arab context, whilst also laying the foundations for a much more nuanced picture of Arab society. The diverse themes and locations explored include communities at borders, in rural and urban locations, Syrian drama audiences, Egyptian, Saudi and Tunisian artists and activists and historical and contemporary Arab intellectuals. This fresh empirical research and interdisciplinary analysis illuminate intricate experiences that transcend local, national and religious boundaries and expose how Arab publics combine the media and technology to create a rich experience that shapes their collective imagination and social structure. Providing a grounded orientation to key debates on time and what can be defined as public in modern Arab cultures, Sabry and Khalil address teachers, students and those concerned about the delicate structures that underpin the upheavals of the modern Arab world.

What is 'Arab' about Arab subcultures? This is the first book to set out to delineate different ways of studying and theorising Arab subcultural groups and practices, including film, graffiti, music, live art performances, Arab techies and youth cultures. Contributors tackle a number of questions including: How is the study of Arab subcultures to be theorised? How are we to analyse such creative processes in a new worldliness characterised by trans-temporality and trans-subjectivity? Arab Subcultures effectively opens up a critical and interdisciplinary dialogue about Arab subcultures with different fields of enquiry, including anthropology, philosophy, art criticism and cultural studies, at the heart of which lies the key intellectual task of re-imagining the uneasy relation between aesthetics and politics in the age of revolutions.

In this revealing new study, Tarik Sabry and Joe Khalil preside over an original new exploration of Arab culture. They employ subjects as varied as anthropology, media studies, philosophy, political economy and cultural studies to illuminate the relationship between culture, time and publics in an Arab context, whilst also laying the foundations for a much more nuanced picture of Arab society. The diverse themes and locations explored include communities at borders, in rural and urban locations, Syrian drama audiences, Egyptian, Saudi and Tunisian artists and activists and historical and contemporary Arab intellectuals. This fresh empirical research and interdisciplinary analysis illuminate intricate experiences that transcend local, national and religious boundaries and expose how Arab publics combine the media and technology to create a rich experience that shapes their collective imagination and social structure. Providing a grounded orientation to key debates on time and what can be defined as public in modern Arab cultures, Sabry and Khalil address teachers, students and those concerned about the delicate structures that underpin the upheavals of the modern Arab world.

In this revealing new study, Tarik Sabry and Joe Khalil preside over an original new exploration of Arab culture. They employ subjects as varied as anthropology, media studies, philosophy, political economy and cultural studies to illuminate the relationship between culture, time and publics in an Arab context, whilst also laying the foundations for a much more nuanced picture of Arab society. The diverse themes and locations explored include communities at borders, in rural and urban locations, Syrian drama audiences, Egyptian, Saudi and Tunisian artists and activists and historical and contemporary Arab intellectuals. This fresh empirical research and interdisciplinary analysis illuminate intricate experiences that transcend local, national and religious boundaries and expose how Arab publics combine the media and technology to create a rich experience that shapes their collective imagination and social structure. Providing a grounded orientation to key debates on time and what can be defined as public in modern Arab cultures, Sabry and Khalil address teachers, students and those concerned about the delicate structures that underpin the upheavals of the modern Arab world.

'Arab Cultural Studies: Mapping the Field' is the first attempt to explore ways of conceptualising and theorising the nascent field of Arab Cultural Studies. It reflects and engages in an interdisciplinary discussion on the different facets of Arab cultural studies, including gender, economy, history, epistemology, language, method, politics, literary and cultural criticism, institutionalization, popular culture, creativity and much more. The book presents a meta-narrative about how scholars have thus far thought and re-thought the field. It brings together prominent and emerging experts, writing from both Arab and Western academia, to engage with key complex, epistemic and methodological questions and to articulate in the meantime the new kinds of language and hermeneutics necessary for the appropriation of an historically conscious and coherent field of scientific enquiry into contemporary Arab media, culture and society.

Using a phenomenological and multi-sited ethnographic approach, this book focuses on children’s uses of digital media in three sites—London, Casablanca and Beirut—and situates the study of Arab children and screen media within a wider frame, making connections between local, regional and global media content. The study moves away from a conventional definition of media towards a pluralistic interpretation, and provides key ethnographic findings that reveal how the notion of home is extended across everyday spaces that children occupy. Exploring the relationship between children and media outside of the subject-object hierarchy, it re-connects them in a horizontal mapping of affectivity and intimacy. This book will appeal to scholars specializing in children and the media, digital media, media and cultural studies, media anthropology, philosophy and Middle Eastern studies.