Valerie Taylor – författare

Demand for tech professionals is expected to increase substantially over the next decade, and increasing the number of women of color in tech will be critical to building and maintaining a competitive workforce. Despite years of efforts to increase the diversity of the tech workforce, women of color have remained underrepresented, and the numbers of some groups of women of color have even declined. Even in cases where some groups of women of color may have higher levels of representation, data show that they still face significant systemic challenges in advancing to positions of leadership. Research evidence suggests that structural and social barriers in tech education, the tech workforce, and in venture capital investment disproportionately and negatively affect women of color.

Transforming Trajectories for Women of Color in Tech uses current research as well as information obtained through four public information-gathering workshops to provide recommendations to a broad set of stakeholders within the tech ecosystem for increasing recruitment, retention, and advancement of women of color. This report identifies gaps in existing research that obscure the nature of challenges faced by women of color in tech, addresses systemic issues that negatively affect outcomes for women of color in tech, and provides guidance for transforming existing systems and implementing evidence-based policies and practices to increase the success of women of color in tech.

Now the focus of a major documentary VALERIE TAYLOR: PLAYING WITH SHARKS, premiering at the Sundance Film Festival. From JAWS to BLUE LAGOON and beyond, this is the exceptional and unique life story of pioneering marine conservationist, photographer and shark expert Valerie Taylor.At 83 years old, Valerie Taylor has lived a big, bold adventurous life. Born in Australia, Valerie spent a great deal of her childhood in New Zealand. A talented artist, she dropped out of school when she contracted polio and was saved by Sister Elizabeth Kenny''s treatment plan; it was two years before she could walk unaided. When Valerie was fifteen, she found work as an animator and moved back to Australia with her family. All the while she thrived on being close to the ocean, and was a keen spear fisher. In the 1950s, she met Ron Taylor and then her real adventures started. Together they sailed all over the world, photographing and filming their travels for magazines, TV and movies, and making many documentaries. Valerie and Ron became interested in conservation, and focused on sharks in particular. They did all the shark work on Jaws, and James Cameron decided he wanted to become a filmmaker because of Valerie and her husband. Valerie is working with the brilliant Ben Mckelvey to share her story of falling in love with the ocean and with her husband, Ron. From trainee animator to Spielberg, from JAWS to BLUE LAGOON, this is the remarkable story of an incredible woman.

This classic pulp novel about three young women who leave behind their small-town roots for the big city is "a remarkable slice of bohemia from the 1950s" and a "wondrous tale of love, lesbianism, poetry, and sex" (Jack Halberstam).

Annice, Pat, and Barby are best friends from Iowa, freshly arrived in booming 1950s Chicago to explore different paths toward independence, self-expression, and sexual freedom. From the hip-hang of a bohemian lifestyle to the sophisticated lure of romance with a handsome, wealthy, married boss to the happier security of a lesbian relationship, these three experience firsthand the dangers and limitations of women’s economic reliance on men.

Lesbian pulp author Valerie Taylor skillfully paints a sociological portrait of the emotional and economic pitfalls of heterosexuality in 1950s America—and then offers a defiantly subversive alternative. A classic pulp tale showcasing predatory beatnik men, drug hallucinations, and secret lesbian trysts, The Girls in 3-B approaches the theme of sex from the stiffened vantage point of 1950s psychology.

Femmes Fatales restores to print the best of women’s writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era.