Terrance Hayes – författare

'Essential reading' Roger Robinson'Hateful and hilarious, heartbroke and hellbent' Mary Karr'Sure, wise and devastating . . . a joy' Caleb Azumah Nelson'Wanda Coleman is not just wickedly wise, she is transcendent' Washington PostNobody wrote about police hassle like she did. Nobody wrote about making ends meet, about the history of the slave trade or the comedy of the daily grind, with the same breathtaking originality and brio; and few writers, before or since, have had the courage to write with such honesty about their everyday experience of life - and love - in an unjust world.This is the first ever UK publication of the poetry of Wanda Coleman: a beat-up, broke and Black woman who wrote with defiance, humour and clarity about her life on the margins, and who went overlooked by the establishment for decades - even as she was known colloquially as 'the unofficial poet laureate of Los Angeles'.Wicked Enchantment gathers 130 of Coleman's poems in a selection by Terrance Hayes. Funny, angry, endlessly alive and written with an immediacy and frankness that captivate, here is the essential work of a poet of fierce resistance and self-belief against the odds.

THE SUNDAY TIMES POETRY BOOK OF THE YEARSHORTLISTED FOR THE T. S. ELIOT PRIZEThe black poet would love to say his century beganWith Hughes or God forbid, Wheatley, but actuallyIt began with all the poetry weirdos & worriers, warriors,Poetry whiners & winos falling from ship bows, sunsetBridges & windows. In a second I'll tell you how littleWriting rescues.So begins this astonishing, muscular sequence by one of America's best-selling and most acclaimed poets. Over 70 poems, each titled 'American Sonnet for my Past and Future Assassin' and shot through with the vernacular energy of popular culture, Terrance Hayes manoeuvres his way between touching domestic visions, stories of love, loss and creation, tributes to the fallen and blistering denunciations of the enemies of the good.American Sonnets builds a living picture of the whole self, and the whole human, even as it opens to the view the dividing lines of race, gender and political oppression which define the early 21st Century. It is compassionate, hilarious, melancholy, bewildered - and unstoppably, rhythmically compelling, as few books can hope to be.

A dazzling collection of poems from the T. S. Eliot Prize-shortlisted author of American Sonnets for My Past and Future AssassinSince the publication of his first book, Muscular Music, in 1999, Terrance Hayes has been one of America's most exciting and innovative poets, winning acclaim for his sly, twisting, jazzy poems, and his mastery of emotive, restless wordplay.In So to Speak, his seventh collection, a tree frog sings to overcome its fear of birds, talking cats tell jokes in the Jim Crow South and a father addresses his daughter. In lyric fables, folk sonnets, quarantine quatrains and ekphrastic do-it-yourself sestinas, Bob Ross paints your portrait, green beans bling in the mouth of Lil Wayne and elegies for the late David Berman and George Floyd unfold amid the pandemic. These poems lyrically capture the often-incomprehensible predicaments of the present, as Hayes shapes music into language, and language into music.

THE SUNDAY TIMES POETRY BOOK OF THE YEARThe black poet would love to say his century beganWith Hughes or God forbid, Wheatley, but actuallyIt began with all the poetry weirdos & worriers, warriors,Poetry whiners & winos falling from ship bows, sunsetBridges & windows. In a second I'll tell you how littleWriting rescues.So begins this astonishing, muscular sequence by one of America's best-selling and most acclaimed poets. Over 70 poems, each titled 'American Sonnet for my Past and Future Assassin' and shot through with the vernacular energy of popular culture, Terrance Hayes manoeuvres his way between touching domestic visions, stories of love, loss and creation, tributes to the fallen and blistering denunciations of the enemies of the good.American Sonnets builds a living picture of the whole self, and the whole human, even as it opens to the view the dividing lines of race, gender and political oppression which define the early 21st Century. It is compassionate, hilarious, melancholy, bewildered - and unstoppably, rhythmically compelling, as few books can hope to be.

'Essential reading' Roger Robinson'Hateful and hilarious, heartbroke and hellbent' Mary Karr'Sure, wise and devastating . . . a joy' Caleb Azumah Nelson'Wanda Coleman is not just wickedly wise, she is transcendent' Washington PostNobody wrote about police hassle like she did. Nobody wrote about making ends meet, about the history of the slave trade or the comedy of the daily grind, with the same breathtaking originality and brio; and few writers, before or since, have had the courage to write with such honesty about their everyday experience of life - and love - in an unjust world.This is the first ever UK publication of the poetry of Wanda Coleman: a beat-up, broke and Black woman who wrote with defiance, humour and clarity about her life on the margins, and who went overlooked by the establishment for decades - even as she was known colloquially as 'the unofficial poet laureate of Los Angeles'.Wicked Enchantment gathers 130 of Coleman's poems in a selection by Terrance Hayes. Funny, angry, endlessly alive and written with an immediacy and frankness that captivate, here is the essential work of a poet of fierce resistance and self-belief against the odds.

A finalist for the 2015 National Book Award and the National Book Critics Circle AwardIn How to Be Drawn, his daring fifth collection, Terrance Hayes explores how we see and are seen. While many of these poems bear the clearest imprint yet of Hayes’s background as a visual artist, they do not strive to describe art so much as inhabit it. Thus, one poem contemplates the principle of blind contour drawing while others are inspired by maps, graphs, and assorted artists. The formal and emotional versatilities that distinguish Hayes’s award-winning poetry are unified by existential focus. Simultaneously complex and transparent, urgent and composed, How to Be Drawn is a mesmerizing achievement.

“Dazzling . . . a verbal and visual feast that defies genres.” —The Washington Post“Hayes [is] one of the best and most important poets now writing.” —Craig Morgan Teicher, PoetryFrom the National Book Award–winning author of Lighthead, Terrance Hayes, a fascinating collection of graphic reviews and illustrated prose addressing the last century of American poetry—to be published simultaneously with his latest poetry collection, So to SpeakCanonized, overlooked, and forgotten African American poets star in Terrance Hayes's brilliant contemplations of personal, canonical, and allegorical literary development. Proceeding from Toni Morrison's aim to expand the landscape of literary imagination in Playing in the Dark ("I want to draw a map, so to speak, of a critical geography"), Watch Your Language charts a lyrical geography of reading and influence in poetry. Illustrated micro-essays, graphic book reviews, biographical prose poems, and nonfiction sketches make reading an imaginative and critical act of watching your language. Hayes has made a kind of poetic guidebook with more questions than answers. "If you don't see suffering's potential as art, will it remain suffering?" he asks in one of the lively mock poetry exam questions of this musing, mercurial collection. Hayes's astonishing drawings and essays literally and figuratively map the acclaimed poet's routes, roots, and wanderings through the landscape of contemporary poetry.

A finalist for the 2015 National Book Award and the National Book Critics Circle AwardWatch for the new collection of poetry from Terrance Hayes, American Sonnets for My Past and Future Assassin, coming in June of 2018In How to Be Drawn, his daring fifth collection, Terrance Hayes explores how we see and are seen. While many of these poems bear the clearest imprint yet of Hayes’s background as a visual artist, they do not strive to describe art so much as inhabit it. Thus, one poem contemplates theprinciple of blind contour drawing while others are inspired by maps, graphs, and assorted artists. The formal and emotional versatilities that distinguish Hayes’s award-winning poetry are unified by existential focus. Simultaneously complex and transparent, urgent and composed, How to Be Drawn is a mesmerizing achievement.

The second collection of poetry from the author of Lighthead, winner of the 2010 National Book AwardWatch for the new collection of poetry from Terrance Hayes, American Sonnets for My Past and Future Assassin, coming in June of 2018 Terrance Hayes is a dazzlingly original poet, interested in adventurous explorations of subject and form. His new work, Hip Logic, is full of poetic tributes to the likes of Paul Robeson, Big Bird, Balthus, and Mr. T, as well as poems based on the anagram principle of words within a word. Throughout, Hayes''s verse dances in a kind of homemade music box, with notes that range from tender to erudite, associative to narrative, humorous to political. Hip Logic does much to capture the nuances of contemporary male African American identity and confirms Hayes''s reputation as one of the most compelling new voices in American poetry.

Winner of the 2010 National Book Award for PoetryWatch for the new collection of poetry from Terrance Hayes, American Sonnets for My Past and Future Assassin, coming in June of 2018 In his fourth collection, Terrance Hayes investigates how we construct experience. With one foot firmly grounded in the everyday and the other hovering in the air, his poems braid dream and reality into a poetry that is both dark and buoyant. Cultural icons as diverse as Fela Kuti, Harriet Tubman, and Wallace Stevens appear with meditations on desire and history. We see Hayes testing the line between story and song in a series of stunning poems inspired by the Pecha Kucha, a Japanese presenta­tion format. This innovative collection presents the light- headedness of a mind trying to pull against gravity and time. Fueled by an imagination that enlightens, delights, and ignites, Lighthead leaves us illuminated and scorched.

The third collection of poetry from the author of Lighthead, winner of the 2010 National Book AwardWatch for the new collection of poetry from Terrance Hayes, American Sonnets for My Past and Future Assassin, coming in June of 2018 Terrance Hayes is an elegant and adventurous writer with disarming humor, grace, tenderness, and brilliant turns of phrase. He is very much interested in what it means to be an artist and a black man. In his first collection, Muscular Music, he took the reader through a living library of cultural icons, from Shaft and Fat Albert to John Coltrane and Miles Davis. His second collection, Hip Logic, continued these explorations of popular culture, fatherhood, cultural heritage, and loss. Wind in a Box, Hayes’s resonant new collection, continues his interest in how traditions (of poetry and culture alike) can be simultaneously upended and embraced. The struggle for freedom (the wind) within containment (the box) is the unifying motif as Hayes explores how identity is shaped by race, heritage, and spirituality. This new book displays not only what the Los Angeles Times calls the range of a "bold virtuoso," but also the imaginative fervor of a poet in love with poetry.

National Book Award–winning poet Terrance Hayes selects the poems for the 2014 edition of The Best American Poetry, “a ‘best’ anthology that really lives up to its title” (Chicago Tribune).The first book of poetry that Terrance Hayes ever bought was the 1990 edition of The Best American Poetry, edited by Jorie Graham. Hayes was then an undergrad at a small South Carolina college. He has since published four highly honored books of poetry, is a professor of poetry at the University of Pittsburgh, has appeared multiple times in the series, and is one of today’s most decorated poets. His brazen, restless poems capture the diversity of American culture with singular artistry, grappling with facile assumptions about identity and the complex repercussions of race history in this country. Always eagerly anticipated, the 2014 volume of The Best American Poetry begins with David Lehman’s “state-of-the-art” foreword followed by an inspired introduction from Terrance Hayes on his picks for the best American poems of the past year. Following the poems is the apparatus for which the series has won acclaim: notes from the poets about the writing of their poems.

ONE OF THE YEAR’S BEST—The New York Times and Washington PostA voice for justice, anti-racism, and equality—here is the greatest and most powerful work of the people’s poet, Wanda Coleman.Coleman was a beat-up, broke, and Black woman who wrote with anger, humor, and clarity. Wicked Enchantment: Selected Poems is a selection of 130 of her poems, edited and introduced by Terrance Hayes. Rejected by the elites during her lifetime, here’s what people are saying now:—One of the year’s best! “These poems are wildly fun and inventive . . . and frequently hilarious; they seem to cover every human experience and emotion.”—New York Times—Winner, California Independent Bookseller Alliance ‘Golden Poppy’ Book Award 2020—“Required Reading” Bustle—“One of the greatest poets ever to come out of L.A.” The New Yorker—One of the year’s best! “Fantastically entertaining and deeply engaging...potent distillations of creative rage, social critique, and subversive wit.”—Washington Post—“Her work pushes us to confront injustice with as much candor as she did.”—PoetryA self-made writer from Black Los Angeles, Wanda Coleman made art while living every day with racism, poverty, violence. Her triumph is in words that endure. It’s time for Coleman’s courageous, impassioned, inspiring, one-of-a-kind voice to reach readers everywhere.

The Golden Shovel Anthology celebrates the life and work of poet and civil rights icon Gwendolyn Brooks through a dynamic new poetic form, the Golden Shovel, created by National Book Award–winner Terrance Hayes.An array of writers—including winners of the Pulitzer Prize, the T. S. Eliot Prize, and the National Book Award, as well as a couple of National Poets Laureate—have written poems for this exciting new anthology: Rita Dove, Billy Collins, Danez Smith, Nikki Giovanni, Sharon Olds, Tracy K. Smith, Mark Doty, Sharon Draper, Richard Powers, and Julia Glass are just a few of the contributing poets.This second edition includes Golden Shovel poems by two winners and six runners-up from an international student poetry competition judged by Nora Brooks Blakely, Gwendolyn Brooks’s daughter. The poems by these eight talented high school students add to Ms. Brooks’s legacy and contribute to the depth and breadth of this anthology.

A dazzling collection of poems from the T. S. Eliot Prize-shortlisted author of American Sonnets for My Past and Future AssassinSince the publication of his first book, Muscular Music, in 1999, Terrance Hayes has been one of America's most exciting and innovative poets, winning acclaim for his sly, twisting, jazzy poems, and his mastery of emotive, restless wordplay.In So to Speak, his seventh collection, a tree frog sings to overcome its fear of birds, talking cats tell jokes in the Jim Crow South and a father addresses his daughter. In lyric fables, folk sonnets, quarantine quatrains and ekphrastic do-it-yourself sestinas, Bob Ross paints your portrait, green beans bling in the mouth of Lil Wayne and elegies for the late David Berman and George Floyd unfold amid the pandemic. These poems lyrically capture the often-incomprehensible predicaments of the present, as Hayes shapes music into language, and language into music.