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“Les diners de Gala is uniquely devoted to the pleasures of taste … If you are a disciple of one of those calorie-counters who turn the joys of eating into a form of punishment, close this book at once; it is too lively, too aggressive, and far too impertinent for you.”—Salvador DalíFood and surrealism make perfect bedfellows: sex and lobsters, collage and cannibalism, the meeting of a swan and a toothbrush on a pastry case. The opulent dinner parties thrown by Salvador Dalí (1904–1989) and his wife and muse, Gala (1894–1982) were the stuff of legend. Luckily for us, Dalí published a cookbook in 1973, Les diners de Gala, which reveals some of the sensual, imaginative, and exotic elements that made up their notorious gatherings.This abridged reissue features 78 of his recipes over 12 chapters, specially illustrated by Dalí, and organized by meal courses, including aphrodisiacs. The illustrations and recipes are accompanied by Dalí’s extravagant musings on subjects such as dinner conversation: “The jaw is our best tool to grasp philosophical knowledge.”All these rich recipes can be cooked at home, although some will require practiced skill and a well-stocked pantry. This is cuisine of the old school, with meals by leading French chefs. Good taste, however voluptuous, never goes out of fashion. In making this exceptionally rare book available to a wide audience, TASCHEN brings an artwork, a practical cookbook, and a multisensory adventure to today’s kitchens.The first English edition of Les Diners de Gala was published in 1973 by FELICIE, INC., New York

“In GENESIS, my camera allowed nature to speak to me. And it was my privilege to listen.” —Sebastião Salgado On a very fortuitous day in 1970, 26-year-old Sebastião Salgado held a camera for the first time. When he looked through the viewfinder, he experienced a revelation: suddenly life made sense. From that day onward—though it took years of hard work before he had the experience to earn his living as a photographer—the camera became his tool for interacting with the world. Salgado, who “always preferred the chiaroscuro palette of black-and-white images,” shot very little color in his early career before giving it up completely. Raised on a farm in Brazil, Salgado possessed a deep love and respect for nature; he was also particularly sensitive to the ways in which human beings are affected by their often devastating socio-economic conditions. Of the myriad works Salgado has produced in his acclaimed career, three long-term projects stand out: Workers (1993), documenting the vanishing way of life of manual laborers across the world; Migrations (2000), a tribute to mass migration driven by hunger, natural disasters, environmental degradation and demographic pressure; and this new opus, GENESIS, the result of an epic eight-year expedition to rediscover the mountains, deserts and oceans, the animals and peoples that have so far escaped the imprint of modern society—the land and life of a still-pristine planet. “Some 46% of the planet is still as it was in the time of genesis,” Salgado reminds us. “We must preserve what exists.” The GENESIS project, along with the Salgados’ Instituto Terra, are dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future. Over 30 trips—traveled by foot, light aircraft, seagoing vessels, canoes, and even balloons, through extreme heat and cold and in sometimes dangerous conditions—Salgado created a collection of images showing us nature, animals, and indigenous peoples in breathtaking beauty. What does one discover in GENESIS? The animal species and volcanoes of the Galápagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo’é tribe deep in the Amazon jungle; the Stone Age Korowai people of West Papua; nomadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Juruá rivers in the Amazon; the ravines of the Grand Canyon; the glaciers of Alaska... and beyond. Having dedicated so much time, energy, and passion to the making of this work, Salgado calls GENESIS “my love letter to the planet.”INSTITUTO TERRAFounded in 1998 at Aimorés in the state of Minas Gerais, Instituto Terra is the culmination of Lélia Wanick Salgado and Sebastião Salgado’s lifelong activism and work as cultural documentarians. Through a scientific program of planting and raising saplings, the organization has performed a miraculous reforestation of the once infertile region and furthered the Salgados’ mission of reversing the damage done to our planet. TASCHEN is proud to reach carbon zero status through our continued partnership.

The history of photography began nearly 200 years ago, but only relatively recently has it been fully recognized as a medium in its own right. Cologne’s Museum Ludwig was the first museum of contemporary art to devote a substantial section to international photography. The L. Fritz Gruber collection, from which this book is drawn, is one of the most important in Germany and one of the most representative anywhere in the world, constituting the core of the museum’s holdings.This book provides a fascinating insight into the collection’s rich diversity; from conceptual art to abstraction to reportage, all of the major movements and genres are represented via a vast selection of the 20th century’s most remarkable photographs. From Ansel Adams to Piet Zwart, over 850 works are presented in alphabetical order by photographer, with descriptive texts and photographers’ biographical details, providing a comprehensive and indispensable overview of 20th-century photography.

More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designer. The particular curve of a backrest, or the twist of a leg, the angle of a seat or the color of the entire artifact; each element reflects the stylistic consciousness of an era.From Gerrit Rietveld and Alvar Aalto to Verner Panton and Eva Zeisel, from Art Nouveau to International Style, from Pop Art to Postmodernism, the history of the chair is so complex that it requires a comprehensive encyclopedic work to do it full justice. They are all here: Thonet’s bentwood chairs and Hoffmann’s sitting-machines, Marcel Breuer’s Wassily chair and Ron Arad’s avant-garde armchairs. Early designers and pioneers of the modern chair are presented alongside the most recent innovations in seating.This dedicated compendium displays each chair as pure form, along with biographical and historical information about the pieces and their designers. An illuminating tome for design aficionados and an essential reference for collectors.

This important addition to our understanding of art history’s masterworks puts some of the world's most famous paintings under a magnifying glass to uncover their most small and subtle elements and all they reveal about a bygone time, place, and culture.Guiding our eye to the minutiae of subject and symbolism, authors Rose-Marie and Rainer Hagen allow even the most familiar of pictures to come alive anew through their intricacies and intrigues. Is the bride pregnant? Why does the man wear a beret? How does the shadow of war hang over a scene of dancing? Along the way, we travel from Ancient Egypt through to modern Europe, from the Renaissance to the Roaring Twenties. We meet Greek heroes and poor German poets and roam from cathedrals to cabaret bars, from the Garden of Eden to a Garden Bench in rural France.As we pick apart each painting and then reassemble it like a giant jigsaw puzzle, these celebrated canvases captivate not only in their sheer wealth of details but also in the witness they bear to the fashions and trends, people and politics, loves and lifestyles of their time.

Yes is More is the easily accessible but unremittingly radical manifesto of Copenhagen-based architectural practice Bjarke Ingels Group, or BIG.Unlike a typical architectural monograph, this book uses the comic book format to express its groundbreaking agenda for contemporary architecture. It is also the first comprehensive documentation of BIG’s trailblazing practice—where method, process, instruments, and concepts are constantly questioned and redefined. Or, as the group itself says:“Historically, architecture has been dominated by two opposing extremes: an avant-garde full of crazy ideas, originating from philosophy or mysticism; and the well organized corporate consultants that build predictable and boring boxes of high standard. Architecture seems entrenched: naively utopian or petrifyingly pragmatic. We believe there is a third way between these diametric opposites: a pragmatic utopian architecture that creates socially, economically, and environmentally perfect places as a practical objective. At BIG we are devoted to investing in the overlap between radical and reality. In all our actions we try to move the focus from the little details to the BIG picture.”Bjarke Ingels attracts highly talented coworkers, but also gifted and ambitious clients from all over the world. He then creates intelligent synergies from wild energies and unforeseen dynamics, and transforms them into surprising, functional, valuable, and beautiful solutions to the specific and complex challenges in each task.BIG projects have won awards from the Royal Academy of Fine Arts, and the Special Jury Prize at the Venice Architecture Biennale, as well as many other international prizes. Yes is More is a play on words that represents the company’s ethos and sums up its irreverent attitude towards excessive formalism, and its determination to involve the population at large in its creations. As an extension of its methods and results, its debut monograph uses the most approachable and populist means of communication available—the comic.

Trace JR’s evolution from his Parisian origins, tagging rooftops and subway cars, to his emergence as an artist of extraordinary scale. The tag is a declaration of presence, and JR never leaves that impulse behind. Instead, he expands it, turning city bridges, favelas, and prison exercise yards into canvases for collective visibility.His lineage runs from William Hogarth and Eugène Delacroix through Francisco Goya to Diego Rivera. Public portraiture is reimagined for the 21st century with works that embrace but also reject digital artifice. In an age of Photoshop and AI, his materials—paper, paste, human collaboration—are resolutely real. There’s illusion, but only in his epic trompe l’œils.From Paris to global conflict zones, he moves toward tension, not away from it. Projects like Face 2 Face collapse political distance via paired portraits, while his vast Chronicles transform communities into panoramic peoplescapes, echoing the narrative sweep of historical murals. Works like Mayra, Picnic across the Border are staged encounters as much as images—curated spaces where barriers, physical and psychological, momentarily dissolve.Throughout, he recontextualizes: architecture becomes canvas, strangers become protagonists, fleeting actions become enduring images. Rooted in photography, his work reaches far beyond it. His art unfolds through participation, scale, and shared authorship, where the most powerful outcome is often intangible—the conversations it sets in motion.This engrossing volume examines all his major works, with behind-the-scenes photography and extended essays.

With more than 280 entries, this architectural A–Z, now part of our Bibliotheca Universalis series, offers an indispensable overview of the key players in the creation of modern space. From the period spanning the 19th to the 21st century, pioneering architects are featured with a portrait, concise biography, as well as a description of her or his important work.Like a bespoke global architecture tour, you’ll travel from Manhattan skyscrapers to a Japanese concert hall, from Gaudí’s Palau Güell in Barcelona to Lina Bo Bardi’s sports and leisure center in a former factory site in São Paulo. You’ll take in Gio Ponti’s colored geometries, Zaha Hadid’s free-flowing futurism, the luminous interiors of SANAA, and Charles Rennie Mackintosh’s unique blend of Scottish tradition and elegant japonisme. The book’s A to Z entries also cover groups, movements, and styles to position these leading individual architects within broader building trends across time and geography, including International Style, Bauhaus, De Stijl, and much more. Featuring modern architectural photography, this is a comprehensive source book for any architecture professional, student, or devotee.

Designed to be a companion to our classic title 1000 Chairs, this edition contains an awesome selection of over 1000 lights. Presented chronologically by decade are the 20th century’s most interesting electric lights, from Tiffany’s beautiful leaded-glass shades to completely outrageous designs from the late 1960s and 1970s to the latest high-tech LED lamps. All major styles are represented here—Arts & Crafts, Art Nouveau, Art Deco, Modern Movement, De Stijl, Postwar, Pop, Radical, Postmodern, and Contemporary—in 640 pages of truly illuminated works.This definitive reference work is a must-have for collectors and design fans.

George Eastman’s career developed in a particularly American way. The founder of Kodak progressed from a delivery boy to one of the most important industrialists in American history, and a crucial innovator in photographic history.Eastman died in 1932, and left his house to the University of Rochester. Since 1949 the site has operated as an international museum of photography and film, and today holds the largest collection of its kind in the world, containing over 400,000 images and negatives—among them the work of such masters as Alfred Stieglitz, Edward Steichen, and Ansel Adams.Home also to 23,000 cinema films, five million film stills, one of the most important silent film collections, technical equipment and a library with 40,000 books on photography and film, the George Eastman House is a pilgrimage site for researchers, photographers, and collectors from all over the world. This volume curates the most impressive images from the collection in chronological order to offer an incomparable overview of photographic history.

Have you ever thought of citrus fruits as celestial bodies, angelically suspended in the sky? Perhaps not, but J. C. Volkamer (1644-1720) did-commissioning an extravagant and breathtaking series of large-sized copperplates representing citrons, lemons, and bitter oranges in surreal scenes of majesty and wonder.Ordering plants by post mostly from Italy, Germany, North Africa, and even the Cape of Good Hope, the Nuremberg merchant Volkamer was a devotee of the fragrant and exotic citrus at a time when such fruits were still largely unknown north of the Alps. His garden came to contain a wide variety of specimens, and he became so obsessed with the fruits that he commissioned a team of copperplate engravers to create 256 plates of 170 varieties of citrus fruits, many depicted life size, published in a two-volume work. The first volume appeared in 1708, with the impressively lengthy title The Nuremberg Hesperides, or: A detailed description of the noble fruits of the citron, lemon and bitter orange; how these may be correctly planted, cared for and propagated in that and neighboring regions.In both volumes, Volkamer draws on years of hands-on experience to present a far-reaching account of citrus fruits and how to tend them-from a meticulous walk-through of how to construct temporary orangeries, glasshouses, and hothouses for growing pineapples to commentary on each fruit variety, including its size, shape, color, scent, tree or shrub, leaves, and country of origin.In each plate, Volkamer pays tribute to the verdant landscapes of Northern Italy, his native Nuremberg, and other sites that captured his imagination. From Genovese sea views to the Schoenbrunn Palace, each locale is depicted in the same exceptional detail as the fruit that overhangs it. We witness branches heavy with grapefruits arching across a sun-bathed yard in Bologna and marvel at a huge pineapple plant sprouting from a South American town. The result is at once a fantastical line-up of botanical beauty and a highly poetic tour through the lush gardens and places where these fruits grew.Few colored sets of Volkamer's work are still in existence today. This publication draws on the two recently discovered hand-colored volumes in the city of Furth's municipal archive in Schloss Burgfarrnbach. The reprint also includes 56 newly discovered illustrations that Volkamer intended to present in a third volume.

Walter Gropius (1883–1969) set out to build for the future. As the founding director of the Bauhaus, the Berlin-born architect had an inestimable influence on our aesthetic environment, championing a bold new hybrid of light, geometry, and industrial design, as dazzling today as it was a century ago.In this essential architect introduction, we survey Gropius’ evolution and influence with 20 of his most significant projects, from the Bauhaus Building in Dessau, Germany, to the Chicago Tribune Tower and Harvard University Graduate Center, completed after Gropius’s exodus to the United States in 1937. We explore his role both as an architectural practitioner, and as a writer and educator, not only as a Bauhaus pioneer, but also, along with Ludwig Mies van der Rohe, as a leading proponent of the International Style.Along the way, we see how many of Gropius’s tenets remain benchmarks for architects, designers, and urbanists today. Whether in his emphasis on a functional beauty or his interest in housing and city planning, Gropius astounds in the agility of his thinking as much as in the luminous precision of his work.

“Girls, Gags & Giggles,” ran publisher Robert Harrison’s recipe for dishing up pin-up to the American male. Men loved his tasty dishes, a mixture of strippers and starlets dressed in outfits so fetishistic no one noticed they were never nude. While other magazines delivered the girl next door, Harrison’s publications banked on bad girls in satin and leather, fishnet stockings, and six-inch heels performing slapstick stunts straight from the burlesque stage.Harrison lured his readers in with vibrantly painted covers by top pin-up artists Earl Moran, Billy DeVorss and, most famously, Peter Driben. This Bibliotheca Universalis edition celebrates this eye-catching candy with every single cover from Beauty Parade, Wink, Titter, Eyeful, Flirt, and Whisper, from 1942 to 1955, as well as interior spreads, featuring, among others, a budding Bettie Page. In an age when far more graphic material is the norm, 1000 Pin-Up Girls celebrates an era of pin-up and pulp style to fuel your erotic imagination.

Under the burning Tuscan sun roll marvelous hills, vineyards, and olive groves—all postcard-perfect landscapes nestling centuries-old towns, rural villas, and contadino farmhouses. We’ve tracked down the best examples of such havens to paint a warm-hued picture of the look and feel of Tuscan living. Follow in Michelangelo’s footsteps to the Eremo Santa Maria Maddalena, a medieval hermitage nestled in the steep Arezzo hillside. Or take a dip in the California-style pool of Roberto Budini Gattai, the architect who turned a modest winegrower’s house into a dazzling homage to David Hockney. This collection gathers the region’s most remarkable homes and interiors, complete with insightful captions and enthralling double spreads. Across contemporary architecture and traditional craftsmanship, minimal earthenware and decadent furniture, we discover all the natural tones and sun-kissed textures of Tuscany.

Successful interiors tell stories - be they of an industrial loft, a luxury penthouse, or a grand old villa. When presented together, as in this book, they tell us much more besides, providing insights into how the world of the early 21st century chooses to live. What does a Zurich dining room look like? Or a bathroom in Niigata, Japan? How might a Miami art collector paint his bungalow's walls? And what awaits you in a St. Petersburg apartment? We went inside a hundred homes around the globe and found answers that amazed, intrigued, and enchanted us.The locations could hardly be more diverse - nor could the views. They range from the urban skyline seen from a Singapore tower block to the idyllic island landscape of rocks, pine trees, and water surrounding one family's holiday home near Stockholm. Whatever the topography, the external environment inevitably influences the ambience inside. It's with good reason, for example, that Sylvia Avontuur describes her windows overlooking Amsterdam's docklands as the most important picture in her apartment. Just as crucial to the character of an interior is the era of its architecture.From Instanbul via Paris to Barcelona, a great many of the spaces featured are in apartments dating from the late 19th century, whose occupats-cum-curators have breathed new life into old walls. Elsewhere, we find others taking similar care of Modernist houses built in the revolutionary spirit of the International Style. And then there are the contemporary homes, with all their clever technical innovations, designed to meet the specific needs of their owners -such as the riverside villa in Dresden of the house on stilts in Nagano. But whether their shells are historic or brand-new, interiors all over the world exhibit the effects of an aesthetic evolution that has been shaping our built world for over a hundred years.Includes interiors in Argentina, Brazil, China, Cuba, Denmark, France, Germany, Greece, Indonesia, Italy, Japan, Kenya, Morocco, South Africa, Spain, Sweden, Turkey, the UK, the USA, and many more countries.

Have you ever thought of citrus fruits as celestial bodies, angelically suspended in the sky? Perhaps not, but J. C. Volkamer (1644–1720) did—commissioning an extravagant and breathtaking series of large-sized copperplates representing citrons, lemons, and bitter oranges in surreal scenes of majesty and wonder.Ordering plants by post mostly from Italy, Germany, North Africa, and even the Cape of Good Hope, the Nuremberg merchant Volkamer was a devotee of the fragrant and exotic citrus at a time when such fruits were still largely unknown north of the Alps. His garden came to contain a wide variety of specimens, and he became so obsessed with the fruits that he commissioned a team of copperplate engravers to create 256 plates of 170 varieties of citrus fruits, many depicted life size, published in a two-volume work. The first volume appeared in 1708, with the impressively lengthy title The Nuremberg Hesperides, or: A detailed description of the noble fruits of the citron, lemon and bitter orange; how these may be correctly planted, cared for and propagated in that and neighboring regions.In both volumes, Volkamer draws on years of hands-on experience to present a far-reaching account of citrus fruits and how to tend them—from a meticulous walk-through of how to construct temporary orangeries, glasshouses, and hothouses for growing pineapples to commentary on each fruit variety, including its size, shape, color, scent, tree or shrub, leaves, and country of origin.In each plate, Volkamer pays tribute to the verdant landscapes of Northern Italy, his native Nuremberg, and other sites that captured his imagination. From Genovese sea views to the Schönbrunn Palace, each locale is depicted in the same exceptional detail as the fruit that overhangs it. We witness branches heavy with grapefruits arching across a sun-bathed yard in Bologna and marvel at a huge pineapple plant sprouting from a South American town. The result is at once a fantastical line-up of botanical beauty and a highly poetic tour through the lush gardens and places where these fruits grew.Few colored sets of Volkamer’s work are still in existence today. This publication draws on the two recently discovered hand-colored volumes in the city of Fürth’s municipal archive in Schloss Burgfarrnbach. The reprint also includes 56 later discovered illustrations that Volkamer intended to present in a third volume.

William Morris (1834–1896) was one of the greatest creative figures of the 19th century. As a visionary designer, as well as a manufacturer, writer, artist, and socialist activist, he pioneered the Arts and Crafts movement of the Victorian era, and left an extraordinary influence on architecture, textile, and interior design.This richly illustrated book offers a suitably beautiful introduction to Morris’s colorful life and all aspects of his design work, including interiors, tiles, embroidery, tapestries, carpets, and calligraphy. Though best known in his lifetime as a poet and author, it is these exquisite designs that secured Morris’s posthumous reputation. As page after page dazzles with their beautiful patterns and forms, we explore the pioneering craftsmanship and natural motifs that inspired them, as well as Morris’s remarkable cultural legacy, through British textiles, Bauhaus, and even modern environmentalism.

This important addition to our understanding of art history’s masterworks puts some of the world's most famous paintings under a magnifying glass to uncover their most small and subtle elements and all they reveal about a bygone time, place, and culture.Guiding our eye to the minutiae of subject and symbolism, authors Rose-Marie and Rainer Hagen allow even the most familiar of pictures to come alive anew through their intricacies and intrigues. Is the bride pregnant? Why does the man wear a beret? How does the shadow of war hang over a scene of dancing? Along the way, we travel from Ancient Egypt through to modern Europe, from the Renaissance to the Roaring Twenties. We meet Greek heroes and poor German poets and roam from cathedrals to cabaret bars, from the Garden of Eden to a Garden Bench in rural France.As we pick apart each painting and then reassemble it like a giant jigsaw puzzle, these celebrated canvases captivate not only in their sheer wealth of details but also in the witness they bear to the fashions and trends, people and politics, loves and lifestyles of their time.

Supermodel, entrepreneur, activist, provocateur. Since her teenage rise to stardom, Naomi Campbell has dazzled the world with her looks, her strength, and her irrepressible spirit. The first black model to grace the cover of French Vogue and TIME magazine, she has been the face of hundreds of magazine covers, countless editorials and advertising campaigns, and a favorite subject for some of the best photographers of the ’80s, ’90s, and today.Originally published as a signed Collector’s Edition of just 1,000 copies, this book gathers the very best of Campbell’s portfolio in an updated and compact edition. It features photographs from the likes of Mert Alas and Marcus Piggott, Steven Meisel, Helmut Newton, Herb Ritts, Ellen von Unwerth, and Nick Knight, and includes unforgettable shoots from the past decades right up until the present day.

From the end of World War II until the mid-1960s, exciting things were happening in American architecture. Emerging talents were focusing on innovative projects that integrated at once modern design and low-cost materials. The trend was most notably embodied in the famous Case Study House Program, a blueprint for modern habitation championed by the era’s leading American journal, Arts & Architecture.The complete facsimile of the ambitious and groundbreaking Arts & Architecture was published by TASCHEN in 2008 as a limited edition. This new curation—directed and produced by Benedikt Taschen—brings together the magazine’s highlights from 1950 to 1954, with a special focus on mid-century American architecture and its luminary pioneers including Richard Neutra, Eero Saarinen, and Charles & Ray Eames.A celebration of a politically, socially and culturally engaged publication, this special selection is also a testimony to one of the most unique and influential eras in the history of American architecture.

A comprehensive volume covering five seminal genres that shaped art, from the late 19th century and well into the 20th: Impressionism, Expressionism, Surrealism, Abstract Expressionism and Pop Art. Each approach was distinct in aesthetic and philosophy, but all had immediate impact and enduring influence. Many great names were indelibly associated with one, some explored several during their careers.Impressionism, led by Monet and Renoir, focused on light and color, capturing fleeting moments and challenging academic art's rigidity. Expressionism was driven by artists like Edvard Munch and Wassily Kandinsky to convey raw emotion, distorting reality to reflect the angst of human experience. Surrealists, like Salvador Dalí and René Magritte, explored the subconscious, dreams, and the irrational, blending reality with fantasy across art, literature, and film. With Jackson Pollock and Mark Rothko leading the charge, Abstract Expressionism emphasized spontaneity and emotion through bold, gestural brushstrokes, and established New York as the post-war art world’s new Mecca. Finally, artists like Roy Lichtenstein and Andy Warhol gained fame and dominated the zeitgeist by synthesizing advertising, pop culture, and high art into Pop Art.Though diverse, these movements collectively pushed the boundaries of creativity, redefined artistic expression, and altered the trajectory of contemporary art. This lavish edition celebrates their stories, featuring more than 250 high-quality reproductions and texts, exploring how each movement's ideas and innovations transformed art forever.

A comprehensive volume covering five seminal genres that shaped art, from the late 19th century and well into the 20th: Impressionism, Expressionism, Surrealism, Abstract Expressionism and Pop Art. Each approach was distinct in aesthetic and philosophy, but all had immediate impact and enduring influence. Many great names were indelibly associated with one, some explored several during their careers.Impressionism, led by Monet and Renoir, focused on light and color, capturing fleeting moments and challenging academic art's rigidity. Expressionism was driven by artists like Edvard Munch and Wassily Kandinsky to convey raw emotion, distorting reality to reflect the angst of human experience. Surrealists, like Salvador Dalí and René Magritte, explored the subconscious, dreams, and the irrational, blending reality with fantasy across art, literature, and film. With Jackson Pollock and Mark Rothko leading the charge, Abstract Expressionism emphasized spontaneity and emotion through bold, gestural brushstrokes, and established New York as the post-war art world’s new Mecca. Finally, artists like Roy Lichtenstein and Andy Warhol gained fame and dominated the zeitgeist by synthesizing advertising, pop culture, and high art into Pop Art.Though diverse, these movements collectively pushed the boundaries of creativity, redefined artistic expression, and altered the trajectory of contemporary art. This lavish edition celebrates their stories, featuring more than 250 high-quality reproductions and texts, exploring how each movement's ideas and innovations transformed art forever.

A comprehensive volume covering five seminal genres that shaped art, from the late 19th century and well into the 20th: Impressionism, Expressionism, Surrealism, Abstract Expressionism and Pop Art. Each approach was distinct in aesthetic and philosophy, but all had immediate impact and enduring influence. Many great names were indelibly associated with one, some explored several during their careers.Impressionism, led by Monet and Renoir, focused on light and color, capturing fleeting moments and challenging academic art's rigidity. Expressionism was driven by artists like Edvard Munch and Wassily Kandinsky to convey raw emotion, distorting reality to reflect the angst of human experience. Surrealists, like Salvador Dalí and René Magritte, explored the subconscious, dreams, and the irrational, blending reality with fantasy across art, literature, and film. With Jackson Pollock and Mark Rothko leading the charge, Abstract Expressionism emphasized spontaneity and emotion through bold, gestural brushstrokes, and established New York as the post-war art world’s new Mecca. Finally, artists like Roy Lichtenstein and Andy Warhol gained fame and dominated the zeitgeist by synthesizing advertising, pop culture, and high art into Pop Art.Though diverse, these movements collectively pushed the boundaries of creativity, redefined artistic expression, and altered the trajectory of contemporary art. This lavish edition celebrates their stories, featuring more than 250 high-quality reproductions and texts, exploring how each movement's ideas and innovations transformed art forever.

A comprehensive volume covering five seminal genres that shaped art, from the late 19th century and well into the 20th: Impressionism, Expressionism, Surrealism, Abstract Expressionism and Pop Art. Each approach was distinct in aesthetic and philosophy, but all had immediate impact and enduring influence. Many great names were indelibly associated with one, some explored several during their careers.Impressionism, led by Monet and Renoir, focused on light and color, capturing fleeting moments and challenging academic art's rigidity. Expressionism was driven by artists like Edvard Munch and Wassily Kandinsky to convey raw emotion, distorting reality to reflect the angst of human experience. Surrealists, like Salvador Dalí and René Magritte, explored the subconscious, dreams, and the irrational, blending reality with fantasy across art, literature, and film. With Jackson Pollock and Mark Rothko leading the charge, Abstract Expressionism emphasized spontaneity and emotion through bold, gestural brushstrokes, and established New York as the post-war art world’s new Mecca. Finally, artists like Roy Lichtenstein and Andy Warhol gained fame and dominated the zeitgeist by synthesizing advertising, pop culture, and high art into Pop Art.Though diverse, these movements collectively pushed the boundaries of creativity, redefined artistic expression, and altered the trajectory of contemporary art. This lavish edition celebrates their stories, featuring more than 250 high-quality reproductions and texts, exploring how each movement's ideas and innovations transformed art forever.

What makes Albert Watson one of the world’s most revered photographers, hailed by peers, critics, and collectors alike? Is it his unparalleled portfolio of celebrity portraits? Breathtaking landscapes? Sensual nudes, still lifes, illustrious fashion shoots?KAOS presents a kaleidoscopic overview of Watson’s career to date and the dazzling array of subjects, objects, people, and places he has encountered along the way. A skillfully curated and dynamic portfolio, it spans 50 years of photography as we encounter stars, statesmen, supermodels and strangers; bound through neon-blazing cities; find figures poised, or shimmering with nude eroticism; roam the bright lights and the backstreets; soak up extravagant sunsets; and breathe in the elemental wilds of the photographer’s native Scotland.Starting with Watson’s breakthrough portrait of Alfred Hitchcock for the Christmas 1973 edition of Harper’s Bazaar, each photograph reverberates with tightly coiled power, tension, and poetry. Whether it’s a portrait of a Las Vegas dominatrix, Elvis’s gold suit, a chimpanzee, or a street scene in China, Watson excels in capturing the surface seamlessly and probing its myriad depths. Along the way, his celebrity portraiture, including the likes of David Bowie, Jay Z, Kate Moss, Jennifer Lopez, Pamela Anderson, Mick Jagger, Jack Nicholson, Steve Jobs, and Andy Warhol, shows a particular interest in the private person behind the iconic façade.This remarkable collection is accompanied by an essay from the former head of photographs at Christie’s, Philippe Garner, and extensive quotes from Watson, as well as dozens of previously unpublished Polaroids, culled from Watson’s personal archives. The result is a defining document of the “photographer’s photographer,” iridescent in its graphic, often cinematic allure, and irresistible in its eclectic glory.Also available as four signed Art Editions (No. 1-200), each with a signed print.

A tribute to Oscar-winning French filmmaker/performer Jacques Tati: Made with the support of Les Films de Mon Oncle who allowed full access to his archives and designed by M/M (Paris), this three-volume publication gathers essays, interviews, and screenplays, plus hundreds of photographs, stills, letters, sketches, notes, and production materials.

Mysterious, timeless, and ethereal, fairies have stirred the imagination for centuries. This collection of famous and unfamiliar artworks by Ernst Kreidolf, Arthur Rackham, Margaret Tarrant and more illustrators from the turn of the 20th century, paired with the texts that inspired them, beckons us into realms of mischief and enchantment.

Leonhart Fuchs (1501–1566) was a founding father of modern botany, honored to this day in the vivid flower, and corresponding color, Fuchsia. In 1543, Fuchs combined his masterful botanical knowledge with groundbreaking medical research in his New Herbal, a catalog of some 500 types of plants and their healing properties.While a dependable scientific reference, The New Herbal won fame above all with the detail and quality of its illustrations. Alongside essays describing the plants’ features, origins, and medicinal powers, Fuchs presented each plant with meticulous woodcut illustrations, refining the ability for swift species identification and setting new standards for accuracy and quality in botanical publications. From the age of great exploration, The New Herbal also documented plant types from the recently discovered New World, offering the first visual record of tobacco, maize, kidney bean, and cactus.This edition is based on Fuchs’s personal, hand-colored copy, which has miraculously survived four-and-a-half centuries in pristine condition. Fascinating for historians of medicine and art, gardeners, and anyone interested in herbal medicine, the volume features over 500 splendid illustrations, and an essay exploring the history of healing herbs.

Travel through time and across the country with this state-by-state tour of the United States over the past 100 years. This volume brings together more than 700 captivating images from National Geographic’s illustrious archives to chart a century of change and growth from Alabama to Wyoming.These remarkable images bring a vivid account of a vast, evolving, and diverse country, from breathtaking landscapes to advancing industry, evocative rural life to burgeoning towns and cities. We travel from the ski slopes of Colorado to the jazz bars of New Orleans, from the luxurious Hollywood Hills to a barbershop in Kentucky, and from Manhattan’s Chinatown to a river baptism in Mississippi. Along the way, the tour takes in the gamut of photographic evolution, shifting from early black-and-white and autochrome images of the 1920s and 1930s into midcentury Kodachrome, then the harder-edged reportage of the 1970s and 1980s, and finally the digital images of the late 1990s.With an introductory essay by photography editor David Walker, as well as prefaces to each state section and fascinatingly descriptive captions, this book celebrates not only the world’s greatest photography magazine but also the people, history, and beauty of the United States in all its kaleidoscopic glory.