Thomas F.X. Noble - Böcker

This prestigious collection of essays by leading scholars provides a thorough reassessment of the medieval era which questions how, when and why the Middle Ages began, and how abruptly the shift from the Roman Empire to Barbarian Europe happened.Presenting the most current work including newly-available material such as translations of French and German essays, From Roman Provinces to Medieval Kingdoms gathers the key thinkers in the field together in one easy-to-use volume.Examining a wealth of material on the origins of the Barbarian people and their tribes, Thomas F.X. Noble studies the characteristics of the tribes and debates whether they were blood-tied clans or units bound by social, political and economic objectives.Highly readable and student friendly, From Roman Provinces to Medieval Kingdoms includes a general introduction, clear prologues to each section and makes the key debates of the subject accessible to students.

This prestigious collection of essays by leading scholars provides a thorough reassessment of the medieval era which questions how, when and why the Middle Ages began, and how abruptly the shift from the Roman Empire to Barbarian Europe happened.Presenting the most current work including newly-available material such as translations of French and German essays, From Roman Provinces to Medieval Kingdoms gathers the key thinkers in the field together in one easy-to-use volume.Examining a wealth of material on the origins of the Barbarian people and their tribes, Thomas F.X. Noble studies the characteristics of the tribes and debates whether they were blood-tied clans or units bound by social, political and economic objectives.Highly readable and student friendly, From Roman Provinces to Medieval Kingdoms includes a general introduction, clear prologues to each section and makes the key debates of the subject accessible to students.

To understand European culture and society in the Middle ages it is essential to understand the role of Christianity. And there is no better way to understand that role than to study that religion's greatest human heroes, the saints. For if medieval Christians regarded God as their king, then the saints were the Christian nobility, human members of the divine court. The purpose of Soldiers of Christ: Saints and Saints' Lives from Late Antiquity and the Early Middle Ages is to present some of the most significant records of the lives of those people considered to be saints. In exploring these works the reader will be presented with rich evidence about the development of religion and society in western Europe from the late Roman empire to the great changes that transformed European society around the year 1000. Each text is newly annotated and prefaced by the editors, and a general introduction on saints and saints' lives makes this volume ideal for students and general readers alike. Included are lives of Martin of Tours, Augustine of Hippo, Germanus of Auxerre, Boniface of Crediton, Strum, Willibrord, Benedict of Aniane, Leoba, Willehad of Northumbria, and Gerald of Aurillac, as well as the Hodoeporicon of Saint Willibald.

Essays in this volume explore wide-ranging topics: Constantinople, Cloistered Women, Popes and Holy Images, Kingship, Pastoral Care, and Pilgrimages to the works or lives of Sidonius Apollinaris, Gregory of Tours, John Damascene, and Anselm of Havelberg. Like the scholarship of the man who inspired the essays (Richard Sullivan) the essays are broad and incisive.

Our imagination reveals our experience of ourselves and our world. The late philosopher of science and poetry Gaston Bachelard introduced the notion that each image that comes to mind spontaneously is a visual representation of the cognitive and affective pattern that is moving us at the time - often unconsciously. When such a mental image inspires a picture or text, it evokes in the mind of the reader or beholder a replication of the internal pattern that originally inspired the artist or writer. Thus mental images are rarely empty phantasies. Whereas intellectual concepts are conscious constructions of abstracted relations, mental images evoked by texts and pictures often point - like dreams - to pre-verbal experience that patterns itself through multiplying associations and analogies. These mental images can also manifest their own limits, pointing indirectly to experiences beyond what can be expressed and communicated. The six essays in this volume seek to uncover the dynamic patterns in verbal and pictorial images and to evaluate their potentialities and limitations. Thematically ordered according to their specific focus, the essays begin with material images and move on to increasing degrees of immateriality. The subjects treated are: verbal descriptions of an icon and of a statue; imaginative visions and auditions evoked by material depictions; verbal imagery describing imagined sculptures and scenes as compared with drawings of a moving historical pageant; drawings of symbolic figures representing subtle relationships between verbal expositions that cannot be syntactically represented; dream images that precipitate actual healing; and aural patterns in a sounded text that are experienced as 'images' of affective dynamisms.