Ulinka Rublack – författare

'The underlying message of the series is, of course, that Death comes for us all, and if it interrupts the recreations of the wealthy rather more insolently than those of the poor, then let that be a lesson to us' Nick Lezard, GuardianA new departure in Penguin Classics: a book containing one of the greatest of all Renaissance woodcut sequences - Holbein's bravura danse macabreOne of Holbein's first great triumphs, The Dance of Death is an incomparable sequence of tiny woodcuts showing the folly of human greed and pride, with each image packed with drama, wit and horror as a skeleton mocks and terrifies everyone from the emperor to a ploughman. Taking full advantage of the new literary culture of the early 16th century, The Dance of Death took an old medieval theme and made it new.This edition of The Dance of Death reproduces a complete set from the British Museum, with many details highlighted and examples of other works in this grisly field. Ulinka Rublack introduces the woodcuts with a remarkable essay on the late medieval danse macabre and the world Holbein lived in.

'The Crimes of Women in Early Modern Germany' is a fascinating study of 'deviant' women. It is the first scholarly account of how women were prosecuted for theft, infanticide, and sexual crimes in early modern Germany, and challenges the assumption that women were treated more leniently than men. Ulinka Rublack uses criminal trials to illuminate the social status and conflicts of women living through the Reformation and Thirty Years War, telling, for the first time, the stories of cutpurses, maidservants' dangerous liaisons, and artisans' troubled marriages. She provides a thought-provoking analysis of labelling and sentencing processes, and of the punishments inflicted on those found guilty. Above all, she brilliantly engages with the way 'ordinary' women experienced authority and sexuality, household and community.

Johannes Kepler (1571-1630) was one of the most admired astronomers who ever lived and a key figure in the scientific revolution. A defender of Copernicus´ s sun-centred universe, he famously discovered that planets move in ellipses, and defined the three laws of planetary motion. Perhaps less well known is that in 1615, when Kepler was at the height of his career, his widowed mother Katharina was accused of witchcraft. The proceedings led to a criminal trial that lasted six years, with Kepler conducting his mother's defence. In The Astronomer and the Witch, Ulinka Rublack pieces together the tale of this extraordinary episode in Kepler's life, one which takes us to the heart of his changing world. First and foremost an intense family drama, the story brings to life the world of a small Lutheran community in the centre of Europe at a time of deep religious and political turmoil - a century after the Reformation, and on the threshold of the Thirty Years' War. Kepler's defence of his mother also offers us a fascinating glimpse into the great astronomer's world view, on the cusp between Reformation and scientific revolution. While advancing rational explanations for the phenomena which his mother's accusers attributed to witchcraft, Kepler nevertheless did not call into question the existence of magic and witches. On the contrary, he clearly believed in them. And, as the story unfolds, it appears that there were moments when even Katharina's children struggled to understand what their mother had done...

Johannes Kepler (1571-1630) was one of the most admired astronomers who ever lived and a key figure in the scientific revolution. A defender of Copernicus´ s sun-centred universe, he famously discovered that planets move in ellipses, and defined the three laws of planetary motion. Perhaps less well known is that in 1615, when Kepler was at the height of his career, his widowed mother Katharina was accused of witchcraft. The proceedings led to a criminal trial that lasted six years, with Kepler conducting his mother's defence. In The Astronomer and the Witch, Ulinka Rublack pieces together the tale of this extraordinary episode in Kepler's life, one which takes us to the heart of his changing world. First and foremost an intense family drama, the story brings to life the world of a small Lutheran community in the centre of Europe at a time of deep religious and political turmoil - a century after the Reformation, and on the threshold of the Thirty Years' War.Kepler's defence of his mother also offers us a fascinating glimpse into the great astronomer's world view, on the cusp between Reformation and scientific revolution. While advancing rational explanations for the phenomena which his mother's accusers attributed to witchcraft, Kepler nevertheless did not call into question the existence of magic and witches. On the contrary, he clearly believed in them. And, as the story unfolds, it appears that there were moments when even Katharina's children wondered whether their mother really did have nothing to hide...

This is the first Handbook of the Reformations to include global Protestantism, and the most comprehensive Handbook on the development of Protestant practices which has been published so far. The volume brings together international scholars in the fields of theology, intellectual thought, and social and cultural history. Contributions focus on key themes, such as Martin Luther or the Swiss reformations, offering an up-to-date perspective on current scholarly debates, but they also address many new themes at the cutting edge of scholarship, with particularly emphasis on the history of emotions, the history of knowledge, and global history.This new approach opens up fresh perspectives onto important questions: how did Protestant ways of conceiving the divine shape everyday life, ideas of the feminine or masculine, commercial practices, politics, notions of temporality, or violence? The aim of this Handbook is to bring to life the vitality of Reformation ideas. In these ways, the Handbook stresses that the Protestant Reformations in all their variety, and with their important "radical" wings, must be understood as one of the lasting long-term historical transformations which changed Europe and, subsequently, significant parts of the world.

Dürer's Lost Masterpiece tracks the history of a turning point in the career of the celebrated German artist Albrecht Dürer (1471-1528), when he stopped painting altarpieces after arguing with a merchant patron over payment. As an eloquent homage to Dürer´s life, it brings us closer to the creation and meaning of his paintings than ever before.Dürer's Lost Masterpiece considers the celebrated German artist Albrecht Dürer (1471-1528), his time and his legacy. It tracks the history of a crucial, and often overlooked, turning point in his career, when Dürer stopped painting altarpieces after falling out with the Frankfurt merchant Jacob Heller over a commission. The story of this painting, as Dürer´s lost masterpiece, functions as a lens through which to view the new relationship developing between art, collecting and commerce in Europe up to the Thirty Years´ War (1618-1648) when global trade and cultural exchanges were increasing. At the heart of the book is the argument that merchants, and their mentalities, were crucial for the making of Renaissance art and its legacy for modern art. The book draws on a decade of research, and uniquely draws the reader into the rich emotional worlds of three merchants each of whom typified the evolving relationship between art and commerce in that entrepreneurial, and often ruthless, age. It brings to life Dürer´s determined fight for creative makers to be adequately paid and explores the big questions about how European societies came to value the arts and crafts that remain relevant to our time.

What is our relationship with the past? A quiet revolution has transformed the ways in which History provides us with answers. Indeed, not so long ago the very question might have seemed odd. But in recent decades the solid moorings to which History was seemingly tethered have proved less secure than earlier supposed. That realization has produced some discomfiture, but also many more opportunities for understanding worlds with which we have lost connection. No single book can hope to reflect all the ways in which History has 'changed with the times' nor can, or should, a volume with numerous contributors speak with one voice. Yet the Companion does range widely, addressing key themes and structures from new areas of enquiry as well as providing fresh treatment of established fields; and it does mark a significant departure in a genre still shaped by stories that are predominantly Western. It reflects a practice of history that seeks global connections and pioneers a sustained dialogue between historians specializing in the history of particular continents. It does not, in the sharply ridiculing phrase of one historian, compare the Ashanti empire to the British empire. But the scholars writing in this book build on the much greater awareness that 'Western' achievements and claims to modernity were often not as unique as once portrayed, and that the history of interconnections and multi-centric developments of different civilisations is crucial for a proper critical understanding of the past. Escorted by some of the world's leading historians, readers of the Companion will find in these pages an indispensable guide to what history is today.

Dressing Up shows why clothes made history and history can be about clothes. It imagines the Renaissance afresh by considering people´ s appearances: what they wore, how this made them move, what images they created, and how all this made people feel about themselves. Using an astonishing array of sources, Ulinka Rublack argues that an appreciation of people´ s relationship to appearances and images is essential to an understanding of what it meant to live at this time - and ever since. We read about the head accountant of a sixteenth-century merchant firm who commissioned 136 images of himself elaborately dressed across a lifetime; students arguing with their mother about which clothes they could have; or Nuremberg women wearing false braids dyed red or green. This brilliantly illustrated book draws on a range of insights across the disciplines and allows us to see an entire period in new ways. In integrating its findings into larger arguments about consumption, visual culture, the Reformation, German history, and the relationship of European and global history, it promises to re-shape the field.

This is the first Handbook of the Reformations to include global Protestantism, and the most comprehensive Handbook on the development of Protestant practices which has been published so far. The volume brings together international scholars in the fields of theology, intellectual thought, and social and cultural history. Contributions focus on key themes, such as Martin Luther or the Swiss reformations, offering an up-to-date perspective on current scholarly debates, but they also address many new themes at the cutting edge of scholarship, with particularly emphasis on the history of emotions, the history of knowledge, and global history.This new approach opens up fresh perspectives onto important questions: how did Protestant ways of conceiving the divine shape everyday life, ideas of the feminine or masculine, commercial practices, politics, notions of temporality, or violence? The aim of this Handbook is to bring to life the vitality of Reformation ideas. In these ways, the Handbook stresses that the Protestant Reformations in all their variety, and with their important "radical " wings, must be understood as one of the lasting long-term historical transformations which changed Europe and, subsequently, significant parts of the world.

What is our relationship with the past? A quiet revolution has transformed the ways in which History provides us with answers. Indeed, not so long ago the very question might have seemed odd. But in recent decades the solid moorings to which History was seemingly tethered have proved less secure than earlier supposed. That realization has produced some discomfiture, but also many more opportunities for approaching worlds with which we have lost connection. No single book can hope to reflect all the ways in which History has 'changed with the times' nor can, or should, a volume with numerous contributors speak with one voice. Yet the Companion does range widely, addressing key themes and structures from new areas of enquiry as well as providing fresh treatment of established fields; and it does mark a significant departure in a genre still shaped by stories that are predominantly Western. It reflects a practice of history that seeks global connections and pioneers a sustained dialogue between historians specializing in the history of particular continents. It does not, in the sharply ridiculing phrase of one historian, compare the Ashanti empire to the British empire. But the scholars writing in this book build on the much greater awareness that 'Western' achievements and claims to modernity were often not as unique as once portrayed, and that the history of interconnections and multi-centric developments of different civilisations is crucial for a proper critical understanding of the past. Escorted by some of the world's leading historians, readers of the Companion will find pages an indispensable guide to what history is today.

Why did parents prosecute their children as witches? Why did a sixteenth-century midwife entice a burgher woman to pretend that she was giving birth to puppies? How did the life of a transsexual woman in early eighteenth-century Hamburg come to its end? This volume presents a range of startling case-studies from German society between the Renaissance and the Enlightenment which make us consider the meanings of gender and identity in the past and which relates, above all, to the lived experiences of men and women, whose lives and choices mattered. The book argues for approaches to early modern history which point to the complexity of peoples' attitudes, in terms of contemporary experiences of the physical, both emotional and imaginary; of shifting symbolisations of evil, sexual symbolisms, of perceived boundaries between the 'real' and the 'fantastical', family structures and spiritual worlds.

Why did parents prosecute their children as witches? Why did a sixteenth-century midwife entice a burgher woman to pretend that she was giving birth to puppies? How did the life of a transsexual woman in early eighteenth-century Hamburg come to its end? This volume presents a range of startling case-studies from German society between the Renaissance and the Enlightenment which make us consider the meanings of gender and identity in the past and which relates, above all, to the lived experiences of men and women, whose lives and choices mattered. The book argues for approaches to early modern history which point to the complexity of peoples' attitudes, in terms of contemporary experiences of the physical, both emotional and imaginary; of shifting symbolisations of evil, sexual symbolisms, of perceived boundaries between the 'real' and the 'fantastical', family structures and spiritual worlds.

This collection embraces the increasing interest in the material world of the Renaissance and the early modern period, which has both fascinated contemporaries and initiated in recent years a distinguished historiography. The scholarship within is distinctive for engaging with the agentive qualities of matter, showing how affective dimensions in history connect with material history, and exploring the religious and cultural identity dimensions of the use of materials and artefacts. It thus aims to refocus our understanding of the meaning of the material world in this period by centring on the vibrancy of matter itself. To achieve this goal, the authors approach the material through four themes, glass, feathers, gold paints, and veils, in relation to specific individuals, material milieus, and interpretative communities. In examining these four types of materialities and object groups, which were attached to different sensory regimes and valorizations, this book charts how each underwent significant changes during this period.

How could the Protestant Reformation take off from Wittenberg, a tiny town in Saxony, which contemporaries regarded as a mud hole? And how could a man of humble origins, deeply scared by the devil, become a charismatic leader and convince others that the Pope was the living Antichrist? Martin Luther founded a religion which to this day determines many people's lives, as did Jean Calvin in Geneva one generation later. In this new edition of her best selling textbook, Ulinka Rublack addresses these two tantalising questions. Including evidence from the period's rich material culture, alongside a wealth of illustrations, this is the first textbook to use the approaches of the new cultural history to analyse how Reformation Europe came about. Updated for the anniversary of the circulation of Luther's ninety-five theses, Reformation Europe has been restructured for ease of teaching, and now contains additional references to 'radical' strands of Protestantism.

How could the Protestant Reformation take off from Wittenberg, a tiny town in Saxony, which contemporaries regarded as a mud hole? And how could a man of humble origins, deeply scared by the devil, become a charismatic leader and convince others that the Pope was the living Antichrist? Martin Luther founded a religion which to this day determines many people's lives, as did Jean Calvin in Geneva one generation later. In this new edition of her best selling textbook, Ulinka Rublack addresses these two tantalising questions. Including evidence from the period's rich material culture, alongside a wealth of illustrations, this is the first textbook to use the approaches of the new cultural history to analyse how Reformation Europe came about. Updated for the anniversary of the circulation of Luther's ninety-five theses, Reformation Europe has been restructured for ease of teaching, and now contains additional references to 'radical' strands of Protestantism.

This is the first global history of dress regulation and its place in broader debates around how human life and societies should be visualised and materialised. Sumptuary laws were a tool on the part of states to regulate not only manufacturing systems and moral economies via the medium of expenditure and consumption of clothing but also banquets, festivities and funerals. Leading scholars on Asian, Latin American, Ottoman and European history shed new light on how and why items of dress became key aspirational goods across society, how they were lobbied for and marketed, and whether or not sumptuary laws were implemented by cities, states and empires to restrict or channel trade and consumption. Their findings reveal the significance of sumptuary laws in medieval and early modern societies as a site of contestation between individuals and states and how dress as an expression of identity developed as a modern 'human right'.

This is the first global history of dress regulation and its place in broader debates around how human life and societies should be visualised and materialised. Sumptuary laws were a tool on the part of states to regulate not only manufacturing systems and moral economies via the medium of expenditure and consumption of clothing but also banquets, festivities and funerals. Leading scholars on Asian, Latin American, Ottoman and European history shed new light on how and why items of dress became key aspirational goods across society, how they were lobbied for and marketed, and whether or not sumptuary laws were implemented by cities, states and empires to restrict or channel trade and consumption. Their findings reveal the significance of sumptuary laws in medieval and early modern societies as a site of contestation between individuals and states and how dress as an expression of identity developed as a modern 'human right'.

Protestantism during the early modern period is still predominantly presented as a European story. Advancing a novel framework to understand the nature and impact of the Protestant Reformations, this volume brings together leading scholars to substantially integrate global Protestant experiences into accounts of the early modern world created by the Reformations, to compare Protestant ideas and practices with other world religions, to chart colonial politics and experiences, and to ask how resulting ideas and identities were negotiated by Europeans at the time. Through its wide geographical and chronological scope, Protestant Empires advances a new approach to understanding the Protestant Reformations. Showcasing selective model approaches on how to think anew, and pointing the way towards a multi-national and connected account of the Protestant Reformations, this volume demonstrates how global interactions and their effect on Europe have played a crucial role in the history of the 'long Reformation' in the seventeenth and eighteenth centuries.

Protestantism during the early modern period is still predominantly presented as a European story. Advancing a novel framework to understand the nature and impact of the Protestant Reformations, this volume brings together leading scholars to substantially integrate global Protestant experiences into accounts of the early modern world created by the Reformations, to compare Protestant ideas and practices with other world religions, to chart colonial politics and experiences, and to ask how resulting ideas and identities were negotiated by Europeans at the time. Through its wide geographical and chronological scope, Protestant Empires advances a new approach to understanding the Protestant Reformations. Showcasing selective model approaches on how to think anew, and pointing the way towards a multi-national and connected account of the Protestant Reformations, this volume demonstrates how global interactions and their effect on Europe have played a crucial role in the history of the 'long Reformation' in the seventeenth and eighteenth centuries.

"Quite simply the most fascinating record of a ‘[fashion] victim’ one could hope for." The Spectator This captivating study reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, it chronicles how style-conscious accountant Matthäus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies’ agenda resonates as powerfully today as it did in the 16th century: one has to dress to impress, and dress to impress they did. The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes’ fashion-focussed yet at times deeply personal captions, which render the pair the world’s first fashion bloggers and pioneers of everyday portraiture.The First Book of Fashion demonstrates how dress – seemingly both ephemeral and trivial – is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and everyday culture of the period. Historians Ulinka Rublack’s and Maria Hayward’s insightful commentaries create an unparalleled portrait of 16th-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista’s wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz’s most elaborate and politically significant outfits.

This major volume aims to re-colour the European world of dress, c.1300-1800. New dyes created one of the most important visual experiences of the period, yet their story has been side-lined by a focus on visual experiences shaped by the high arts. Meanwhile, theatrical productions and period films still abound with broad assumptions about the growing dominance of black clothing for elites during the period, while ordinary people are imagined having worn coarse greys and bleached garments. This volume presents clear evidence that even the clothing of the middle classes could be much more expensive than paintings, and that coloured clothing and accessories were ubiquitous across society.Contributors shed new light on the economic, environmental, and cultural dimensions of colour in dress. The range of dyes expanded considerably in the sixteenth and seventeenth centuries, drawing on Asian and Mediterranean knowledge, new collections of recipes, and the greater diversity of plants available through New World trade. Working creatively with organic plant, animal, and mineral materials to make colours involved considerable knowledge, pleasure and skill. The creation of colour through dyes thus reveals a whole range of global agricultural and craft technologies that can inspire future material worlds and transforms our understanding of Europe´s cultural heritage.

This major volume aims to re-colour the European world of dress, c.1300-1800. New dyes created one of the most important visual experiences of the period, yet their story has been side-lined by a focus on visual experiences shaped by the high arts. Meanwhile, theatrical productions and period films still abound with broad assumptions about the growing dominance of black clothing for elites during the period, while ordinary people are imagined having worn coarse greys and bleached garments. This volume presents clear evidence that even the clothing of the middle classes could be much more expensive than paintings, and that coloured clothing and accessories were ubiquitous across society.Contributors shed new light on the economic, environmental, and cultural dimensions of colour in dress. The range of dyes expanded considerably in the sixteenth and seventeenth centuries, drawing on Asian and Mediterranean knowledge, new collections of recipes, and the greater diversity of plants available through New World trade. Working creatively with organic plant, animal, and mineral materials to make colours involved considerable knowledge, pleasure and skill. The creation of colour through dyes thus reveals a whole range of global agricultural and craft technologies that can inspire future material worlds and transforms our understanding of Europe´s cultural heritage.

This collection engages with the agentive qualities of matter and it shows how affective dimensions in history connect with material history. It also explores the religious and cultural identity dimensions of the use of materials and artefacts.