Tuna Tetik – författare

Multidisciplinary Perspectives on Narrative Aesthetics in Video Gamesis a collection of contemporary research and interpretation that explores the narrative structures in video games and ludonarrative content design in related media. Featuring coverage of a broad range of topics, including narrative theory, game studies, history of video games, and interdisciplinary studies, this book is ideally designed for scholars, researchers, intellectuals, media professionals, game developers, entrepreneurs, and students who wish to enhance their understanding of the relationship and correlation of video games, narrativity, and aesthetics.

New Communication in the Post-Pandemic Era: Media, Education, and Information is a collection of contemporary post-positivist research and cultural/interpretative studies that explores new areas, redefines old concepts, and proposes rare discourses over communication theories, and portrays a new scene upon the edge of the global crisis by COVID-19 pandemic, which might lead to an ultimate paradigm shift pushing the post-industrial societies to a new complex of multi-layered structural regressions. Covering a broad range of multidisciplinary topics, –including consumer behavior, advertising strategies, public relations, blockchain technologies, new education channels, labor economics, disaster politics, health engagement, corporate communication, information systems, streaming services, music reception, reality television, animation, filmmaking, new personality models, and brand-new aesthetic styles– this manuscript of selected essays and articles is optimally designed for academics, researchers, educators, media professionals, entrepreneurs, executives, organizers, scientists, artists, public relations specialists, and students who intend to enhance their understanding of how the structures of ‘New Communication’ resist, accept, or repurpose the new historical conditions of the global crisis through media, education, and information.

Transformation of the Industry in a Brand New Normal: Media, Music, and Performing Arts is a collection of contemporary research and interpretation that aims to discover the industrialtransformation in media, music, and performing arts. Featuring coverage of a broad range of topics,including film studies, narrative theory, digital streaming platforms, subscription video-on-demandservices, marketing, promotional strategies of video games, distant music practices, music ecosystems,contemporary orchestras, alternative music scenes, new voice-over techniques, changingconservatory education methods, and visual arts, this manuscript of selected chapters is designedfor academics, researchers, media professionals, and students who intend to enhance their understandingof transformation in media, music, and performing arts.

Marvelous Rise of Superheroes in Cinema: Evolution of the Genre from Sequels to Universes addresses the superhero movie genre’s transformation between 1978 and 2019. To emphasize andillustrate the conceptual and thematic transformation, the main conventions of the genre arescanned through several periods, focusing on the developmental age of the genre, including thedominant period of DC Comics-based superhero movies (1978-1997) and the Marvel “boom”(2000-2007), and the contemporary age. For this purpose, the book traces the fundamentals ofsuperheroes from the first appearance of Superman in Action Comics #1 (1938) to the final installmentof the MCU’s Phase 3, Spider-Man: Far From Home (2019). The transformation has two significantpoints. First, the genre’s main conventions have been in a change. Second, the genre’s focushas changed from sequel filmmaking to the universe concept. The study investigates the MarvelCinematic Universe’s dominant, leading, and major role in the genre’s evolutionary process.Besides, the future of the superhero movie genre is questioned through the multiverse concept tobroaden an understanding of the genre’s following directions.

Turkish Cinema and Television Industry in the Digital Streaming Era addresses three main comprehensions: aesthetic transformation in the Turkish Cinema and television industry, new authors and changing filmmaking ways in the Turkish Cinema’s SVOD age, and Turkish originals on national and international SVODs. The book is a collection of contemporary studies and research to explore the current scene in the Turkish Cinema and television industry’s ways of production, features of the contents, and structures of the SVOD catalogs. Featuring coverage of a broad range of topics and studies, including production and post-production, independent and arthouse filmmaking, immersive sound, local narratives, digital watching experiences, quality tv, digital auteurism, and participatory culture, the collection of chapters is designed in a specific structure for academics, researchers, scholars, students, and media professionals.

approaches “the brand new normal” as the digitalization itself. The collection of research and studies explores and questions contemporary novelties in media and art related to the transformative effects of the digitalization. Featuring a broad range of topics, covering creative industries, video-on-demand services and film industry, representation of reality television in quality television,adaptations from theater to digital platforms, transformation of gender representations indigital, VR (Virtual Reality), digital festivals, player experience and engagement in video games, NFT (Non-Fungible Token), social media and crisis communication, digital self-presentation, digitalization of theater stage, new music trends in digital era, and audience development in classical music, this book is designed for scholars, researchers, intellectuals, media professionals, and artists.

Nightmares of Contemporary Horror Cinema addresses collections of comprehensive studies on horror within selective chapters, focusing on American horror films in the new millennium. By respecting seminal works in the field, it has a particular concentration on the canons of slashers, the Conjuring universe, the Saw franchise, the world of the latest Scream(s), M. Night Shyamalan’s storyworld, the Blumhouse model in horror, the It duology, the Halloween franchise, recent debates on aesthetics in horror, and the issue of elevated horror. It presents specific cases to discover contemporary nightmares within critical examinations. Indeed, this book is designed for researchers, scholars, and academicians.