Timothy Williams – författare

It is easy to call oneself a disciple of Jesus, but quite difficult to take his directive to Peter seriously: "Whoever wants to be my disciple must deny themselves and take up their cross." (Mt. 16:24)

Churches today often preach a gospel of self-fulifillment, or, just as dangerously, they prescribe intense lists and regulations for denying self. These only produce false humility, self-righteousness, or despair.

True denial of self is simply giving the lordship of our body over to Jesus. 101 Ways to Deny Self offers practical suggestions for anyone who wishes to become a disciple of Jesus. While these biblical ways to deny self are written here for your practical consideration, it is only the Holy Spirit who can truly guide one to properly deny self.

One cannot deny that the Church is in dire need of revival. But the emotionally driven invitation that most Churches advertise does not take hold in the heart of each Christian.

What does true, Biblical revival look like?

Like Elijah, many people in the church today look for God in earthquakes, fire, wind, and the shattering of rocks. They believe themselves to be the only ones not defiled. They are too busy looking at the loud and flashy things in the church to notice they have not given up themselves to God.

Whisper Revival evaluates the state of our times and the attitude necessary for a Church community to truly experience the moving power of God''s mercy. It is only in the quiet of each person''s heart that the transformation so desperately needed in the Church can take place.

Once Upon a Pixel examines the increasing sophistication of storytelling and worldbuilding in modern video games. Drawing on some of gaming’s most popular titles, including Red Dead Redemption 2, The Last of Us, Horizon Zero Dawn, and the long-running Metal Gear Solid series, it is a pioneering exploration into narrative in games from the perspective of the creative writer. With interviews and insights from across the industry, it provides a complete account of how Triple-A, independent, and even virtual reality games are changing the way we tell stories.

Key Features

Once Upon a Pixel examines the increasing sophistication of storytelling and worldbuilding in modern video games. Drawing on some of gaming’s most popular titles, including Red Dead Redemption 2, The Last of Us, Horizon Zero Dawn, and the long-running Metal Gear Solid series, it is a pioneering exploration into narrative in games from the perspective of the creative writer. With interviews and insights from across the industry, it provides a complete account of how Triple-A, independent, and even virtual reality games are changing the way we tell stories.

Key Features

As the most comprehensive edited volume to be published on perpetrators and perpetration of mass violence, the volume sets a new agenda for perpetrator research by bringing together contributions from such diverse disciplines as political science, sociology, social psychology, history, anthropology and gender studies, allowing for a truly interdisciplinary discussion of the phenomenon of perpetration. The cross-case nature of the volume allows the reader to see patterns across case studies, bringing findings from inter alia the Holocaust, the genocides in Rwanda and the former Yugoslavia, and the civil wars in Cambodia and Côte d’Ivoire into conversation with each other.

The chapters of this volume are united by a common research interest in understanding what constitutes perpetrators as actors, what motivates them, and how dynamics behind perpetration unfold. Their attention to the interactions between disciplines and cases allows for the insights to be transported into more abstract ideas on perpetration in general. Amongst other aspects, they indicate that instead of being an extraordinary act, perpetration is often ordinary, that it is crucial to studying perpetrators and perpetration not from looking at the perpetrators as actors but by focusing on their deeds, and that there is a utility of ideologies in explaining perpetration, when we differentiate them more carefully and view them in a more nuanced light.

This volume will be vital reading for students and scholars of genocide studies, human rights, conflict studies and international relations.

As the most comprehensive edited volume to be published on perpetrators and perpetration of mass violence, the volume sets a new agenda for perpetrator research by bringing together contributions from such diverse disciplines as political science, sociology, social psychology, history, anthropology and gender studies, allowing for a truly interdisciplinary discussion of the phenomenon of perpetration. The cross-case nature of the volume allows the reader to see patterns across case studies, bringing findings from inter alia the Holocaust, the genocides in Rwanda and the former Yugoslavia, and the civil wars in Cambodia and Côte d’Ivoire into conversation with each other.

The chapters of this volume are united by a common research interest in understanding what constitutes perpetrators as actors, what motivates them, and how dynamics behind perpetration unfold. Their attention to the interactions between disciplines and cases allows for the insights to be transported into more abstract ideas on perpetration in general. Amongst other aspects, they indicate that instead of being an extraordinary act, perpetration is often ordinary, that it is crucial to studying perpetrators and perpetration not from looking at the perpetrators as actors but by focusing on their deeds, and that there is a utility of ideologies in explaining perpetration, when we differentiate them more carefully and view them in a more nuanced light.

This volume will be vital reading for students and scholars of genocide studies, human rights, conflict studies and international relations.

This book explores how political actors draw on memories of violent pasts to generate political power and legitimacy in the present. Drawing on fieldwork in post-violence Cambodia, Rwanda and Indonesia, the book demonstrates in what way power is derived from how roles are assigned, exploring who is deemed a perpetrator, victim or hero, as well as ambivalences in this memory.

The author interrogates the ways in which these roles are attributed and ambivalences created in each society’s political discourses, transitional justice processes and cultural heritage. The comparative empirical analysis illustrates the importance of memory for political power and legitimacy today.

This book explores how political actors draw on memories of violent pasts to generate political power and legitimacy in the present. Drawing on fieldwork in post-violence Cambodia, Rwanda and Indonesia, the book demonstrates in what way power is derived from how roles are assigned, exploring who is deemed a perpetrator, victim or hero, as well as ambivalences in this memory.

The author interrogates the ways in which these roles are attributed and ambivalences created in each society’s political discourses, transitional justice processes and cultural heritage. The comparative empirical analysis illustrates the importance of memory for political power and legitimacy today.