Thomas Cushman - Böcker

A provocative volume of the controversial radical thinkerChristopher Hitchens—political journalist, cultural critic, public intellectual and self-described contrarian—is one of the most controversial and prolific writers of his generation. His most recent book, God Is Not Great, was on the New York Times bestseller list in 2007 for months. Like his hero, George Orwell, Hitchens is a tireless opponent of all forms of cruelty, ideological dogma, religious superstition and intellectual obfuscation. Once a socialist, he now refers to himself as an unaffiliated radical. As a thinker, Hitchens is perhaps best viewed as post-ideological, in that his intellectual sources and solidarities are strikingly various (he is an admirer of both Leon Trotsky and Kingsley Amis) and cannot be located easily at any one point on the ideological spectrum. Since leaving Britain for the United States in 1981, Hitchens's thinking has moved in what some see as contradictory directions, but he remains an unapologetic and passionate defender of the Enlightenment values of secularism, democracy, free expression, and scientific inquiry.The global turmoil of the recent past has provoked intense dispute and division among intellectuals, academics, and other commentators. Hitchens's writing during this time, particularly after 9/11, is an essential reference point for understanding the genesis and meaning of that turmoil—and the challenges that accompany it. This volume brings together Hitchens's most incisive reflections on the war on terror, the war in Iraq, and the state of the contemporary Left. It also includes a selection of critical commentaries on his work from his former leftist comrades, a set of exchanges between Hitchens and various left-leaning interlocutors (such as Studs Terkel, Norman Finkelstein, and Michael Kazin), and an introductory essay by the editors on the nature and significance of Hitchens's contribution to the world of ideas and public debate. In response, Hitchens provides an original afterword, written for this collection.Whatever readers might think about Hitchens, he remains an intellectual force to be reckoned with. And there is no better place to encounter his current thinking than in this provocative volume.

These essays examine the proliferation of American culture in Europe. Throughout the collection, the authors raise the issue of the degree to which Europe becomes Americanized. They examine in concrete detail the way this process operates with reference to specific research areas such as advertising, consumerism, science, law, and politics.Most of the essays suggest a great variation in the manner in which American cultural influences are appropriated within specific European countries. Such appropriation is conditioned by the local needs and perceptions as well as the way local elites employ Americanization in order to bolster their own context specific political agendas. This variation suggests that Americanization is a label frequently employed to describe the more multifaceted and complex process of globalization. This collection of essays will be of special interest to students and scholars involved with Cultural Studies, Sociology, and European Studies.

In mapping out the field of human rights for those studying and researching within both humanities and social science disciplines, the Handbook of Human Rights not only provides a solid foundation for the reader who wants to learn the basic parameters of the field, but also promotes new thinking and frameworks for the study of human rights in the twenty-first century.The Handbook comprises over sixty individual contributions from key figures around the world, which are grouped according to eight key areas of discussion: foundations and critiques; new frameworks for understanding human rights; world religious traditions and human rights; social, economic, group, and collective rights; critical perspectives on human rights organizations, institutions, and practices; law and human rights; narrative and aesthetic dimension of rights; geographies of rights. In its presentation and analysis of the traditional core history and topics, critical perspectives, human rights culture, and current practice, this Handbook proves a valuable resource for all students and researchers with an interest in human rights.

A peculiar and fascinating aspect of many responses to mass atrocities is the creative and eclectic use of religious language and frameworks. Some crimes are so extreme that they 'cry out to heaven', drawing people to employ religious vocabulary to make meaning of and to judge what happened, to deal with questions of guilt and responsibility, and to re-establish hope and trust in their lives. Moreover, in recent years, religious actors have become increasingly influential in worldwide contexts of conflict-resolution and transitional justice. This collection offers a critical assessment of the possibilities and problems pertaining to attempts to bring religious - or semi-religious - allegiances and perspectives to bear in responses to the mass atrocities of our time: When and how can religious language or religious beliefs and practices be either necessary or helpful? And what are the problems and reasons for caution or critique? In this book, a group of distinguished scholars explore these questions and offer a range of original explanatory and normative perspectives.

Describes the Russian rock music counterculture and how it is changing in response to Russia's transition from a socialist to a capitalist society. It explores the lived experiences, the thoughts and feelings of the rock musicians as they meet the challenges of change.Notes From Underground offers the first Western sociological study of rock music and counterculture in Russian society. Based on participant observation, in-depth interviews, and life-history analysis, the author provides a detailed ethnographic examination of the origins and local meanings of rock music and the countercultural way of life of rock musicians in St. Petersburg during the socialist period of Russian history. Rock music served as the basis for alternative forms of individual and collective identity which stood as beacons of difference and resistance in the bleak cultural environment of socialist industrial society. Cushman explores the experiences of members of the St. Petersburg musical community after the dissolution of the Soviet Union in order to shed light on the following questions: What happens to oppositional "underground" culture when it "comes up from the underground?" What is the fate of Russian rock music and those who make it under new conditions of the rapid capitalist rationalization of post-Soviet Russian society?The book traces the experiences of musicians in new capitalist culture markets, both in Russia and in Western societies to illustrate the more general process of "commercialization of dissent" which is taking place in post-communist societies. Russia's entrance into the path of Western capitalist modernity is viewed not so much as a path to freedom and cultural autonomy, but as the intersection of two trajectories of modernity that has given rise to new and unique cultural dilemmas. It concludes with an examination of important theoretical issues about the problematic relationship between capitalism, cultural freedom, and democracy in contemporary Russian society.

Describes the Russian rock music counterculture and how it is changing in response to Russia's transition from a socialist to a capitalist society. It explores the lived experiences, the thoughts and feelings of the rock musicians as they meet the challenges of change.Notes From Underground offers the first Western sociological study of rock music and counterculture in Russian society. Based on participant observation, in-depth interviews, and life-history analysis, the author provides a detailed ethnographic examination of the origins and local meanings of rock music and the countercultural way of life of rock musicians in St. Petersburg during the socialist period of Russian history. Rock music served as the basis for alternative forms of individual and collective identity which stood as beacons of difference and resistance in the bleak cultural environment of socialist industrial society. Cushman explores the experiences of members of the St. Petersburg musical community after the dissolution of the Soviet Union in order to shed light on the following questions: What happens to oppositional "underground" culture when it "comes up from the underground?" What is the fate of Russian rock music and those who make it under new conditions of the rapid capitalist rationalization of post-Soviet Russian society?The book traces the experiences of musicians in new capitalist culture markets, both in Russia and in Western societies to illustrate the more general process of "commercialization of dissent" which is taking place in post-communist societies. Russia's entrance into the path of Western capitalist modernity is viewed not so much as a path to freedom and cultural autonomy, but as the intersection of two trajectories of modernity that has given rise to new and unique cultural dilemmas. It concludes with an examination of important theoretical issues about the problematic relationship between capitalism, cultural freedom, and democracy in contemporary Russian society.

A crafted collection detailing western responses to the Balkan WarWe didn't know. For half a century, Western politicians and intellectuals have so explained away their inaction in the face of genocide in World War II. In stark contrast, Western observers today face a daily barrage of information and images, from CNN, the Internet, and newspapers about the parties and individuals responsible for the current Balkan War and crimes against humanity. The stories, often accompanied by video or pictures of rape, torture, mass graves, and ethnic cleansing, available almost instantaneously, do not allow even the most uninterested viewer to ignore the grim reality of genocide.And yet, while information abounds, so do rationalizations for non-intervention in Balkan affairs—the threshold of real genocide has yet to be reached in Bosnia; all sides are equally guilty; Islamic fundamentalism in Bosnia is a threat to the West; it will only end when they all tire of killing each other—to name but a few.In This Time We Knew, Thomas Cushman and Stjepan G. Mestrovic have put together a collection of critical, reflective, essays that offer detailed sociological, political, and historical analyses of western responses to the war. This volume punctures once and for all common excuses for Western inaction. This Time We Knew further reveals the reasons why these rationalizations have persisted and led to the West's failure to intercede, in the face of incontrovertible evidence, in the most egregious crimes against humanity to occur in Europe since World War II.Contributors to the volume include Kai Erickson, Jean Baudrillard, Mark Almond, David Riesman, Daniel Kofman, Brendan Simms, Daniele Conversi, Brad Kagan Blitz, James J. Sadkovich, and Sheri Fink.

A crafted collection detailing western responses to the Balkan WarWe didn't know. For half a century, Western politicians and intellectuals have so explained away their inaction in the face of genocide in World War II. In stark contrast, Western observers today face a daily barrage of information and images, from CNN, the Internet, and newspapers about the parties and individuals responsible for the current Balkan War and crimes against humanity. The stories, often accompanied by video or pictures of rape, torture, mass graves, and ethnic cleansing, available almost instantaneously, do not allow even the most uninterested viewer to ignore the grim reality of genocide.And yet, while information abounds, so do rationalizations for non-intervention in Balkan affairs—the threshold of real genocide has yet to be reached in Bosnia; all sides are equally guilty; Islamic fundamentalism in Bosnia is a threat to the West; it will only end when they all tire of killing each other—to name but a few.In This Time We Knew, Thomas Cushman and Stjepan G. Mestrovic have put together a collection of critical, reflective, essays that offer detailed sociological, political, and historical analyses of western responses to the war. This volume punctures once and for all common excuses for Western inaction. This Time We Knew further reveals the reasons why these rationalizations have persisted and led to the West's failure to intercede, in the face of incontrovertible evidence, in the most egregious crimes against humanity to occur in Europe since World War II.Contributors to the volume include Kai Erickson, Jean Baudrillard, Mark Almond, David Riesman, Daniel Kofman, Brendan Simms, Daniele Conversi, Brad Kagan Blitz, James J. Sadkovich, and Sheri Fink.

A provocative volume of the controversial radical thinkerChristopher Hitchens—political journalist, cultural critic, public intellectual and self-described contrarian—is one of the most controversial and prolific writers of his generation. His most recent book, God Is Not Great, was on the New York Times bestseller list in 2007 for months. Like his hero, George Orwell, Hitchens is a tireless opponent of all forms of cruelty, ideological dogma, religious superstition and intellectual obfuscation. Once a socialist, he now refers to himself as an unaffiliated radical. As a thinker, Hitchens is perhaps best viewed as post-ideological, in that his intellectual sources and solidarities are strikingly various (he is an admirer of both Leon Trotsky and Kingsley Amis) and cannot be located easily at any one point on the ideological spectrum. Since leaving Britain for the United States in 1981, Hitchens's thinking has moved in what some see as contradictory directions, but he remains an unapologetic and passionate defender of the Enlightenment values of secularism, democracy, free expression, and scientific inquiry.The global turmoil of the recent past has provoked intense dispute and division among intellectuals, academics, and other commentators. Hitchens's writing during this time, particularly after 9/11, is an essential reference point for understanding the genesis and meaning of that turmoil—and the challenges that accompany it. This volume brings together Hitchens's most incisive reflections on the war on terror, the war in Iraq, and the state of the contemporary Left. It also includes a selection of critical commentaries on his work from his former leftist comrades, a set of exchanges between Hitchens and various left-leaning interlocutors (such as Studs Terkel, Norman Finkelstein, and Michael Kazin), and an introductory essay by the editors on the nature and significance of Hitchens's contribution to the world of ideas and public debate. In response, Hitchens provides an original afterword, written for this collection.Whatever readers might think about Hitchens, he remains an intellectual force to be reckoned with. And there is no better place to encounter his current thinking than in this provocative volume.

Explores the intersection of race and law enforcement in the controversial area of hate crimeHigh-profile hate crimes like the torture-murder of Matthew Shepard and the dragging death of James Byrd have drawn the nation's attention, but there are thousands of other individuals who are attacked because of their race, religion, or sexual orientation each year. This study of hate crimes challenges common assumptions regarding perpetrators and victims: most of the accused tend to be white, while most of their victims are not.Policing Hatred is an in-depth ethnographic study of how hate crime law works in practice, from the perspective of those enforcing it. It examines the ways in which the police handle bias crimes, and the social impact of those efforts. Bell exposes the power that law enforcement personnel have to influence the social environment by showing how they determine whether an incident will be charged as a bias crime.Drawing on her unprecedented access to a police hate crime unit, Bell's work brings to life the stories of female, Black, Latino, and Asian American detectives, in addition to those of their white male counterparts. Policing Hatred also explores the impact of victim's identity on each officers handling of bias crimes and addresses how the police treat defendants' First Amendment rights. Bell's vivid evidence from the field argues persuasively for the need to have the police diligently address even low-level offenses, such as vandalism, given their devastating cumulative effects on society.

A peculiar and fascinating aspect of many responses to mass atrocities is the creative and eclectic use of religious language and frameworks. Some crimes are so extreme that they 'cry out to heaven', drawing people to employ religious vocabulary to make meaning of and to judge what happened, to deal with questions of guilt and responsibility, and to re-establish hope and trust in their lives. Moreover, in recent years, religious actors have become increasingly influential in worldwide contexts of conflict-resolution and transitional justice. This collection offers a critical assessment of the possibilities and problems pertaining to attempts to bring religious - or semi-religious - allegiances and perspectives to bear in responses to the mass atrocities of our time: When and how can religious language or religious beliefs and practices be either necessary or helpful? And what are the problems and reasons for caution or critique? In this book, a group of distinguished scholars explore these questions and offer a range of original explanatory and normative perspectives.

In mapping out the field of human rights for those studying and researching within both humanities and social science disciplines, the Handbook of Human Rights not only provides a solid foundation for the reader who wants to learn the basic parameters of the field, but also promotes new thinking and frameworks for the study of human rights in the twenty-first century.The Handbook comprises over sixty individual contributions from key figures around the world, which are grouped according to eight key areas of discussion: foundations and critiques; new frameworks for understanding human rights; world religious traditions and human rights; social, economic, group, and collective rights; critical perspectives on human rights organizations, institutions, and practices; law and human rights; narrative and aesthetic dimension of rights; geographies of rights. In its presentation and analysis of the traditional core history and topics, critical perspectives, human rights culture, and current practice, this Handbook proves a valuable resource for all students and researchers with an interest in human rights.

The year 2003 was the 100th anniversary of the birth of George Orwell, one of the most influential authors of the twentieth century. Orwell's books are assigned today in over 60,000 classrooms annually. In this book essays by prominent writers and scholars explain why his impact continues in a world much changed from his own. The essays explore new aspects of Orwell's life and work and his continuing relevance for the interpretation of modern social, political, and cultural affairs. Thematic topics include: the use and abuse of 1984; ideas, ideologues, and intellectuals; biography and autobiography; literary and stylistic analyses; and the reception of Orwell's work abroad. The volume is an ideal secondary source for those who continue to be influenced by Orwell's insights and for teachers of Orwell's work. Contributors: Christopher Hitchens, Jonathan Rose, Ian Williams, Morris Dickstein, John Rodden, Thomas Cushman, Ronald F. Thiemann, Lawrence Rosenwald, Todd Gitlin, Erika Gottlieb, Dennis Wrong, Daphne Patai, Jim Sleeper, William Cain, Lynette Hunter, Margery Sabin, Vladimir Shalpentokh, Miquel Berga, Gilbert Bonifas, Robert Conquest.