Tonino Griffero – författare

This book offers a diverse understanding and practical approach towards the growing area of atmosphere research, in the context of philosophy, geography and architecture.It begins by tracing back to the model of experience called the "pathic". Drawing on the phenomenology of theorists Hermann Schmitz and Gernot Böhme, introductory chapters offer a grounding for the beginnings of pathic research. The chapters go on to apply pathic framework to a range of practical cases from theatre studies to education. Atmospheres are often defined as affects one feels in a "lived space" and researchers are becoming more interested in the emotions we feel in natural and artificial environments across day to day life. By providing a critical re-evaluation of phenomenology and aesthetics, the book brings a series of unexplored and controversial subjects to light, opening up a new context for thinking about our everyday life and experiences inscribed within aesthetics, politics, literature, spatial practices and pedagogy and effectively merging abstract philosophy and concrete practice.This book is particularly poignant in the emerging field of Atmosphere and New Aesthetics research. Practitioners, academics and researchers working within Cultural Geography, Aesthetics, Art and Philosophy will find this book extremely valuable.

This book begins with the distinction between the so-called lived body or felt body (Leib) and the physical body (Körper), tracing the conceptual history of this distinction through key figures in philosophical and social thoughts and articulating a theory of the lived body that draws on the New Phenomenology developed by Hermann Schmitz. An explanation of our being-in-the-world in terms of a felt-bodily communication with all perceived forms and their affective-bodily resonance in us, Being a Lived Body integrates and critically assesses the leading theories of embodiment while presenting a new approach to the body. It will, therefore, appeal to scholars of philosophy, social theory, and anthropology with interests in phenomenology and embodiment.

This book begins with the distinction between the so-called lived body or felt body (Leib) and the physical body (Körper), tracing the conceptual history of this distinction through key figures in philosophical and social thoughts and articulating a theory of the lived body that draws on the New Phenomenology developed by Hermann Schmitz. An explanation of our being-in-the-world in terms of a felt-bodily communication with all perceived forms and their affective-bodily resonance in us, Being a Lived Body integrates and critically assesses the leading theories of embodiment while presenting a new approach to the body. It will, therefore, appeal to scholars of philosophy, social theory, and anthropology with interests in phenomenology and embodiment.

Originally published in Italian in 2010, this book is the first to address the theory of atmospheres in a thorough and systematic way. It examines the role of atmospheres in daily life, and defines their main characteristics. Outlining the typical phenomenological situations in which we experience atmospheres, it assesses their impact on contemporary aesthetics. It puts forward a philosophical approach which systematises a constellation of affects and climates, finds patterns in the emotional tones of different spaces (affordances) and assesses their impact on the felt body. It also critically discusses the spatial turn invoked by several of the social sciences, and argues that there is a need for a non-psychologistic rethinking of the philosophy of emotions. It provides a history of the term 'atmosphere' and of the concepts anticipating its meaning (genius loci, aura, Stimmung, numinous, emotional design and ambiance), and examines the main ontological characteristics of atmospheres and their principal phenomenological characteristics. It concludes by showing how atmospheres affect our emotions, our bodies' reactions, our state of mind and, as a result, our behaviour and judgments. Griffero assesses how atmospheres are more effective than we have been rationally willing to admit, and to what extent traditional aesthetics, unilaterally oriented towards art, has underestimated this truth.

This book offers a diverse understanding and practical approach towards the growing area of atmosphere research, in the context of philosophy, geography and architecture.It begins by tracing back to the model of experience called the "pathic". Drawing on the phenomenology of theorists Hermann Schmitz and Gernot Böhme, introductory chapters offer a grounding for the beginnings of pathic research. The chapters go on to apply pathic framework to a range of practical cases from theatre studies to education. Atmospheres are often defined as affects one feels in a "lived space" and researchers are becoming more interested in the emotions we feel in natural and artificial environments across day to day life. By providing a critical re-evaluation of phenomenology and aesthetics, the book brings a series of unexplored and controversial subjects to light, opening up a new context for thinking about our everyday life and experiences inscribed within aesthetics, politics, literature, spatial practices and pedagogy and effectively merging abstract philosophy and concrete practice.This book is particularly poignant in the emerging field of Atmosphere and New Aesthetics research. Practitioners, academics and researchers working within Cultural Geography, Aesthetics, Art and Philosophy will find this book extremely valuable.

Originally published in Italian in 2010, this book is the first to address the theory of atmospheres in a thorough and systematic way. It examines the role of atmospheres in daily life, and defines their main characteristics. Outlining the typical phenomenological situations in which we experience atmospheres, it assesses their impact on contemporary aesthetics. It puts forward a philosophical approach which systematises a constellation of affects and climates, finds patterns in the emotional tones of different spaces (affordances) and assesses their impact on the felt body. It also critically discusses the spatial turn invoked by several of the social sciences, and argues that there is a need for a non-psychologistic rethinking of the philosophy of emotions. It provides a history of the term 'atmosphere' and of the concepts anticipating its meaning (genius loci, aura, Stimmung, numinous, emotional design and ambiance), and examines the main ontological characteristics of atmospheres and their principal phenomenological characteristics. It concludes by showing how atmospheres affect our emotions, our bodies' reactions, our state of mind and, as a result, our behaviour and judgments. Griffero assesses how atmospheres are more effective than we have been rationally willing to admit, and to what extent traditional aesthetics, unilaterally oriented towards art, has underestimated this truth.

In its four parts (Atmospheric turn?, Senses and Spaces, Subjects and Communities, Aesthetics and Art Theory), this volume discusses whether atmospheres could take the prominent and paradigmatic position previously held by art in order to make sense of such sensible experience of the world.

In its four parts (Atmospheric turn?, Senses and Spaces, Subjects and Communities, Aesthetics and Art Theory), this volume discusses whether atmospheres could take the prominent and paradigmatic position previously held by art in order to make sense of such sensible experience of the world.

The book offers the first comprehensive account of how atmospheric feelings—those pervasive quasi-things that shape our lived spaces—are experienced in the perceiver’s felt body. Drawing on neo-phenomenology and pathic aesthetics, Tonino Griffero explores the still underexamined link between atmospheres and embodied resonance, moving beyond the notion of feelings as internal states to reveal their objective presence in the lived space that surrounds us.The book combines rigorous theoretical analysis with case studies on pathic experience, the power of images, aesthetic and artistic experience, immersivity and in-betweenness, embodied habits, decision-making, landscape, ruins, and cinema, thereby demonstrating the practical and diagnostic value of atmospherology.By reframing aesthetics as a philosophy of sensible knowledge and emphasizing “pathic experience” (how we passively undergo what happens to us), Griffero challenges cognitively centered paradigms and offers a new lens for understanding collective emotions, immersive art, and environmental affordances.This work is essential reading for scholars in philosophy, aesthetics, cultural and media studies, and architecture, as well as for professionals seeking to grasp the affective forces shaping human experience.

In this work, Hermann Schmitz introduces the main theses of New Phenomenology. He also offers a new solution to the problem of freedom and a critique of the current age of irony.

An aesthetic and phenomenological account of feelings.In this book, Tonino Griffero introduces and analyzes an ontological category he terms "quasi-things." These do not exist fully in the traditional sense as substances or events, yet they powerfully act on us and on our states of mind. He offers an original approach to the study of emotions, regarding them not as inner states of the subject, but as atmospheres, that is as powers poured out into the lived space we inhabit. Griffero first outlines the general and atmospheric characters of quasi-things, and then considers examples such as pain, shame, the gaze, and twilight-which he argues is responsible for penetrating and suggestive moods precisely because of its vagueness. With frequent examples from literature and everyday life, Quasi-Things provides an accessible aesthetic and phenomenological account of feelings based on the paradigm of atmospheres.

An aesthetic and phenomenological account of feelings.In this book, Tonino Griffero introduces and analyzes an ontological category he terms "quasi-things." These do not exist fully in the traditional sense as substances or events, yet they powerfully act on us and on our states of mind. He offers an original approach to the study of emotions, regarding them not as inner states of the subject, but as atmospheres, that is as powers poured out into the lived space we inhabit. Griffero first outlines the general and atmospheric characters of quasi-things, and then considers examples such as pain, shame, the gaze, and twilight-which he argues is responsible for penetrating and suggestive moods precisely because of its vagueness. With frequent examples from literature and everyday life, Quasi-Things provides an accessible aesthetic and phenomenological account of feelings based on the paradigm of atmospheres.