Steve Redhead - Böcker

If nothing else, the war in Iraq and the 1991 Gulf War have taught us much about media and technology as key players in how war is waged, packaged for public consumption, and exported in real time to the rest of the globe. A critic of the art of technology, Paul Virilio has keenly observed that media images quite often constitute a strategy of war and that accident is becoming indistinguishable from attack. For more than fifty years Virilio has offered incisive and provocative criticism on technology and its moral, political, and cultural implications. Yet until now, much of his work, originally published in French, remains elusive in full English translation. The Paul Virilio Reader collects for the first time English extracts reflecting the entire range of Virilio's diverse career. The book's introduction demonstrates that Virilio has produced an important-if controversial-"theory at the speed of light" that uncannily illuminates the impact of new information and communications technologies in a world that collapses time and distance as never before.The inventor of "dromology," which views speed as a defining concept for contemporary civilization, Virilio is noted for his proclamation that the logic of ever-increasing acceleration lies at the heart of the organization and transformation of the contemporary world. Arranged chronologically, the Reader illustrates the development and interconnectedness of Virilio's work. Each extract is prefaced by bibliographical and contextual commentary, and the book includes an innovative guide to reading Virilio.

Jean Baudrillard (1929-2007) was a controversial social and cultural theorist known for his trenchant analyses of media and technological communication. Belonging to the generation of French thinkers that included Gilles Deleuze, Jean-Francois Lyotard, Michel Foucault, and Jacques Lacan, Baudrillard has at times been vilified by his detractors, but the influence of his work on critical thought and pop culture is impossible to deny (many might recognize his name from The Matrix movies, which claimed to be based on the French theorist's ideas). Steve Redhead takes a fresh look at Baudrillard in relation to the intellectual and political climates in which he wrote. Baudrillard sought to produce a theory of modernity, but the modern world of the 1950s was radically different from the reality of the early twenty-first century. Beginning with Baudrillard's initial publications in the 1960s and concluding with his writings on 9/11 and Abu Ghraib, Redhead guides the reader through Baudrillard's difficult texts and unorthodox views on current issues.He also proposes an original theory of Baudrillard's relation to postmodernism, presenting the theorist's work as "non-postmodernist," after Bruno Latour's concept of "non-modernity." Each section of the Reader includes an extract from one of Baudrillard's writings, prefaced by a short bibliographical introduction that places the piece in context and puts the debate surrounding the theorist into sharp perspective. The conflict over Baudrillard's legacy stems largely from the fact that a comprehensive selection of his writings has yet to be translated and collected into one volume. The Jean Baudrillard Reader provides an expansive and much-needed portrait of the critic's resonant work.

Soccer fandom has traditionally been seen as an important part of adolescent, generally male, identity making. In Post-Fandom and the Millennial Blues , Steve Redhead shows how this tradition of youth culture of fandom has been eroded in the last years of the twentieth century by the more fleeting, style conscious allegiances inspired by television, films and music. The clubs that young people follow are determined by advertising and popular music; the games that they watch are brought to them by the globalized culture of television, as in the world cup staged in America; even their fears of so-called soccer hooliganism are determined by media-engendered moral panics at a time when the phenomenon itself seems to be dying away.

In Subculture to Clubculture Steve Redhead responds to the separation of 'youth' and 'pop' in the 1980's and the fragmentation of the audience for popular music in the 1990's.

In Subculture to Clubculture Steve Redhead responds to the separation of 'youth' and 'pop' in the 1980's and the fragmentation of the audience for popular music in the 1990's.

This reader in popular cultural studies meets the need for an up-to-date collection of readings on contemporary youth cultures and youth music.

The first authoritative study of the life and work of French urban and cultural theorist Paul Virilio, this book sets out to explain and analyse what Virilio has actually said over the years and exactly when he said it, correcting many mistaken interpretations along the way. Paul Virilio recently retired from his Chair at the Ecole Speciale d’Architecture in Paris but remains an active political and cultural thinker and commentator with a major back catalogue of work stretching back to the 1950s. The book reviews the whole of his intellectual career, from his days hanging out in an architect’s office in the 1960s to the creator of a major art foundation exhibition on ‘the accident’ in the wake of September 11. Virilio has become known as the high priest of speed and certainly his discourses on speed, military technology and modernity are central to an assessment of his writing, but he has contributed his ‘logic bombs’ to many other fields, too - media theory, international relations, art history, cultural politics, architecture and peace studies to name but a few. This book is a rigorous but accessible introduction to Virilio and places him in the pantheon of critical thinkers in today’s accelerated culture.Features:*The first comprehensive study of the work of Paul Virilio*Accessibly written for a wide-ranging audience*Includes a bibliographical guide to reading Virilio.

The first authoritative study of the life and work of French urban and cultural theorist Paul Virilio, this book sets out to explain and analyse what Virilio has actually said over the years and exactly when he said it, correcting many mistaken interpretations along the way. Paul Virilio recently retired from his Chair at the Ecole Speciale d’Architecture in Paris but remains an active political and cultural thinker and commentator with a major back catalogue of work stretching back to the 1950s. The book reviews the whole of his intellectual career, from his days hanging out in an architect’s office in the 1960s to the creator of a major art foundation exhibition on ‘the accident’ in the wake of September 11. Virilio has become known as the high priest of speed and certainly his discourses on speed, military technology and modernity are central to an assessment of his writing, but he has contributed his ‘logic bombs’ to many other fields, too - media theory, international relations, art history, cultural politics, architecture and peace studies to name but a few. This book is a rigorous but accessible introduction to Virilio and places him in the pantheon of critical thinkers in today’s accelerated culture.Features:*The first comprehensive study of the work of Paul Virilio*Accessibly written for a wide-ranging audience*Includes a bibliographical guide to reading Virilio.

A critic of the art of technology, Paul Virilio has taught us that much media image is a strategy of war and that accident is becoming indistinguishable from attack. In these times of fierce conflict over which kind of capitalism is to take over the shrinking globe, and indeed which modernities we will live in during the twenty-first century, Paul Virilio is a significant contemporary theorist. But Virilio’s work, originally published in French and stretching back to the 1950s, has until now been very difficult to access in full in English translation, available as it is in expensive little books or obscure catalogues and journals. The Paul Virilio Reader collects together for the first time readable extracts of Virilio’s work from the entire range of his career. It is prefaced by an editorial introduction showing that Virilio has produced important - if controversial - ‘theory at the speed of light’ that can uncannily illuminate the impact of new information and communications technologies in a world which collapses time and distance as never before. Features* Extracts have been carefully selected to reflect the whole of Virilio’s diverse career* A chronological ordering illustrates the development, and interconnectedness, of Virilio’s work* Each extract is prefaced by a bibliographical and contextual commentary, and the book is completed by an innovative guide to reading Virilio.

Jean Baudrillard was perhaps the most controversial of all social and cultural theorists. He has been variously vilified as a ‘postmodernist’, an ‘overrated French theorist’ and one of the ‘intellectual imposters’. In his seventies he survived global fame and a name check in The Matrix; he also contracted cancer. His comments on 9/11, Abu Ghraib and Europe’s suburban riots have been eagerly sought and digested. However, his translated publications since his first book in 1968 have left a trail of confusion and misinterpretation. Jean Baudrillard is a notorious figure but few have read many examples of his entire oeuvre. There is now though a chance to read Baudrillard’s texts in an overall historical, social and political context and for a cool re-assessment to be made of his life and work, after his death. This book is a central part of that project. It concentrates on what Baudrillard has written over five decades and the order in which he wrote it. The Reader comprises extracts of Baudrillard’s writings from the sixties to the noughties, with an editorial introduction and a concluding reading guide.Key Features*Arranged chronologically in order of first publication in French, the Reader illustrates the development and interconnectedness of Baudrillard’s work since the 1960s.*Each section has an extract of one of Jean Baudrillard’s writings translated into English, prefaced by a short bibliographical introduction setting the scene. *The Reader will be of interest to students and staff in a range of university courses across the globe and to those general readers interested in public intellectuals, media events and contemporary theory.

Jean Baudrillard was perhaps the most controversial of all social and cultural theorists. He has been variously vilified as a ‘postmodernist’, an ‘overrated French theorist’ and one of the ‘intellectual imposters’. In his seventies he survived global fame and a name check in The Matrix; he also contracted cancer. His comments on 9/11, Abu Ghraib and Europe’s suburban riots have been eagerly sought and digested. However, his translated publications since his first book in 1968 have left a trail of confusion and misinterpretation. Jean Baudrillard is a notorious figure but few have read many examples of his entire oeuvre. There is now though a chance to read Baudrillard’s texts in an overall historical, social and political context and for a cool re-assessment to be made of his life and work, after his death. This book is a central part of that project. It concentrates on what Baudrillard has written over five decades and the order in which he wrote it. The Reader comprises extracts of Baudrillard’s writings from the sixties to the noughties, with an editorial introduction and a concluding reading guide.Key Features*Arranged chronologically in order of first publication in French, the Reader illustrates the development and interconnectedness of Baudrillard’s work since the 1960s.*Each section has an extract of one of Jean Baudrillard’s writings translated into English, prefaced by a short bibliographical introduction setting the scene. *The Reader will be of interest to students and staff in a range of university courses across the globe and to those general readers interested in public intellectuals, media events and contemporary theory.

Is it possible that various disciplines, theorists and cultural commentators have been hurtling down a blind alley in the last thirty years, searching for the holy grail of the postmodern? What if, after all, we have never have been postmodern? Or what if we are, instead, now living 'after postmodernity'? As global culture rushes off the cliff of catastrophe with its neo-liberal, neo-conservative ideologies mangled in the process, this book provides theory at the speed of light designed to capture the fast flickering images of the real, gone before you can blink in today's accelerated culture.Key Features* Sets out a variety of reasons why we should move away from seeing the recent era as 'postmodern' and our culture as 'postmodernist' through a series of analyses of contemporary culture. * Highlights key theorists, such as Paul Virilio and Jean Baudrillard, who, despite the pitfalls of their work, chart a new route map out of the trajectories of the catastrophic. * Envisages a new object of knowledge for the contemporary world - mobile accelerated nonpostmodern culture (MANC).*Provides some of the building blocks and conceptual resources for a 'claustropolitan sociology' of the global future in order to better understand the catastrophic present, where claustropolis is rapidly replacing cosmopolis.

In Football and Accelerated Culture, Steve Redhead offers a new and challenging theorisation of global football culture, exploring the relationship between sport and culture in a rapidly shifting world. Incorporating cutting-edge concepts, from accelerated culture and claustropolitanism to non-postmodernity, he reflects on the demise of working class football cultures and the rapid media globalisation of ‘the people’s game’.Drawing on international empirical research and a unique and ground-breaking study of football hooligan memoirs, the book delves into a wide array of disciplines, examining fascinating topics such as the relationship between music and football; hooligans and ultras; the rise of social media and anti-modern football movements; and ultra-realist criminology.Football and Accelerated Culture offers a new way of thinking about sporting cultures that expands the boundaries of physical cultural studies. As such, it is important reading for anybody with an interest in the culture of sport and leisure, social theory, communication studies, criminology or socio-legal studies.

In Football and Accelerated Culture, Steve Redhead offers a new and challenging theorisation of global football culture, exploring the relationship between sport and culture in a rapidly shifting world. Incorporating cutting-edge concepts, from accelerated culture and claustropolitanism to non-postmodernity, he reflects on the demise of working class football cultures and the rapid media globalisation of ‘the people’s game’.Drawing on international empirical research and a unique and ground-breaking study of football hooligan memoirs, the book delves into a wide array of disciplines, examining fascinating topics such as the relationship between music and football; hooligans and ultras; the rise of social media and anti-modern football movements; and ultra-realist criminology.Football and Accelerated Culture offers a new way of thinking about sporting cultures that expands the boundaries of physical cultural studies. As such, it is important reading for anybody with an interest in the culture of sport and leisure, social theory, communication studies, criminology or socio-legal studies.

Madchester may have been born at the Haçienda in the summer of 1988, but the city had been in creative ferment for almost a decade prior to the rise of acid house. The end-of-the-century party is the definitive account of a generational shift in popular music and youth culture, what it meant and what it led to. First published right after the Second Summer of Love, it tells the story of the transition from new pop to the political pop of the mid-1980s and its deviant offspring, post-political pop. Resisting contemporary proclamations about the end of youth culture and the rise of a new, right-leaning conformism, the book draws on interviews with DJs, record company bosses, musicians, producers and fans to outline a clear transition in pop thinking, a move from an obsession with style, packaging and synthetic sounds to content, socially conscious lyrics and a new authenticity. This edition is framed by a prologue by Tara Brabazon, asking how we can reclaim the spirit, energy and authenticity of Madchester for a post-youth, post-pop generation. It is illustrated with iconic photographs by Kevin Cummins.

In Theoretical Times, Steve Redhead describes the post-crash economic, environmental, political and cultural condition we live in today. As the rise of the international right - Donald Trump, Brexit, Marine Le Pen - swarms the globe, a new global battle within the right is developing: the globalists and neo-liberals versus the economic nationalists and protectionists. What then are the prospects for a resurrected theoretical politics of the left?Theoretical Times considers the work of theorists such as Alain Badiou, Slavoj Žižek, Jean Baudrillard and Paul Virilio, in this innovative reinvention of theory and the politics of theory. After the global financial crash the world is being hollowed out and we find ourselves in what Žižek calls a desperate state of hopelessness, the “new dark ages”. Accelerated culture sees us digitally entertaining ourselves to death but leaves us exhausted and frightened waiting for World War Three. Theoretical Times offers new theoretical resources as a way out of the quicksand.

Why do citizens vote against their own best interest? Trump Studies addresses this key question; probing the value of thinking, reading, writing and interpretation during times of economic, social and political uncertainty. With a compelling voice and academic rigour, the authors explore how and why xenophobia and sexism are the grammar of contemporary popular culture and politics. The Brexit result and the Trump victory cannot be studied in a laboratory; the silent majority will not sit in a petri dish, waiting to be researched. The theories and methodologies developed into this book not only explain these two mega and meta events, they create space for ideas that challenge and dissent, and make the case for the role and value of universities in a time when evidence, expertise and facts often dissolve into opinion, emotion and fake news. Donald Trump does not matter. Trump Studies does matter - and this is a siren call to all intellectuals to intervene and transform the currency of theory in empiricist times.

Body Style reveals the subcultural body as a site for understanding subcultural identity, resistance, agency, and fashion. Analyzed, theorized, politicized, and sensationalized, the subcultural body functions as a framework where individuals build a sense of self and subcultural identity. Drawing on specific subcultural examples and interviews with members, Body Style explores the subcultural body and its style within global culture. Body Style is the result of over twelve years of research examining these intersections within specific urban subcultures, including Urban Tribals, Modern Primitives, Punks, Cybers, Industrials, Skaters, and others. Divided into three main sections on subcultural body history, subcultural body identity and subcultural body styles, this book will be of particular interest to students of dress and fashion as well as those coming to subculture from sociology and cultural studies.

Body Style reveals the subcultural body as a site for understanding subcultural identity, resistance, agency, and fashion. Analyzed, theorized, politicized, and sensationalized, the subcultural body functions as a framework where individuals build a sense of self and subcultural identity. Drawing on specific subcultural examples and interviews with members, Body Style explores the subcultural body and its style within global culture. Body Style is the result of over twelve years of research examining these intersections within specific urban subcultures, including Urban Tribals, Modern Primitives, Punks, Cybers, Industrials, Skaters, and others. Divided into three main sections on subcultural body history, subcultural body identity and subcultural body styles, this book will be of particular interest to students of dress and fashion as well as those coming to subculture from sociology and cultural studies.

Punk Style examines the dress of this incredibly diverse, long-lasting and hugely influential subculture and its impact on mainstream fashion. Taking a comprehensive approach, the book includes a historical overview, a discussion of motivations behind dress practices, and a review of fashion cycles and merchandising methods. Punk is frequently positioned as a forerunner of trends that later become commonplace, as demonstrated in the proliferation and acceptance of body modification, the repeated use of deconstruction as a design aesthetic, and the recent boom in fashion that reflects DIY style through handmade crafts. The book explores how this dominant subcultural style continues to expand via the internet, youth buying-power, and the constant re-appropriation of its distinctive styles.This accessible text brings the discussion of punk fashion up-to-date and provides a concise overview for students and scholars and general readers interested in the punk subculture.