Timothy Beal – författare

Every person needs to know the core Bible stories - those stories that have cultural, historical, or literary significance-that lie at the foundation of Western civilisation. Whether watching political candidates quote from Jesus or tracking court cases on how the stories of Adam and Eve should be taught in the schools, we are surrounded by the legacy of the Bible in our contemporary world. Professor Tim Beal argues that without knowing these core stories, we cannot fully participate in the popular, political, and especially spiritual worlds that surround us. Beal has selected the Bible stories that have shaped history and our world and provides the key information we need to understand their significance and meaning. Whether atheist or believer, readers will benefit from this entry-level course into the heart of the most influential book ever written.

Religious encounters with mystery can be fascinating, but also terrifying. So too when it comes to encounters with the monsters that haunt Jewish and Christian traditions. Religion has a lot to do with horror, and horror has a lot to do with religion. Religion has its monsters, and monsters have their religion. In this unusual and provocative book, Timothy Beal explores how religion, horror, and the monstrous are deeply intertwined. This new edition has been thoughtfully updated, reflecting on developments in the field over the past two decades and highlighting its contributions to emerging conversations. It also features a new chapter, "Gods, Monsters, and Machines," which engages cultural fascinations and anxieties about technologies of artificial intelligence and machine learning as they relate to religion and the monstrous at the dawn of the Anthropocene.Religion and Its Monsters is essential reading for students and scholars of religion and popular culture, as well as for any readers with an interest in horror theory or monster theory.

Religious encounters with mystery can be fascinating, but also terrifying. So too when it comes to encounters with the monsters that haunt Jewish and Christian traditions. Religion has a lot to do with horror, and horror has a lot to do with religion. Religion has its monsters, and monsters have their religion. In this unusual and provocative book, Timothy Beal explores how religion, horror, and the monstrous are deeply intertwined. This new edition has been thoughtfully updated, reflecting on developments in the field over the past two decades and highlighting its contributions to emerging conversations. It also features a new chapter, "Gods, Monsters, and Machines," which engages cultural fascinations and anxieties about technologies of artificial intelligence and machine learning as they relate to religion and the monstrous at the dawn of the Anthropocene.Religion and Its Monsters is essential reading for students and scholars of religion and popular culture, as well as for any readers with an interest in horror theory or monster theory.

Celebrating the five hundredth volume, this Festschrift honors David M. Gunn, one of the founders of the Journal of Old Testament Studies, later the Library of Hebrew Bible/Old Testament Studies, and offers essays representing cutting-edge interpretations of the David material in the Hebrew Bible and later literary and popular culture. Essays in Part One, Relating to David, present David in relationship to other characters in Samuel. These essays demonstrate the value of close reading, analysis of literary structure, and creative, disciplined readerly imagination in interpreting biblical texts in general and understanding the character of David in particular. Part Two, Reading David, expands the narrative horizon. These essays analyze the use of the David character in larger biblical narrative contexts. David is understood as a literary icon that communicates and disrupts meaning in different ways in different context. More complex modes of interpretation enter in, including theories of metaphor, memory and history, psychoanalysis, and post-colonialism.Part Three, Singing David, shifts the focus to the portrayal of David as singer and psalmist, interweaving in mutually informative ways both with visual evidence from the ancient Near East depicting court musicians and with the titles and language of the biblical psalms. Part Four, Receiving David, highlights moments in the long history of interpretation of the king in popular culture, including poetry, visual art, theatre, and children's literature. Finally, the essays in Part Five, Re-locating David, represent some of the intellectually and ethically vital interpretative work going on in contexts outside the U.S. and Europe.

Celebrating the five hundredth volume, this Festschrift honors David M. Gunn, one of the founders of the Journal of Old Testament Studies, later the Library of Hebrew Bible/Old Testament Studies, and offers essays representing cutting-edge interpretations of the David material in the Hebrew Bible and later literary and popular culture. Essays in Part One, Relating to David, present David in relationship to other characters in Samuel. These essays demonstrate the value of close reading, analysis of literary structure, and creative, disciplined readerly imagination in interpreting biblical texts in general and understanding the character of David in particular. Part Two, Reading David, expands the narrative horizon. These essays analyze the use of the David character in larger biblical narrative contexts. David is understood as a literary icon that communicates and disrupts meaning in different ways in different context. More complex modes of interpretation enter in, including theories of metaphor, memory and history, psychoanalysis, and post-colonialism. Part Three, Singing David, shifts the focus to the portrayal of David as singer and psalmist, interweaving in mutually informative ways both with visual evidence from the ancient Near East depicting court musicians and with the titles and language of the biblical psalms. Part Four, Receiving David, highlights moments in the long history of interpretation of the king in popular culture, including poetry, visual art, theatre, and children's literature. Finally, the essays in Part Five, Re-locating David, represent some of the intellectually and ethically vital interpretative work going on in contexts outside the U.S. and Europe.

Biblical scholar Walter Brueggemann has always excelled at making the Bible approachable and engaging. Drawn from a series of public conversations with Brueggemann and his former student and longtime friend Clover Reuter Beal, An On-Going Imagination explores Brueggemanns most influential biblical-theological concepts and methods: Why should we still bother with the Bible today? What is the purpose of prayer, and what can it do for our lives? How is keeping the Sabbath countercultural? What does it mean to say that the God in the Bible is a God in recovery?Intimate, provocative, and challenging, An On-Going Imagination offers an enlightening introduction to Brueggemanns work for readers who want to learn more and a way back into the Bible for people who feel alienated from it by those on the right and the left who claim to have it all figured out. Brueggemann and Beal reawaken us to the fascinating strangeness of biblical tradition and its incredible power to help us imagine new ways of seeing and being in the world.