Thomas Cartelli – författare
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11 produkter
Richard III
A Norton Critical Edition
Av William Shakespeare, Thomas Cartelli
Häftad, 2008
217 kr
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This Norton Critical Edition of Richard III is based on the First Quarto (1597) edition of the play with interpolations from the First Folio (1623). The play is accompanied by a preface, explanatory annotations, A Note on the Text, a list of Textual Variants, and eighteen illustrations of seminal …
Repositioning Shakespeare
National Formations, Postcolonial Appropriations
Inbunden, 1998
2904 kr
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Repositioning Shakespeare offers an original assessment of a broad range of texts and cultural events that appropriate Shakespeare. Examining these materials within the context of 'the nation' in a postcolonial era, Thomas Cartelli considers:* essays by Walt Whitman* the nineteenth-century play, …
Repositioning Shakespeare
National Formations, Postcolonial Appropriations
Häftad, 1998
749 kr
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Repositioning Shakespeare offers an original assessment of a broad range of texts and cultural events that appropriate Shakespeare. Examining these materials within the context of 'the nation' in a postcolonial era, Thomas Cartelli considers:* essays by Walt Whitman* the nineteenth-century play, …
New Wave Shakespeare on Screen
Av Thomas Cartelli, Katherine Rowe
Inbunden, 2006
898 kr
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The past fifteen years have witnessed a diverse group of experiments in ‘staging’ Shakespeare on film. New Wave Shakespeare on Screen introduces and applies the new analytic techniques and language that are required to make sense of this new wave. Drawing on developments in Shakespeare studies, …
New Wave Shakespeare on Screen
Av Thomas Cartelli, Katherine Rowe
Häftad, 2006
380 kr
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The past fifteen years have witnessed a diverse group of experiments in ‘staging’ Shakespeare on film. New Wave Shakespeare on Screen introduces and applies the new analytic techniques and language that are required to make sense of this new wave. Drawing on developments in Shakespeare studies, …
Marlowe, Shakespeare, and the Economy of Theatrical Experience
Inbunden, 1991
857 kr
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This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe.
Repositioning Shakespeare
National Formations, Postcolonial Appropriations
E-bok, 2013
876 kr
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Repositioning Shakespeare offers an original assessment of a broad range of texts and cultural events that appropriate Shakespeare. Examining these materials within the context of ''the nation'' in a postcolonial era, Thomas Cartelli considers: * essays by Walt Whitman * the nineteenth-century …
Repositioning Shakespeare
National Formations, Postcolonial Appropriations
E-bok, 2013
876 kr
Lägg i varukorg
Repositioning Shakespeare offers an original assessment of a broad range of texts and cultural events that appropriate Shakespeare. Examining these materials within the context of ''the nation'' in a postcolonial era, Thomas Cartelli considers: * essays by Walt Whitman * the nineteenth-century …
Reenacting Shakespeare in the Shakespeare Aftermath
The Intermedial Turn and Turn to Embodiment
Inbunden, 2019
1137 kr
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In the Shakespeare aftermath—where all things Shakespearean are available for reassembly and reenactment—experimental transactions with Shakespeare become consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic …
Reenacting Shakespeare in the Shakespeare Aftermath
The Intermedial Turn and Turn to Embodiment
E-bok, 2019
1549 kr
Lägg i varukorg
In the Shakespeare aftermath—where all things Shakespearean are available for reassembly and reenactment—experimental transactions with Shakespeare become consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic …
Marlowe, Shakespeare, and the Economy of Theatrical Experience
E-bok, 2015
1027 kr
Lägg i varukorg
This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe.