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1 105 kr
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The core of the collection of Greek vases at Harrow School is the gift of Sir John. Gardner Wilkinson, a leading Egyptologist of the mid nineteenth century whose wide range of interests is well demonstrated by his skill in collecting Greek vases, as well as his still influential books on Egypt. The collection is by no means an ordinary one, since it contains more than its share of Athenian masterpieces as well as a full range of wares from other parts of Greece and Italy. It includes the name vase of the Harrow Painter, an outstanding amphora by the Kleophrades Painter, and many hitherto unpublished pieces of more than ordinary merit.
Corpus Vasorum Antiquorum, Great Britain Fascicule 24, Oxford Ashmolean Museum, Fascicule 4
Inbunden, Engelska, 2010
1 274 kr
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This illustrated catalogue publishes the important collection of Greek Geometric and Orientalizing pottery in the Ashmolean Museum, Oxford. More than 200 vases and fragments are described and illustrated in detailed photographs and profile drawings. There is abundant illustration of the geometric forms of ornament from which the period takes its name, including fine examples of meticulous brushwork. The figured pieces include many elements of standard Late Geometric repertoire - male and female mourners at a bier; files of warriors with shield, helmet, and spear; processing two-horse chariots with their drivers; horses, deer, hounds, a fox, and birds of different types. The introduction gives a history of the collection and discusses the changing attitudes to pottery from the 'Greek Dark Ages'.
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The potter and painter Myson founded the Mannerist workshop at the end of the sixth century BC. The Mannerists were his pupils and pupils of his pupils, and specialized in columnkraters, hydriai, and pelikai. The workshop was unusually long-lived and was active through the whole of the fifth century and the first decade of the fourth.The style of painting and the choice of some subjects are curiously old-fashioned. A number of pictures show rare themes such as the Death of Prokris, Odysseus and Nausicaa, and Orestes in Delphi. Other paintings give an unusual twist to well-known stories. The Mannerists were influenced by theatrical productions, extant wall paintings, and the works of other vase-painters.The workshop provides important clues for the chronology of Attic vase-painting, for example drawing reflecting Pheidias' Athena Parthenos, and Aeschylos' plays Sphinx, Eumenides, and Seven against Thebes.