Theodor Lessing – författare

Translated into English for the first time, My Animals and Flowers bring forth Theodor Lessing’s visionary philosophy of need in an idiosyncratic series of musings on the natural world, which range from light-hearted to darkly shadowed. Full of imagination, wit, and insight into the nature and history of living species, they demonstrate Lessing’s brilliant ability to combine biological observation with social, psychological, political, historical, educational, and above all, philosophical thoughts.Grimly pessimistic about human society, Lessing found both a mirror and a refuge in the world of animals and flowers. In observing nature and attributing all type of human characteristics to animals and plants, he exposes the fusing of nature and culture, and – in dialogue with the natural world – confronts a whole cluster of political questions from the question of equality for women and marital fidelity to the pollution of cities and man’s destruction of the environment. Much of this work, sketching out the implications of an atomic age for example, has proved uncannily prophetic.To read this book is to enter into a curious and deeply sensitive world, in which to peer down at a colony of ants is to be reminded of ‘giant nations, each in conflict with the others’, and to catch a glimpse of bright poppies in a cornfield is to be submerged in a chain of thoughts from St Augustine to David Hume. Amongst the autobiographical reflections, Lessing weaves in critical observations of Western civilization, and critique of human culture as a destructive and disfiguring influence in the natural world. Ultimately, his philosophy of need shows how civilization comes at the expense of nature, ringing true with the climate of our times.

Translated into English for the first time, My Animals and Flowers bring forth Theodor Lessing's visionary philosophy of need in an idiosyncratic series of musings on the natural world, which range from light-hearted to darkly shadowed. Full of imagination, wit, and insight into the nature and history of living species, they demonstrate Lessing's brilliant ability to combine biological observation with social, psychological, political, historical, educational, and above all, philosophical thoughts.Grimly pessimistic about human society, Lessing found both a mirror and a refuge in the world of animals and flowers. In observing nature and attributing all type of human characteristics to animals and plants, he exposes the fusing of nature and culture, and in dialogue with the natural world confronts a whole cluster of political questions from the question of equality for women and marital fidelity to the pollution of cities and man's destruction of the environment. Much of this work, sketching out the implications of an atomic age for example, has proved uncannily prophetic. To read this book is to enter into a curious and deeply sensitive world, in which to peer down at a colony of ants is to be reminded of 'giant nations, each in conflict with the others', and to catch a glimpse of bright poppies in a cornfield is to be submerged in a chain of thoughts from St Augustine to David Hume. Amongst the autobiographical reflections, Lessing weaves in critical observations of Western civilization, and critique of human culture as a destructive and disfiguring influence in the natural world. Ultimately, his philosophy of need shows how civilization comes at the expense of nature, ringing true with the climate of our times.

Translated into English for the first time, My Animals and Flowers bring forth Theodor Lessing's visionary philosophy of need in an idiosyncratic series of musings on the natural world, which range from light-hearted to darkly shadowed. Full of imagination, wit, and insight into the nature and history of living species, they demonstrate Lessing's brilliant ability to combine biological observation with social, psychological, political, historical, educational, and above all, philosophical thoughts.Grimly pessimistic about human society, Lessing found both a mirror and a refuge in the world of animals and flowers. In observing nature and attributing all type of human characteristics to animals and plants, he exposes the fusing of nature and culture, and in dialogue with the natural world confronts a whole cluster of political questions from the question of equality for women and marital fidelity to the pollution of cities and man's destruction of the environment. Much of this work, sketching out the implications of an atomic age for example, has proved uncannily prophetic. To read this book is to enter into a curious and deeply sensitive world, in which to peer down at a colony of ants is to be reminded of 'giant nations, each in conflict with the others', and to catch a glimpse of bright poppies in a cornfield is to be submerged in a chain of thoughts from St Augustine to David Hume. Amongst the autobiographical reflections, Lessing weaves in critical observations of Western civilization, and critique of human culture as a destructive and disfiguring influence in the natural world. Ultimately, his philosophy of need shows how civilization comes at the expense of nature, ringing true with the climate of our times.

The diagnosis of Jewish self-hatred has become almost a commonplace in contemporary cultural and political debates, but the concept's origins are not widely appreciated. In its modern form, it received its earliest and fullest expression in Theodor Lessing's 1930 book Der judische Selbsthass. Written on the eve of Hitler's ascent to power, Lessing's hotly contested work has been variously read as a defense of the Weimar Republic, a platform for anti-Weimar sentiments, an attack on psychoanalysis, an inspirational personal guide, and a Zionist broadside. This new edition makes a seminal text in Jewish thought accessible to English readers for the first time.

A seminal text in Jewish thought accessible to English readers for the first time.The diagnosis of Jewish self-hatred has become almost commonplace in contemporary cultural and political debates, but the concept’s origins are not widely appreciated. In its modern form, it received its earliest and fullest expression in Theodor Lessing’s 1930 book Der jüdische Selbsthaß.Written on the eve of Hitler’s ascent to power, Lessing’s hotly contested work has been variously read as a defense of the Weimar Republic, a platform for anti-Weimar sentiments, an attack on psychoanalysis, an inspirational personal guide, and a Zionist broadside.“The truthful translation by Peter Appelbaum, including Lessing’s own footnotes, manages to make this book more readable than the German original. Two essays by Sander Gilman and Paul Reitter provide context and the wisdom of hindsight.”—Frank Mecklenburg, Leo Baeck InstituteFrom the forward by Sander Gilman:Theodor Lessing’s (1872–1933) Jewish Self-Hatred (1930) is the classic study of the pitfalls (rather than the complexities) of acculturation. Growing out of his own experience as a middle-class, urban, marginally religious Jew in Imperial and then Weimar Germany, he used this study to reject the social integration of the Jews into Germany society, which had been his own experience, by tracking its most radical cases…. Lessing’s case studies reflect the idea that assimilation (the radical end of acculturation) is by definition a doomed project, at least for Jews (no matter how defined) in the age of political antisemitism.