Thomas Yarrow – författare

Over the last two decades, anthropological studies have highlighted the problems of ‘development’ as a discursive regime, arguing that such initiatives are paradoxically used to consolidate inequality and perpetuate poverty. This volume constitutes a timely intervention in anthropological debates about development, moving beyond the critical stance to focus on development as a mode of engagement that, like anthropology, attempts to understand, represent and work within a complex world. By setting out to elucidate both the similarities and differences between these epistemological endeavors, the book demonstrates how the ethnographic study of development challenges anthropology to rethink its own assumptions and methods. In particular, contributors focus on the important but often overlooked relationship between acting and understanding, in ways that speak to debates about the role of anthropologists and academics in the wider world. The case studies presented are from a diverse range of geographical and ethnographic contexts, from Melanesia to Africa and Latin America, and ethnographic research is combined with commentary and reflection from the foremost scholars in the field.

The Object of Conservation examines how historic buildings, monuments and artefacts are cared for as valued embodiments of the past. It tells the fascinating story of the working lives of those involved in conservation through an ethnographic account of a national heritage agency.

How are conservation objects made? What is the moral purpose of that making and what practical consequences flow from this? Revealing the hidden labour of keeping things as they are, the book highlights the ethical commitments and dilemmas involved in trying to care well. In doing so, it reveals how conservation objects are made literally to matter. Taking debates in the interdisciplinary field of heritage studies forward in important new directions, the book engages with themes of broader interest within the arts, humanities and social sciences, shedding new light on time, authenticity, modernity, materiality, expert knowledge and the politics of care.

The Object of Conservation is a thought-provoking and engaging account that offers original insights for students, scholars, heritage professionals and others interested in the work of caring for the past.

The Object of Conservation examines how historic buildings, monuments and artefacts are cared for as valued embodiments of the past. It tells the fascinating story of the working lives of those involved in conservation through an ethnographic account of a national heritage agency.

How are conservation objects made? What is the moral purpose of that making and what practical consequences flow from this? Revealing the hidden labour of keeping things as they are, the book highlights the ethical commitments and dilemmas involved in trying to care well. In doing so, it reveals how conservation objects are made literally to matter. Taking debates in the interdisciplinary field of heritage studies forward in important new directions, the book engages with themes of broader interest within the arts, humanities and social sciences, shedding new light on time, authenticity, modernity, materiality, expert knowledge and the politics of care.

The Object of Conservation is a thought-provoking and engaging account that offers original insights for students, scholars, heritage professionals and others interested in the work of caring for the past.