Timothy Beal - Böcker

The life and times of the New Testament’s most mystifying and incendiary bookFew biblical books have been as revered and reviled as Revelation. Many hail it as the pinnacle of prophetic vision, the cornerstone of the biblical canon, and, for those with eyes to see, the key to understanding the past, present, and future. Others denounce it as the work of a disturbed individual whose horrific dreams of inhumane violence should never have been allowed into the Bible. Timothy Beal provides a concise cultural history of Revelation and the apocalyptic imaginations it has fueled.Taking readers from the book’s composition amid the Christian persecutions of first-century Rome to its enduring influence today in popular culture, media, and visual art, Beal explores the often wildly contradictory lives of this sometimes horrifying, sometimes inspiring biblical vision. He shows how such figures as Augustine and Hildegard of Bingen made Revelation central to their own mystical worldviews, and how, thanks to the vivid works of art it inspired, the book remained popular even as it was denounced by later church leaders such as Martin Luther. Attributed to a mysterious prophet identified only as John, Revelation speaks with a voice unlike any other in the Bible. Beal demonstrates how the book is a multimedia constellation of stories and images that mutate and evolve as they take hold in new contexts, and how Revelation is reinvented in the hearts and minds of each new generation.This succinct book traces how Revelation continues to inspire new diagrams of history, new fantasies of rapture, and new nightmares of being left behind.

Every person needs to know the core Bible stories - those stories that have cultural, historical, or literary significance-that lie at the foundation of Western civilisation. Whether watching political candidates quote from Jesus or tracking court cases on how the stories of Adam and Eve should be taught in the schools, we are surrounded by the legacy of the Bible in our contemporary world. Professor Tim Beal argues that without knowing these core stories, we cannot fully participate in the popular, political, and especially spiritual worlds that surround us. Beal has selected the Bible stories that have shaped history and our world and provides the key information we need to understand their significance and meaning. Whether atheist or believer, readers will benefit from this entry-level course into the heart of the most influential book ever written.

It's hard to think of a single aspect of American culture, past or present, in which religion has not played a major role. The roles religion plays, moreover, become more bewilderingly complex and diverse every day. For all those who want--whether out of curiosity, necessity, or civic duty--a vivid picture and fuller understanding of the current reality of religion in America, this Very Short Introduction is the go-to book they need.Timothy Beal describes many aspects of religion in contemporary America that are typically ignored in other books on the subject, including religion in popular culture and counter-cultural groups; the growing phenomenon of "hybrid" religious identities, both individual and collective; the expanding numbers of new religious movements, or NRMs, in America; and interesting examples of "outsider religion," such as Paradise Gardens in Georgia and the People Love People House of God in Ohio. He also offers an engaging overview of the history of religion in America, from Native American traditions to the present day. Beal sees three major forces shaping the present and future of religion in America: first, unprecedented religious diversity, which will continue to grow in the decades to come; second, the information revolution and the emergence of a new network society; and third, the rise of consumer culture. Taken together, these forces offer the potential to create a new American pluralism that would enrich society in unimaginable ways, but they also threaten the great ideal of e pluribus unum.With visual aids that help readers navigate America's diverse religious landscape, this informative, thoughtful, and provocative book is a must-read in the emerging public conversation concerning religion in America.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Religious encounters with mystery can be fascinating, but also terrifying. So too when it comes to encounters with the monsters that haunt Jewish and Christian traditions. Religion has a lot to do with horror, and horror has a lot to do with religion. Religion has its monsters, and monsters have their religion. In this unusual and provocative book, Timothy Beal explores how religion, horror, and the monstrous are deeply intertwined. This new edition has been thoughtfully updated, reflecting on developments in the field over the past two decades and highlighting its contributions to emerging conversations. It also features a new chapter, "Gods, Monsters, and Machines," which engages cultural fascinations and anxieties about technologies of artificial intelligence and machine learning as they relate to religion and the monstrous at the dawn of the Anthropocene.Religion and Its Monsters is essential reading for students and scholars of religion and popular culture, as well as for any readers with an interest in horror theory or monster theory.

Religious encounters with mystery can be fascinating, but also terrifying. So too when it comes to encounters with the monsters that haunt Jewish and Christian traditions. Religion has a lot to do with horror, and horror has a lot to do with religion. Religion has its monsters, and monsters have their religion. In this unusual and provocative book, Timothy Beal explores how religion, horror, and the monstrous are deeply intertwined. This new edition has been thoughtfully updated, reflecting on developments in the field over the past two decades and highlighting its contributions to emerging conversations. It also features a new chapter, "Gods, Monsters, and Machines," which engages cultural fascinations and anxieties about technologies of artificial intelligence and machine learning as they relate to religion and the monstrous at the dawn of the Anthropocene.Religion and Its Monsters is essential reading for students and scholars of religion and popular culture, as well as for any readers with an interest in horror theory or monster theory.

Celebrating the five hundredth volume, this Festschrift honors David M. Gunn, one of the founders of the Journal of Old Testament Studies, later the Library of Hebrew Bible/Old Testament Studies, and offers essays representing cutting-edge interpretations of the David material in the Hebrew Bible and later literary and popular culture. Essays in Part One, Relating to David, present David in relationship to other characters in Samuel. These essays demonstrate the value of close reading, analysis of literary structure, and creative, disciplined readerly imagination in interpreting biblical texts in general and understanding the character of David in particular. Part Two, Reading David, expands the narrative horizon. These essays analyze the use of the David character in larger biblical narrative contexts. David is understood as a literary icon that communicates and disrupts meaning in different ways in different context. More complex modes of interpretation enter in, including theories of metaphor, memory and history, psychoanalysis, and post-colonialism.Part Three, Singing David, shifts the focus to the portrayal of David as singer and psalmist, interweaving in mutually informative ways both with visual evidence from the ancient Near East depicting court musicians and with the titles and language of the biblical psalms. Part Four, Receiving David, highlights moments in the long history of interpretation of the king in popular culture, including poetry, visual art, theatre, and children's literature. Finally, the essays in Part Five, Re-locating David, represent some of the intellectually and ethically vital interpretative work going on in contexts outside the U.S. and Europe.

Celebrating the five hundredth volume, this Festschrift honors David M. Gunn, one of the founders of the Journal of Old Testament Studies, later the Library of Hebrew Bible/Old Testament Studies, and offers essays representing cutting-edge interpretations of the David material in the Hebrew Bible and later literary and popular culture. Essays in Part One, Relating to David, present David in relationship to other characters in Samuel. These essays demonstrate the value of close reading, analysis of literary structure, and creative, disciplined readerly imagination in interpreting biblical texts in general and understanding the character of David in particular. Part Two, Reading David, expands the narrative horizon. These essays analyze the use of the David character in larger biblical narrative contexts. David is understood as a literary icon that communicates and disrupts meaning in different ways in different context. More complex modes of interpretation enter in, including theories of metaphor, memory and history, psychoanalysis, and post-colonialism. Part Three, Singing David, shifts the focus to the portrayal of David as singer and psalmist, interweaving in mutually informative ways both with visual evidence from the ancient Near East depicting court musicians and with the titles and language of the biblical psalms. Part Four, Receiving David, highlights moments in the long history of interpretation of the king in popular culture, including poetry, visual art, theatre, and children's literature. Finally, the essays in Part Five, Re-locating David, represent some of the intellectually and ethically vital interpretative work going on in contexts outside the U.S. and Europe.

Biblical scholar Walter Brueggemann has always excelled at making the Bible approachable and engaging. Drawn from a series of public conversations with Brueggemann and his former student and longtime friend Clover Reuter Beal, An On-Going Imagination explores Brueggemanns most influential biblical-theological concepts and methods: Why should we still bother with the Bible today? What is the purpose of prayer, and what can it do for our lives? How is keeping the Sabbath countercultural? What does it mean to say that the God in the Bible is a God in recovery?Intimate, provocative, and challenging, An On-Going Imagination offers an enlightening introduction to Brueggemanns work for readers who want to learn more and a way back into the Bible for people who feel alienated from it by those on the right and the left who claim to have it all figured out. Brueggemann and Beal reawaken us to the fascinating strangeness of biblical tradition and its incredible power to help us imagine new ways of seeing and being in the world.