Therèsa M. Winge – författare

Cosplay, short for "costume play", has grown from its origins at fan conventions into a billion-dollar global dress phenomenon. Costuming Cosplay takes us from elaborately crafted DIY costumes to online fandoms, examining how the practice of portraying fictional characters from popular culture through dress and performance has become a creative means of expressing and playing with different identities.With an approach that ranges from admiration and role-play to gender performance, this is the first book to fully examine the subculture and costume of the Cosplay phenomenon. Drawing on extensive first-hand research at conventions across North America and Asia, Therèsa M. Winge invites us to explore how Cosplay functions as a meritocracy of creativity, escapism, and disguise, and offers a creative realm in which fantasy and new forms of socializing carry as much importance as costume.Illustrated with color photographs of both celebrity and amateur Cosplayers, Costuming Cosplay is essential reading for students and scholars of fashion and costume, popular culture, anthropology, gender, and media studies, as well as global players and fans of Cosplay.

Cosplay, short for "costume play", has grown from its origins at fan conventions into a billion-dollar global dress phenomenon. Costuming Cosplay takes us from elaborately crafted DIY costumes to online fandoms, examining how the practice of portraying fictional characters from popular culture through dress and performance has become a creative means of expressing and playing with different identities.With an approach that ranges from admiration and role-play to gender performance, this is the first book to fully examine the subculture and costume of the Cosplay phenomenon. Drawing on extensive first-hand research at conventions across North America and Asia, Therèsa M. Winge invites us to explore how Cosplay functions as a meritocracy of creativity, escapism, and disguise, and offers a creative realm in which fantasy and new forms of socializing carry as much importance as costume.Illustrated with color photographs of both celebrity and amateur Cosplayers, Costuming Cosplay is essential reading for students and scholars of fashion and costume, popular culture, anthropology, gender, and media studies, as well as global players and fans of Cosplay.

From Blade Runner to The Hunger Games, this book explores costume and dress in science fiction cinema and their impact on fashion and popular culture far beyond the films themselves. Therèsa Winge considers not only the films’ stylistic choices but also their representations of technology and their socio-cultural, political, and philosophical ideologies in order to trace their significant influence on popular trends, culture, and consumption. Fashion Adventures in Science Fiction Cinema looks at sci-fi films such as Barbarella, Mad Max: Fury Road, Dune, and The Matrix in order to understand the intersections between this eclectic genre and society and culture at large. By exploring the visual and material cultures of the films, Winge reveals the importance of characters’ costumes and dress in establishing their identities, story arcs, and style. She examines selected science fiction films’ aesthetics that impact popular culture beyond the films, influencing designers such as Hussein Chalayan, Alexander McQueen, and Paco Rabanne to create fashion collections, promotional campaigns, virtual environments, and more. Winge’s expertise in fandom and fan culture extends the reach of her analysis to reveal the enormous collective power of the consumer of science fiction, demonstrating the role of sci-fi in popular culture and fashion. Giving an incisive account of the complex relationship between dress in science fiction and broader culture and society, Fashion Adventures in Science Fiction Cinema is essential reading to all those interested in cinema, popular culture, fashion, and identity.

From Blade Runner to The Hunger Games, this book explores costume and dress in science fiction cinema and their impact on fashion and popular culture far beyond the films themselves. Therèsa Winge considers not only the films’ stylistic choices but also their representations of technology and their socio-cultural, political, and philosophical ideologies in order to trace their significant influence on popular trends, culture, and consumption. Fashion Adventures in Science Fiction Cinema looks at sci-fi films such as Barbarella, Mad Max: Fury Road, Dune, and The Matrix in order to understand the intersections between this eclectic genre and society and culture at large. By exploring the visual and material cultures of the films, Winge reveals the importance of characters’ costumes and dress in establishing their identities, story arcs, and style. She examines selected science fiction films’ aesthetics that impact popular culture beyond the films, influencing designers such as Hussein Chalayan, Alexander McQueen, and Paco Rabanne to create fashion collections, promotional campaigns, virtual environments, and more. Winge’s expertise in fandom and fan culture extends the reach of her analysis to reveal the enormous collective power of the consumer of science fiction, demonstrating the role of sci-fi in popular culture and fashion. Giving an incisive account of the complex relationship between dress in science fiction and broader culture and society, Fashion Adventures in Science Fiction Cinema is essential reading to all those interested in cinema, popular culture, fashion, and identity.

Body Style reveals the subcultural body as a site for understanding subcultural identity, resistance, agency, and fashion. Analyzed, theorized, politicized, and sensationalized, the subcultural body functions as a framework where individuals build a sense of self and subcultural identity. Drawing on specific subcultural examples and interviews with members, Body Style explores the subcultural body and its style within global culture. Body Style is the result of over twelve years of research examining these intersections within specific urban subcultures, including Urban Tribals, Modern Primitives, Punks, Cybers, Industrials, Skaters, and others. Divided into three main sections on subcultural body history, subcultural body identity and subcultural body styles, this book will be of particular interest to students of dress and fashion as well as those coming to subculture from sociology and cultural studies.