Vanessa Sinclair – författare

Psychoanalytic Perspectives on the Films of Ingmar Bergman presents a contemporary Freudian-Lacanian assessment of this classic director. This collection is the first to bring together this unique psychological perspective on Bergman’s work.While Bergman and his films have been written about throughout the decades, until now there has not been a collection anthologizing Freudian-Lacanian perspectives on his work. Vanessa Sinclair brings together an international community of scholars and practicing psychoanalysts – some of whom are also filmmakers – to reflect on Bergman’s films, life, and work in philosophical, historical, and cultural contexts. They assess individual films in depth, compare multiple films, and focus on Bergman’s life and work in a cultural context. This book includes chapters on seminal films including Persona and The Silence.Psychoanalytic Perspectives on the Films of Ingmar Bergman will be essential reading for academics and students of film studies, psychoanalytic theory, and Lacan, and of great interest to psychoanalysts and psychotherapists.

Scansion in Psychoanalysis and Art examines a strain of artists spanning more than a century, beginning at the dawn of photography and culminating in the discussion of contemporary artists, to illustrate various psychoanalytic concepts by examining artists working in a multitude of media.Drawing on the theories of Sigmund Freud, who applied psychoanalytic methods to art and literature to decipher the meaning and intention of the creator, as well as Jacques Lacan’s dissemination of scansion as a powerful disruption of narrative, the book explores examples of the long and rich relationship between psychoanalysis and the fine arts. Whilst guiding readers through the different artists and their artforms – from painting and music to poetry, collage, photography, film, performance art, technology and body modification – Sinclair interrogates scansion as a generative process often inherent of the act of creation itself. This is an intriguing book for psychoanalysts, psychologists and creative arts therapists who wish to explore the generative potential of scansion and the relationship between psychoanalysis and the arts, as well as for artists and art historians interested in a psychoanalytic view of these processes.

Scansion in Psychoanalysis and Art examines a strain of artists spanning more than a century, beginning at the dawn of photography and culminating in the discussion of contemporary artists, to illustrate various psychoanalytic concepts by examining artists working in a multitude of media.Drawing on the theories of Sigmund Freud, who applied psychoanalytic methods to art and literature to decipher the meaning and intention of the creator, as well as Jacques Lacan’s dissemination of scansion as a powerful disruption of narrative, the book explores examples of the long and rich relationship between psychoanalysis and the fine arts. Whilst guiding readers through the different artists and their artforms – from painting and music to poetry, collage, photography, film, performance art, technology and body modification – Sinclair interrogates scansion as a generative process often inherent of the act of creation itself. This is an intriguing book for psychoanalysts, psychologists and creative arts therapists who wish to explore the generative potential of scansion and the relationship between psychoanalysis and the arts, as well as for artists and art historians interested in a psychoanalytic view of these processes.

Psychoanalytic Perspectives on the Films of Ingmar Bergman presents a contemporary Freudian-Lacanian assessment of this classic director. This collection is the first to bring together this unique psychological perspective on Bergman’s work.While Bergman and his films have been written about throughout the decades, until now there has not been a collection anthologizing Freudian-Lacanian perspectives on his work. Vanessa Sinclair brings together an international community of scholars and practicing psychoanalysts – some of whom are also filmmakers – to reflect on Bergman’s films, life, and work in philosophical, historical, and cultural contexts. They assess individual films in depth, compare multiple films, and focus on Bergman’s life and work in a cultural context. This book includes chapters on seminal films including Persona and The Silence.Psychoanalytic Perspectives on the Films of Ingmar Bergman will be essential reading for academics and students of film studies, psychoanalytic theory, and Lacan, and of great interest to psychoanalysts and psychotherapists.

The Queerness of Psychoanalysis: From Freud and Lacan to Laplanche and Beyond is an exploration of psychoanalysis’ often complicated and fraught history with thinking about queerness, as well as its multifaceted heritage.Throughout the chapters, the contributors write about psychoanalysis’ relationship with queerness, the ways in which queerness is represented in the psychoanalytic archive, and how that archive endures in the present and creates various disruptive effects both within and beyond the clinic. Each chapter from the global cohort of contributors approaches queerness from a different angle: they consider the literary aspects of queerness’ presence in the analytic world; the clinical complexities of working with queer and trans people; metapsychological inclusion and exclusion of queerness, and many other subjects. Taken together these contributions constitute a decisive intervention into the psychoanalytic canon. They are an unabashed demand for accepting and furthering the representation and inclusion of queer, and in particular trans, people within psychoanalysis. It is a call for action to utilize and deepen psychoanalysis’ enormous explicatory powers and bring together voices that have so far been denied a unity of expression, while critically reevaluating psychoanalysis’ historical relationship to queerness. Each chapter proposes different ways of thinking and writing psychoanalytically, with many of the papers queering the format and forms of expression commonly found in academic writing, through their use of dialogues, conversations, or other experimental forms of writing.Written almost exclusively by analysts, scholars, and activists who identify as trans and/or queer, this important volume puts theory into practice by centering queer and trans voices.

The Queerness of Psychoanalysis: From Freud and Lacan to Laplanche and Beyond is an exploration of psychoanalysis’ often complicated and fraught history with thinking about queerness, as well as its multifaceted heritage.Throughout the chapters, the contributors write about psychoanalysis’ relationship with queerness, the ways in which queerness is represented in the psychoanalytic archive, and how that archive endures in the present and creates various disruptive effects both within and beyond the clinic. Each chapter from the global cohort of contributors approaches queerness from a different angle: they consider the literary aspects of queerness’ presence in the analytic world; the clinical complexities of working with queer and trans people; metapsychological inclusion and exclusion of queerness, and many other subjects. Taken together these contributions constitute a decisive intervention into the psychoanalytic canon. They are an unabashed demand for accepting and furthering the representation and inclusion of queer, and in particular trans, people within psychoanalysis. It is a call for action to utilize and deepen psychoanalysis’ enormous explicatory powers and bring together voices that have so far been denied a unity of expression, while critically reevaluating psychoanalysis’ historical relationship to queerness. Each chapter proposes different ways of thinking and writing psychoanalytically, with many of the papers queering the format and forms of expression commonly found in academic writing, through their use of dialogues, conversations, or other experimental forms of writing.Written almost exclusively by analysts, scholars, and activists who identify as trans and/or queer, this important volume puts theory into practice by centering queer and trans voices.

Psychoanalysis has not examined violence as such since it is a sociological and criminological concept; psychoanalysis is concerned with speech. On Psychoanalysis and Violence brings together noted Lacanian psychoanalysts and scholars to fill an important gap in psychoanalytic scholarship that addresses what the contributors term the "angwash" of our current time. Today violence is everywhere. We are inundated with it, exhausted by it, bombarded by images and reports of it on a daily, even hourly basis. This book examines how psychoanalysis can account for the many manifestations of violence in contemporary society. Drawing on a broadly Lacanian perspective, the authors explore violence in war, terrorism, how the media portrays violence, violent video games, questions of identity, difference and the ‘other’; violence narratives and violence and DSM, and explain how to account for how violence arises and the effect it has on us on both an individual and social level. These are just some of the daily social realities of the present day whose aggression are felt by everyone, which horrify us and which we often feel powerless to change. The contributors have therefore coined a term for this cultural malaise: "angwash", arguing that we are awash in angoisse or anxiety, in a constant panic regarding the impossible and contradictory demands of a "civilization" in crisis. On Psychoanalysis and Violence will be of great interest to Lacanian psychoanalysts and psychoanalytic psychotherapists.